Entertainment

Here's the non-news direct from Seattle: An abortion activist video for kiddies

Here's the non-news direct from Seattle: An abortion activist video for kiddies

I was scrolling through Twitter when I saw a feed belonging to Dae Shik Kim Hawkins, Jr., a Seattle writer who specializes in religion and homelessness. That’s an unusual combo.

In one tweet, he was applauding a video he helped produce that aired Dec. 28. It markets abortion to kids; a job he called “the Lord’s work.” Only in Seattle is abortion seen as a kids ministry.

So what is the journalism question here? This is another one of those cases in which we are dealing with a story worthy of mainstream coverage, which GetReligion would then critique. However, that would assume that mainstream newsrooms have produced mainstream news coverage of a topic this hot and, to my eyes, controversial.

So what kind of coverage is out there?

Sure enough, conservative media have been fuming about it all. CBN said:

A YouTube channel for kids is facing controversy after posting a video of a pro-choice activist working to convince children it's ok to have an abortion.

Amelia Bonow, the woman who started the social media hashtag #ShoutYourAbortion, appears in the video talking with children about her abortion experience and sharing her views on the issue.

The popular organization known as HiHo Kids has more than 2 million followers on YouTube. HiHo published the video online on Dec. 28 entitled "Kids Meet Someone Who's Had An Abortion." It's already been seen by more than 200,000 people.

In the eight-minute video, young children squirm as Bonow tries to indoctrinate them with her pro-abortion worldview. She compares having an abortion to a bad dentist appointment and a bodily procedure that's "kind of uncomfortable." She also tells one child that she believes abortion is "all part of God's plan."

HiHo Kids, known as a “children’s brand” produced at the Seattle offices of Cut.com (where Hawkins works), provides edgy programming that features different cuisines kids can try plus the occasional Interesting Person kids can meet. The abortion activist was one of a lineup that included a ventriloquist, a gender non-conforming person, a transgender soldier, a person who’s committed a felony, a ballerina, a hypnotist, a deaf person, a drag queen, a gynecologist, a teen mom and, well, you get the idea.

I guess the idea is that by familiarizing these kids with these various life choices or conditions, the youthful listeners will quickly learn to accept them all. Think they ever get to meet a rabbi, priest, pastor, a nun, imam or Mormon elder? I doubt it. That would not be newsworthy. Then again, the production of this video appears to be “conservative news” — period.

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Trump is what matters: Mark Burnett/Roma Downey faith duet gets a nod in The New Yorker

Trump is what matters: Mark Burnett/Roma Downey faith duet gets a nod in The New Yorker

During the summer of 2017, I spent some time trying to get ahold of Mark Burnett, originator of “The Apprentice,” “Survivor,” “Shark Tank” and other reality TV shows.

I was researching a story on Paula White, A key spiritual advisor to Donald Trump. She’d told me she’d held Bible studies for cast members of “The Apprentice” and I wanted to see if Burnett would talk about having her on the set.

This Hollywood player had an obvious Christian connection, as he’d been married to “Touched by an Angel” co-star Roma Downey since 2007, so I thought a few questions about Paula’s Bible studies shouldn’t faze him. But he’d been under pressure to release tapes from “The Apprentice” (so people can check to see if Trump said anything outrageous on them), so he was not commenting on anything to do with the show. Downey, by the way, is one of the most openly Christian actresses in Hollywood.

So I was intrigued to read more about his religious journey in a new story out in The New Yorker. The gist of this long tale isn’t faith by any means. Like so much news fodder these days, the key is Trump, Trump, Trump.

This feature story wanders around, asking this question: Does Burnett feel any responsibility for staging the show that propelled Trump toward the presidency? In other words, Burnett created this monster and how does he live with it?

Answer: Very well. If Burnett feels any qualms about his curious role in American history, he’s not talking about it. As good and insightful as the article is –- and I certainly learned a lot from it –- I’ll not be dwelling on most of it. But I do have something to say about the religious parts.

Downey, who grew up in a Catholic family in Northern Ireland, is deeply religious, and eventually Burnett, too, reoriented his life around Christianity. “Faith is a major part of our marriage,” Downey said, in 2013, adding, “We pray together.”

For people who had long known Burnett, it was an unexpected turn. This was a man who had ended his second marriage during a live interview with Howard Stern. … In 2008, Burnett’s longtime business partner, a lawyer named Conrad Riggs, filed a lawsuit alleging that Burnett had stiffed him to the tune of tens of millions of dollars. …

Years ago, Burnett told Esquire that religion was “a waste of time.” (Second wife) Dianne Burnett told me that when she was married to him he had no interest in faith. “But you know what? People change,” she continued.

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America magazine flashback: Yes, 'A Charlie Brown Christmas' is really, really strange

America magazine flashback: Yes, 'A Charlie Brown Christmas' is really, really strange

One of the ways that I celebrate the arrival of the real 12 days of Christmas — trigger alert: which start on Dec. 25th — is by calling up the absolutely fabulous Vince Guaraldi soundtrack to “A Charlie Brown Christmas.”

As I type these words we are in the middle of the acoustic bass solo on “Christmastime Is Here,” the instrumental take on that wonderful melody.

I wish I could write a column every year or so about that 1965 Peanuts special. There are so many angles and subplots in the twisted story of how this now legendary show was a long shot to reach America’s TV screens — especially with Linus reciting the Nativity story from the Gospel of Luke. Oh, and the principalities and powers also thought the jazz soundtrack would flop with Middle America.

Anyway, the editors at America magazine have re-upped an amazing 2016 essay by Jim McDermott that I somehow missed the first time around. The headline: “How ‘A Charlie Brown Christmas’ continues to defy common sense.”

Let’s consider this a think piece for today, even though this isn’t a weekend.

It’s Christmas. Sue me. So here is the overture:

When “A Charlie Brown Christmas” debuted on Dec. 9, 1965, CBS executives were so sure it would fail they informed its executive producer, Lee Mendelson, they were showing it only because they had already announced it in TV Guide. “Maybe it’s better suited to the comic page,” they told him after an advance showing.

Despite six months working on the show, the animation director, Bill Melendez, felt much the same. “By golly, we’ve killed it,” he recalls telling Mendelson after a screening.

The American public disagreed. In fact, 45 percent of Americans with a television set watched “A Charlie Brown Christmas” that night, making it the second highest rated show of the week (behind “Bonanza”). The program would go on to win an Emmy and a Peabody, and it has been broadcast every Christmas season since.

Now, here is the special part. I think that this next passage is absolutely magical in summing up just how STRANGE the Peanuts special was when it came out and, of course, it’s just as strange today. That’s the point.

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Gray Lady visits buckle of Bible Belt: Ignores historic Christian roots in booming Nashville

Gray Lady visits buckle of Bible Belt: Ignores historic Christian roots in booming Nashville

I have been in and out of Nashville since the mid-1980s and I have heard that great city called many things.

Of course, it is the “Music City,” but I am more fond of the nickname “Guitar Town.”

Southern Baptists used to refer to the national convention’s large, strategically located headquarters as the “Baptist Vatican.” Then again, the United Methodist corporate presence in Nashville is also important.

This points to another reality: The historic synergy between the country music industry and the world of gospel music, in a wide variety of forms (including Contemporary Christian Music). Nashville is also home to a hub of Christian publishing companies that has global clout. All of that contributes to another well-known Nashville label: “Buckle of the Bible Belt.”

It’s an amazing town, with a stunning mix of churches and honky-tonks. As country legend Naomi Judd once told me, in Nashville artists can sing about Saturday night and Sunday morning in the same show and no one will blink.

This brings me to a massive New York Times feature that ran with this sprawling double-decker headline:

Nashville’s Star Rises as Midsize Cities Break Into Winners and Losers

Nashville and others are thriving thanks to a mix of luck, astute political choices and well-timed investments, while cities like Birmingham, Ala., fall behind.

That tells you the basic thrust of the story. What interested me is that the Times covered the rapidly changing face of Nashville — many Tennesseans moan that it’s the new Atlanta — without making a single reference to the role that religious institutions have played in the city’s past and, yes, its present.

That’s really, really hard to do. But the Times team managed to pull that off.

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Democrats after The Kiss: Did new left let enough 'blue dogs' run in 2018 midterms?

Democrats after The Kiss: Did new left let enough 'blue dogs' run in 2018 midterms?

So what does the famous Al and Tipper Gore snog-deluxe at the 2000 Democratic National Convention have to do with the upcoming midterm elections in 2018? And what does that question have to do with the Big Bang question that is always lurking in American politics, which is control of the U.S. Supreme Court?

Be patient with me here, because I can see the connections in my mind (and in my own political experience over recent decades). But I’m not sure if I can get them to make sense in 600 words or so. But that’s what I need to do, since these questions are connected to the content of this week’s “Crossroads” podcast. Click here to tune that in.

So let’s start with The Kiss.

Long ago, young Al Gore was one of the heroes of conservative Democrats everywhere — as in “blue dog” Democrats that lean left on populist economic issues and lean right on matters of morality and culture. In other words, Gore was a pro-life Southern Baptist guy when he was in the U.S. House of Representatives and an almost-pro-life guy when he first hit the U.S. Senate.

That made him the kind of Democrat that could get elected over and over in a culturally conservative state — think Bible Belt — like Tennessee. That was good for Democrats. Hold that thought.

But when Gore took his ambitions to the national level, the realities of Democratic Party life made him float over to the liberal side of things on issues such as abortion and the illiberal side of things on issues like religious liberty (I say that as on old-fashioned First Amendment liberal).

In terms of image, however, he made a great New Democrat partner for President Bill Clinton, who once flirted — in politics, that is — with conservative moral stances on a host of issues.

But then Clinton turned into a whole different kind of man in the public eye. To say the least.

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Big religion ghost: Would a 'blue dog Democrat' win Tennessee's U.S. Senate race?

Big religion ghost: Would a 'blue dog Democrat' win Tennessee's U.S. Senate race?

What, pray tell, is a “blue dog Democrat” these days? If you look up the term online, you will find several variations on what characteristics define this politically endangered species.

Growing up as a Democrat in ‘70s Texas, I always heard that “blue dogs” — especially in West Texas — were progressives on economic issues and conservatives on culture. Many were “populist” Texans left over from the old New Deal coalition. Eventually, it was crucial that many “blue dogs” were Democrats who angered Planned Parenthood.

Meanwhile, we had a term for politicos who were conservative on economics and liberal on cultural and moral issues. They were “country club” Republicans.

Here is some language from the website of the current Blue Dog PAC :

The Blue Dog Coalition was created in 1995 to represent the commonsense, moderate voice of the Democratic Party, appealing to mainstream American values. The Blue Dogs are leaders in Congress who are committed to pursuing fiscally-responsible policies, ensuring a strong national defense, and transcending party lines to do what’s best for the American people.

Ah, what do the words “mainstream American values” mean in a land dominated by digital “progressives” and Donald Trump? Are there moral or religious implications there?

The term “blue dog” showed up in a recent New York Times feature about the U.S. Senate race in Tennessee, the Bible Belt state that I now call home. (Click here for a previous post on a related subject.) Here is the Times headline: “A Changing Tennessee Weighs a Moderate or Conservative for Senate.”

In Times terms, of course, this is a race between a “moderate” Democrat, that would be former governor Phil Bredesen, and the “hard-line” Republican, Rep. Marsha Blackburn. As always, the term “moderate” is a sign of editorial favor.

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Old questions about the headline you did not see: Why didn't press spot royal 'fetus bump'?

Old questions about the headline you did not see: Why didn't press spot royal 'fetus bump'?

For years, it was one of the most painful, divisive journalism questions faced by reporters and editors, a question that they couldn’t look up in the Associated Press Stylebook — the bible of most mainstream newsrooms.

The question: When is an unborn child an “unborn child” or a “baby”? When should reporters use the supposedly neutral term “fetus”?

Here is the top of a recent news story that serves as a perfect, and tragic, example of this journalism issue:

A grieving widower has revealed why he shared photos of his dead wife and unborn daughter after they were killed by an allegedly drunk driver.

Krystil Kincaid was eight months pregnant with her daughter, Alvalynn, when their car was struck on a California highway on Sept. 9. Her heartbroken husband, Zach, who lives in San Jacinto, Calif., decided he wanted the world to see the unsettling images of the 29-year-old mother and their little girl lying in a coffin together at their wake.

That’s a tragic example of this journalism issue.

Here is another new case study, drawn from current celebrity clickbait news. After all, it’s hard for journalists to ignore a royal baby bump.

In this case, the New York Times headline proclaims: “Prince Harry and Meghan Markle Announce She’s Pregnant.” The lede is where we see the “problem.”

LONDON — Another royal baby is on the way.

Prince Harry and Meghan Markle, the Duke and Duchess of Sussex, are expecting a child in the spring, Kensington Palace announced.

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R-rated 'Game of Thrones' is also grist for debates about a second 'R' -- religion

R-rated 'Game of Thrones' is also grist for debates about a second 'R' -- religion

Last week, the New York Times magazine produced a fawning piece about George R.R. Martin, fantasy’s “reigning king” because of his seminal “Game of Thrones” series, now at five (immense) books.

I say “fawning” because the story was only on the series’ amazing success and not on the major problems Martin is having at finishing up his series. More on that in a bit. The goal, eventually, is to discuss whether the Times or any other publication has has shown any interest in the role of religion in this global hit.

These books started coming out in 1996, then continued in a (sort of) steady clip until 2011 with the release of book five. Book six, “The Winds of Winter,” was supposed to be out by 2016 at the latest, but the writer got caught up with helping produce the HBO drama (starting in 2011) Game of Thrones.

I read the first two books some years ago, but, annoyed with non-ending violence, I dropped them. I picked them up again in the fall of 2014 and finished the series while teaching in Fairbanks so as to have something to occupy me during that cold, dark winter. Now I’m making my way through the HBO drama and am nearly finished with the fourth season. As the Times says:

After the HBO show premiered, the world Martin had created became a global phenomenon, and his readership reached heights few authors have ever found — his American peers now include other household names of genre fiction, such as Tom Clancy and Stephen King.

The plot of “ASOIAF,” as fans call it, is concerned largely with events unfolding in and around the continent of Westeros around the year 300 A.C. (“after conquest” of the seven kingdoms in the books). The inciting incident of the series is the death, under suspicious circumstances, of Jon Arryn, who had been serving as hand of the king (chief of staff, basically) to a royal named Robert Baratheon. Arryn’s demise sets in motion a chain of events leading to the murder of King Robert himself, which in turn creates a power vacuum, destabilizing the prevailing political order. After centuries of relative calm, chaos erupts into a full-blown war, involving several of the realm’s great family houses.

Millions of people, of course, knew all of that already.

One reason it’s been taking me so long to get through the HBO series is because I can’t watch the stuff while the kiddo is awake because the violence/gore/explicit sex content is off the charts. Maybe that’s why — of the reams of material written about the book and wildly successful series — comparatively little has been written about the role of religion in the Game of Thrones books.

Not to say there isn’t any.

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What are we to think of 'religious' TV shows that sidesteps the whole God issue?

What are we to think of 'religious' TV shows that sidesteps the whole God issue?

A late September headline at the Esquire magazine website proclaimed “There Is No God on TV, Only The Good Place.”

Indeed, the clever sitcom of that title, which launched season No. 3 last week, plays around with good and evil, heaven and hell, and even portrays supernatural demons. But God is missing.

This NBC fantasy is just the thing to lure the eyeballs of America’s growing legion of young, religiously unmoored “nones,” in a carefully multicultural fashion that also ignores religious beliefs and practices. Instead, the proceedings are all about a hazy moral philosophy about what makes a good person.

CBS makes a different audience bid with “God Friended Me,” which premiered Sunday. The drama’s lead character Miles (played by Brandon Micheal Hall) is a preacher’s kid turned outspoken atheist. Is the “God” who becomes his Facebook “friend” the actual cosmic God or some human or otherworldly trickster? To find out, Miles enlists his devout bartender sister, a hacker pal, and a journalist, and experiences coincidences that just might be miracles.

Judging from one episode, there may not be much here for religion writers to ponder, and it's hard to guess whether “Friended” can even survive. (Ratings prospects are dimmed by CBS’s inability to set predictable Sunday start times following sports events.) This seems inspiration-drenched programming in the varied tradition of “Highway to Heaven,” “Joan of Arcadia,” “Promised Land,” “Seventh Heaven,” “Touched by an Angel,” or last season’s short-lived “Kevin (Probably) Saves the World.”

“The Good Place,” by contrast, has somehow managed to establish a niche and win critics’ acclaim by probing Big Questions with a droll touch. Here salvation is earned strictly by performing good deeds instead of faith. That conflicts with an historic 1999 Catholic-Lutheran accord that insists Christianity believes that “by grace alone, in faith in Christ’s saving work and not because of any merit on our part, we are accepted by God” who equips and calls us to “good works.”

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