iconography

Clock keeps ticking: Will Turkey dare to turn Hagia Sophia into a mosque -- again?

Clock keeps ticking: Will Turkey dare to turn Hagia Sophia into a mosque -- again?

Art historian Andrew Gould had studied many copies of the exquisite mosaic of Jesus found high in Istanbul's 6th Century Hagia Sophia cathedral.

But that didn't prepare the architect and sacred artist for what he felt when he stood under the icon, illumined by the soaring windows in the south gallery that overlooks the main floor, under the central dome that is 184 feet high and 102 feet in diameter.

The Deesis ("supplication") icon -- at least twice the size of life -- shows the Virgin Mary and St. John the Baptist with their heads bowed, framing an image of Christ Pantocrator ("enthroned"). The glass mosaic cubes were set at angles to create a shimmering effect across the gold background and the many-colored images, whether viewed in daylight or with lamps and candles.

Much of this icon was destroyed a century ago as workers probed to find priceless mosaics under layers of plaster and paint added through the centuries after 1453, when the Ottoman armies of Mehmed II conquered Constantinople.

Now, Turkish leaders want to convert Hagia Sophia -- a museum for decades -- back into a mosque.

"There is no more refined icon of Christ anywhere," said Gould, of the New World Byzantine Studios in Charleston, S.C. "Just in terms of information, we have copies we can study. … But visiting Hagia Sophia and seeing this icon under natural light, seeing it in the context of the sanctuary, was crucial to the development of my whole understanding of Orthodox art."

If the "Deesis" is covered again, along with other icons, "this is not something that can be replaced with photographs in art books," he said. "It would hurt artists and believers around the world in so many ways."

The current controversy is rooted in politics, more than lingering tensions between Muslim leaders and Turkey's tiny Christian minority, which has little power other than through ties to Greece, Europe and the United States.

Hagia Sophia became a museum in 1934, a symbol of Mustafa Kemal Ataturk's drive to build a modern, truly secular state. Now, President Recep Tayyip Erdogan has sent many signals that he wants Turkey to return to Islamic principles.

Debates in Turkish media have swirled around whether modern leaders retain the "right of the sword" to reclaim Hagia Sophia, noted Mustafa Akyol, a Turkish journalist and author of the book "Islam Without Extremes: A Muslim Case for Liberty."


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'Head of Christ' story ignores centuries of art depicting what Jesus looked like: A first-century Jew

Well, this Religion News Service piece sure has an interesting premise. I am talking about a lengthy feature — seen here in the Washington Post — that implies American Christianity is racist because of one popular painting of Jesus Christ.

Never mind that many of us have grown up disliking the painting for its sickly sweet religiosity. Never mind that this is not the iconic image seen in Christian traditions with ancient roots and liturgical art that reveals those roots in the Middle East. There’s a crucial word missing in this piece — “Jewish.”

Even as a child, this particular image repelled me, as it didn’t reflect the lively, infuriating and suffering Jesus I saw in the Bible. There’s an assumption that Americans adore this image.

Now, our modern-day iconoclasts want to get rid of it.

CHICAGO — The first time the Rev. Lettie Moses Carr saw Jesus depicted as black, she was in her 20s.

It felt “weird,” Carr said.

Until that moment, she had always thought Jesus was white.

At least that’s how he appeared when she was growing up. A copy of Warner E. Sallman’s “Head of Christ” painting hung in her home, depicting a gentle Jesus with blue eyes turned heavenward and dark blond hair cascading over his shoulders in waves.

The painting, which has been reproduced a billion times, came to define what the central figure of Christianity looked like for generations of Christians in the United States — and beyond.

“Some in the church,” the reporter says, are calling for the eradication of that painting because it makes Jesus look white with blue eyes.

Folks, haven’t we been here before?

Remember the dust-up in 2013 when Megyn Kelly told us all that Jesus was white?


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