Rembrandt

'Head of Christ' story ignores centuries of art depicting what Jesus looked like: A first-century Jew

Well, this Religion News Service piece sure has an interesting premise. I am talking about a lengthy feature — seen here in the Washington Post — that implies American Christianity is racist because of one popular painting of Jesus Christ.

Never mind that many of us have grown up disliking the painting for its sickly sweet religiosity. Never mind that this is not the iconic image seen in Christian traditions with ancient roots and liturgical art that reveals those roots in the Middle East. There’s a crucial word missing in this piece — “Jewish.”

Even as a child, this particular image repelled me, as it didn’t reflect the lively, infuriating and suffering Jesus I saw in the Bible. There’s an assumption that Americans adore this image.

Now, our modern-day iconoclasts want to get rid of it.

CHICAGO — The first time the Rev. Lettie Moses Carr saw Jesus depicted as black, she was in her 20s.

It felt “weird,” Carr said.

Until that moment, she had always thought Jesus was white.

At least that’s how he appeared when she was growing up. A copy of Warner E. Sallman’s “Head of Christ” painting hung in her home, depicting a gentle Jesus with blue eyes turned heavenward and dark blond hair cascading over his shoulders in waves.

The painting, which has been reproduced a billion times, came to define what the central figure of Christianity looked like for generations of Christians in the United States — and beyond.

“Some in the church,” the reporter says, are calling for the eradication of that painting because it makes Jesus look white with blue eyes.

Folks, haven’t we been here before?

Remember the dust-up in 2013 when Megyn Kelly told us all that Jesus was white?


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