If you ever talked with Norma McCorvey, you know that there was one thing that she wanted journalists to do more than anything else: To tell her story, with all of its messy and complicated details.
She had more than her share of regrets. She had deep sorrows and, through the years, crossed an ocean of shame. As "Jane Roe" of Roe v. Wade she was a footnote in just about every textbook used in an American History class, at any level of education. Yet, from her point of view, she was famous because of a lie at the heart of her own life.
She knew that she could not make her lies go away. But she did want journalists to allow Americans to hear her tell the story of when she lied, why she lied and how she came to regret what legal activists built with the help of her most famous lie. Thus, she told her story over and over and over, while also trying to walk the walk of a conception to natural death Catholic pro-lifer.
The key point: For McCorvey, her adult life begins with lies and ends with attempts to live out the truth. For those on the cultural left, her public life began with truth and then sank into sad confusion and religious sentiment.
Now McCorvey has died, at age 69. That means that almost every newsroom in America will offer some version of her story -- one last time. How many of the scandalous details of her complicated life will make it into print? When looking at the mainstream obits, there is one key detail to examine: How seriously did each news organization take McCorvey's conversion to Roman Catholicism?
Let's start with the Associated Press, since that feature will appear in the vast majority of American newspapers. To its credit, the AP piece puts both halves of the McCorvey journey in the lede, where they belong.
DALLAS (AP) -- Norma McCorvey, whose legal challenge under the pseudonym “Jane Roe” led to the U.S. Supreme Court’s landmark decision that legalized abortion but who later became an outspoken opponent of the procedure, died Saturday. She was 69.
A few lines later there is this crucial summary of her life -- stated from McCorvey's own point of view, drawn from an autobiography.