I bring you an update today courtesy of The Religion Guy.

Those of you who are regular GetReligion readers know that The Guy is Richard N. Ostling, who was a longtime religion writer with The Associated Press and Time magazine and received the Religion News Association's lifetime achievement award in 2006. Here at GetReligion we call him the "patriarch."

Back in March, Ostling wrote about a manuscript fragment of the Gospel of Mark supposedly dating back to the 1st Century A.D. He put it this way:

A long-brewing story, largely ignored by the media, could be the biggest biblical bombshell since a lad accidentally stumbled upon the Dead Sea Scrolls in 1947. Or not.

Here is the update from my esteemed colleague:

In case anyone is pursuing this story idea, it now appears that “not” is the operative word. Brill has issued the long-delayed volume 83 of its Oxyrhynchus Papyri series and turns out Oxford paleography expert Dirk Obbink dates this text far later. It's still an important early find, but not the earth-shattering claim that was made by several evangelical exegetes. The so-called Papyrus 5345 fragment covers six verses, Mark 1:7-9, 16-18.

Daniel Wallace, who first announced the forthcoming bombshell in a 2012 debate with Bart Ehrman, explains what happened and apologizes to Ehrman and everyone else in a post on his blog. Also notable is this new posting by Elijah Hixson at a technical website about textual criticism. Hixson’s May 30 overview for Christianity Today shows there’s still a story the news media might explore.

Good lessons here for journalists as well as biblical scholars.

Now, let's dive into the Friday Five:

The Olympics in Rio have already thrilled millions with the gold medal performances of champs like Michael Phelps and the Final Five gymnastic team. But the Washington Post takes the occasion to look even higher: at the statue of Christ who stretches his arms out over the city.

This delightful newsfeature, by the Post's veteran religion writer Michelle Boorstein, captures several sides of what she calls "the most recognizable Christian image in Latin America": the history, the sheer size, and the many meanings behind it.

Yes, meanings, plural. As Boorstein says, "Christ the Redeemer" stands high in that class of national symbols standing for many things to many people. And yes, religious and spiritual elements are on her list.

Her story smoothly blends background, color, humor and informed sources:

But Cristo’s meaning to Brazilians varies. Some see it as a tribute to Catholicism while others consider it a salvo against secularism. Still others in the rapidly diversifying country consider it a general symbol of welcome, with arms open wide. One of its original creators called it a "monument to science, art and religion."

Cristo is an iconic image of Brazil. It is "reproduced everywhere," read a 2014 BBC feature, "in graffiti art, sand sculptures on Copacabana beach — and even on skin." During Carnival, there is a street party called Christ’s Armpit, or ‘Suvaco do Cristo," that weaves its way at the base of the mountain, called Corcovado.

I can even forgive her for writing "iconic image of Brazil." Whenever I see that worn adjective "iconic" these days, it looks like a flag for "Creative Shortfall Here!" But this time, the subject matter deserves it.

This story has a lot of what we old-school journalists used to call the "Hey, Mabel!" -- fun facts you'd want to tell your mate right away. We imagined a husband reading the paper over coffee and saying, "Hey, Mabel! Did you know that …"

Friday Five: Biblical bombshell (not), Joel Osteen deep dive, Onion-style real headlines and more

Rio's Christ statue: Washington Post adds a delightful angle to the Olympics