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With alarming new reports on American youth, what should religious leaders be doing?

With alarming new reports on American youth, what should religious leaders be doing?

Religion writers, like many other Americans, doubtless find a February report on the well-being of American teens from the federal Centers for Disease Control (.pdf here) nothing short of alarming.

There are religion-beat angles in these numbers. The question is whether religious leaders have figured that out yet. As we say here at GetReligion: Hold that thought.

Meanwhile, many news reports focused on the reported plight of teen-aged girls. The CDC survey in 2021 found that 57% persistently feel hopeless and sad, a 60% increase over the past decade and double the rate for boys, while 31% considered taking their own lives. The incidence of girls suffering sexual violence increased 20% in just the four years since 2017. Also, attempted suicide afflicted 22% of “LGBQ+” students.

Meanwhile, the media have lately put new emphasis on the troubled situation of boys and men.

Last August, Psychology Today said young and middle-aged men are more lonely than they’ve been in generations. A major consideration is that men are typically “happier and healthier” when married or “partnered.”

Internet dating is now a huge source of romantic connections, but 62% of users are men because “women are increasingly selective.” Men’s lack of “relationship skills” is said to produce less dating, more singleness, and thus less contentment.

That’s buttressed by a February 22 article from The Hill: “Most young men are single. Most young women are not.” New York University psychology professor Niobe Way’s view contrasts with the CDC, saying young adult men’s “social disconnect” means their suicide rate is quadruple that for women. And we all know distressed teen and young adult men are responsible for much of the national epidemic of mass shootings.

Young women, better-educated than men, “are getting more choosy” and are less likely to settle for problematic mates. Meanwhile, millions of young men have great relationship skills — with their digital screens.


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Thinking about God and Hollywood: Raquel Welch became a faithful Presbyterian?

Thinking about God and Hollywood: Raquel Welch became a faithful Presbyterian?

I have to admit that it never would have entered my mind to think there were religion “ghosts” in the life, career and death of Raquel Welch, who would have to be on anyone’s list of the iconic bombshell beauties in Hollywood history.

Then I started getting some emails.

Who knew that Welch evolved into a churchgoing and, by all reports, quite modest and mature Presbyterian church lady. In particular, people pointed me toward The Aquila Report, a blog for “conservative, orthodox evangelicals in the Reformed and Presbyterian family of churches.” The headline: “A Tribute to Raquel Welch’s Life and Testimony — She was a wonderful lady and a fine Christian.” Here is a sample of that feature:

As with many, her faith grew more serious and practical with age. It’s often true that the most important things become the most important to us as we’ve matured personally. That’s just to say that spiritual and personal maturity are often coincident age and life experience.

Second, she fully embraced the Reformed and Presbyterian faith as described in the Westminster standards. She would never burden others that they must because she did — but that she did isn’t really a question. She was of the old, rugged faith. She never felt the need to pressure anyone in regard to matters of faith but she also didn’t have a great deal of patience for cute or pop cultural theological moods. This was part of her strength.

Third, she was just another lady of the church. She didn’t put on airs or expect special attention (although she could hardly avoid even with the best of intentions being the most glamorous person in the room). And she often advised churches and ministries on practical and business matters because she was brilliant in those things. You didn’t think she survived and thrived 60+ years in the public eye by just being a pretty face?

There was one more point that I found interesting, because it linked to material I had encountered through the years about some “conservative” superstars.

It helps to know that my favorite actor of all time is the late Jimmy Stewart and I’ve read quite a bit about his life. I was set up to interview him, years ago, at the Presbyterian church he attended, but he came down with the flu and had to cancel.

Anyway, the Aquila Report piece noted that Welch’s faith journey was linked to her friendships with “other conservative Presbyterians Jimmy Stewart, Ron Reagan and Chuck Heston.” Interesting.


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Bonus podcast: Thinking (yes, again) about journalism 'religion,' as well as Super Bowl ads

Bonus podcast: Thinking (yes, again) about journalism 'religion,' as well as Super Bowl ads

On the day after the Super Bowl, what was the hot topic in your social-media feeds?

Was it bad lip syncing or a visible pregnant superstar?

Maybe the first-ever showdown between two Black starting quarterbacks? Or was it that each of these quarterbacks paused for rather lengthy moments of private prayer before the game began?

Advertisements? Naked avocados? The usual parade of beers? Deadly-serious triangular snacks? Electric vehicles that are not on sale yet? Or how about that sonogram of an unborn child with a thing for Pringles?

Now, do you think your answers could be connected to the presence of religious topics in your search-engine history files? Which of the angles listed above were most likely to get covered in “mainstream” news sources and which probably showed up in “religious” or “conservative” news?

This is another way to say that, one way or another, the odds are good that Americans are going to end up arguing about hot-button topics linked to religion.

That search-engine question was directly linked to the discussions at the end of a podcast that I did the other day with the Acton Institute social-media team. The main topic (#surprise) was my recent essay for their journal Religion & Liberty: “The Evolving Religion of Journalism.”

To be blunt, I think this is the most important thing I’ve written about the religion beat since my 1983 cover story for The Quill: “The Religion Beat: Out of the ghetto, into the mainsheets.” Thus, GetReligion has already offered quite a bit of digital ink (and a podcast of our own) on this topic. Think “RIP American Model of the Press? It appears that online financial realities killed it ...” And also, “It's just good business? The growing debate about America's news-silo culture.

Thus, here is the Acton description of the podcast material:


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Podcast: What happens when drag-queen culture meets the Christmas Wars? Take a guess ...

Podcast: What happens when drag-queen culture meets the Christmas Wars? Take a guess ...

Just the other day, someone tweeted out a challenge asking readers to share, in five words or less, something that would annoy die-hard Texans. As a prodigal Texan, I responded: “Austin, Austin, Austin, Austin, Austin.”

You see, the People’s Republic of Austin — I heard that label in the 1970s — is located inside Texas and it is even the capital of Texas, but it has long been deep-blue urban zip code (there are now others) in a rather red state.

This creates tensions. Which brings us to that interesting Christmas Wars headline the other day in The Washington Post: “A Texas culture clash: Dueling parades over the meaning of Christmas,” which was the hook for this week’s “Crossroads” podcast (CLICK HERE to tune that in).

Let me offer a bit of “Christmas Wars” background. For decades, the most powerful institutions in American life — government, mass media, public schools, shopping malls, etc. — have argued about what kind of language and symbolism can be used during the cultural tsunami known as The Holidays. As one Baptist progressive said long ago, people may want to play it safe and say, "Merry Christmas, Happy Hanukkah, and a Joyous Kwanzaa, Martyrdom Day of Guru Tegh Bahadur, Bodhi Day, Maunajiyaras Day, Beginning of Masa'il, Nisf Sha'ban and Yalda Night, Yule and Shinto Winter Solstice, and Ramadan! Or, happy holidays!"

But there is a serious church-state issue looming in the background: Is religious speech and symbolism a uniquely dangerous force in public life? In practical terms, can public institutions — especially if there are tax dollars involved — let “Christmas be Christmas.”

Strange things have happened in these debates, such as some (repeat “SOME”) religious and cultural conservatives celebrating when, let’s say, Menorahs and even Nativity scenes are acceptable since they have become “secular” symbols that no longer have offensive religious content. That’s a win for religion?

With that in mind, let’s look at the overture of this Washington Post story, about Christmas Wars in greater Austin:

TAYLOR, Tex. — The trouble started at last year’s Christmas parade, when students from St. Mary’s Catholic School watched as two drag queens aboard the first Taylor Pride float danced and lip synced to Christmas carols beneath a glittering rainbow arch.


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Gazing into a niche-media future: How politicized might evangelical radio become?

Gazing into a niche-media future: How politicized might evangelical radio become?

During the heat of the election campaign, the Salem Media Group staged an 11-day “Battleground Talkers” tour that covered politically potent Arizona, Florida, Georgia, Michigan, Ohio and Pennsylvania.

Purpose: To boost conservative voter turnout and nudge undecided voters on what “may be the most important election in the history of our country. … The war for America’s soul is on the line.” The rallies’ Republican and conservative flavor was no surprise, since they featured Salem radio personalities Mike Gallagher, Sebastian Gorka, Hugh Hewitt, Charlie Kirk, Eric Metaxas, Dennis Prager and Brandon Tatum, among others.

Salem Media, a publicly traded firm founded and chaired by Edward G. Atsinger III (469-586-0080), is based in Irving, Texas. It boasts of being “America’s leading Christian media company” — in this context “Christian” means pretty much evangelical Protestant — with radio networks, local stations, syndicated programs, websites, podcasts, marketing services, event planning and Regnery, a major conservative book house.

The “Battleground” personalities appear on the company’s Salem Radio Network, which employs a “conservative news talk” format. Salem says market research indicates such programming “is highly complementary to our core format of Christian Teaching and Talk” heard on other Salem outlets because “both formats express conservative views and family values.”

A thoroughly-reported, 70-inch New York Times examination of the politics of the Salem “juggernaut” October 18 (paywalled here) said, among many other things, that the company consistently promotes “ballot fraud conspiracy theories.”

Such a mix of the sacred and the profane would have astonished the 20th Century founding preachers of conservative Protestant radio such as William Ward Ayer, Donald Grey Barnhouse, Percy Crawford, M.R. DeHaan, Charles Fuller, Aimee Semple MacPherson, Walter Maier or Paul Rader.

Though TV gets the glamour, radio has arguably been more important in building the U.S. evangelical subculture and shaping its substance since World War II.


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Is Hollywood afraid to be 'woke'? That's a question with moral and religious implications

Is Hollywood afraid to be 'woke'? That's a question with moral and religious implications

It’s one of the most famous quotes ever about the realities of working in Hollywood. That quote: “If you want to send a message, try Western Union.”

Of course, the Tinseltown giant who said that was Frank “It’s a Wonderful Life” Capra, a hero of ordinary people in the heartland. So what would he know about working with the woke powers that be on the left coast, these days?

I bring this up because of a fascinating New York Times lament that ran the other day with this headline: “After #MeToo Reckoning, a Fear Hollywood Is Regressing.” Apparently, progressives in Hollywood are very, very upset with the American people — think heartland folks, again — about some nasty recent returns in ratings and at the box office. Some “message” flicks are bombing.

Here’s the thesis statement: “The takeaway, at least to some agents and studio executives: We tried — these ‘woke’ projects don’t work.”

What does religion have to do with this? Very little, according to the Times (but we will get to that).

It’s clear that, to the team that produced this Times sermon, Middle America simply does not share the concerns of woke artists about systematic racism, sexual abuse and the whole diversity project in general.

Now, you can forget that “Black Panther” juggernaut in multiplexes nationwide, including red zip codes. Stunning, well-crafted Black superhero tales don’t count. Americans just aren’t lining up to watch the morality tales that Hollywood wants them to embrace. But what’s interesting — at least to me — is the degree to which the movies and big-ticket streamed TV series at the heart of this debate often contain content about religious and moral issues that, yes, are LINKED to diversity issues.

In other words, is this a new news story or the latest chapter in an old story about Hollywood’s struggles to understand the more religious and culturally conservative half of the American marketplace?

Let’s start where the Times has chosen to start — with Hollywood’s efforts to clean up its act in the wake of the Harvey Weinstein scandal, etc. Here’s the thesis about the #MeToo aftermath:

The movement led to increased diversity and representation in the entertainment industry, but now there is worry that executives have turned their attention elsewhere.

What happened?


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Life in a disenchanted world: Once upon a time, Christians used to write fairy stories

Life in a disenchanted world: Once upon a time, Christians used to write fairy stories

Demons appear on movie screens all the time, but poet Richard Rohlin is convinced he has actually seen them at work when counseling young people whose search for meaning has driven them deep into experiments with sex, drugs and the occult.

"The stories that I can't tell would curl your toenails," he said, speaking at the Eighth Day Institute in Wichita, Kansas. "If you think that these spiritual realities are not still with us, you are deluding yourself. ... The magic is coming back into the world. Something is happening and it is not an unqualified good."

The young people he works with in Dallas are not interested in sermons and detailed descriptions of why their lives are broken. But they are open to fantasies, myths and tales -- ancient and modern -- about unseen, spiritual realities that interact with their lives.

Millions of Americans know where to find stories about angels, demons, warriors, seers, giants, demigods and heroic kings and queens. They head straight to movie theaters and cable television, where they find entire universes of content offering visions of fantastic worlds. The last place they would seek inspiration of this kind is in churches.

The irony is that some of these works draw inspiration from the fantasy classics celebrated in the ecumenical Eighth Day Institute's annual fall celebration of The Inklings, a mid-20th Century circle of Christian writers in Oxford, England, that included C.S. Lewis, J.R.R. Tolkien and others.

This year's lectures focused on Scottish writer George MacDonald, often called the "grandfather of the Inklings," who is best known for "Phantastes," "The Golden Key," "Lilith" and many other works. The festival included Celtic and folk musicians, along with workshops on topics such as "The Art of Making Mead" and "Publishing for the Moral Imagination."

The goal of MacDonald and The Inklings, noted Rohlin, was to reclaim an older vision of life in which physical realities corresponded to spiritual realities and nothing was considered purely material. The real divide was between "the seen and the unseen," not between the "spiritual and the material."

This worldview has been lost, even among many religious believers.

"Demons didn't stop existing, angels didn't stop existing, the saints didn't stop existing because the Industrial Revolution came," he said.


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Loretta Lynn: A tough, trailblazing woman whose edgy art included doses of grit and faith

Loretta Lynn: A tough, trailblazing woman whose edgy art included doses of grit and faith

If you know Nashville, then you probably know that there is nothing new about major country music stars also being Christian believers. In fact, it’s probably worthy of a headline or two if and when superstars send signals that they’re NOT at home in the Bible Belt.

That being said, I am still amazed when journalists produce stories about country artists and edit out the details in their lives and music that point toward faith. It happens all the time.

I’m not just talking about musicians putting a gospel song or two in their set lists when touring, as a kind of music-history exercise. I’m talking about reporters missing revelations in autobiographies, social-media statements to fans or mini-sermons on stage. I’m talking about passing up chances to talk with pastors who have known performers for years.

This brings me to the death of honky-tonk angel herself, Loretta Lynn — the matriarch for a generation or more of female artists in guitar town. As you would expect, the obits following her death stressed — with good cause, let me stress — her daring hit songs about blue-collar American life, with strong doses of reality about hard times, troubled homes, cracked marriages and lots of other sobering subjects.

Which is why, to cut to the chase, it’s even more important that this legend turned to Christian faith as an adult, in the midst of all that gritty stuff. Hold that thought. Here is a chunk of the Associated Press report that will appear in most American newspapers:

The Country Music Hall of Famer wrote fearlessly about sex and love, cheating husbands, divorce and birth control and sometimes got in trouble with radio programmers for material from which even rock performers once shied away.

Her biggest hits came in the 1960s and ’70s, including “Coal Miner’s Daughter,” “You Ain’t Woman Enough,” “The Pill,” “Don’t Come Home a Drinkin’ (With Lovin’ on Your Mind),” “Rated X” and “You’re Looking at Country.” ...

Lynn knew that her songs were trailblazing, especially for country music, but she was just writing the truth that so many rural women like her experienced.

“I could see that other women was goin’ through the same thing, ‘cause I worked the clubs. I wasn’t the only one that was livin’ that life and I’m not the only one that’s gonna be livin’ today what I’m writin’,” she told The AP in 1995.

All true.


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Plug-In: A 50-year TV flashback -- Why 'The Waltons' wasn't afraid of religious faith

Plug-In: A 50-year TV flashback -- Why 'The Waltons' wasn't afraid of religious faith

During the pandemic lockdown, I rediscovered “The Waltons” and watched all 221 episodes.

Somewhere along the way, I learned that the classic TV show about a Depression-era family in rural Virginia made its prime-time debut on Sept. 14, 1972.

That’s 50 years ago.

I started emailing myself notes about religion references in specific episodes — those with titles such as “The Sinner”, “The Sermon” and “The Baptism” — and marked the anniversary date on my calendar. Journalists are always looking for a story, don't you know?

I pitched a piece to The Associated Press. To my delight, Global Religion news director David Crary and news editor Holly Meyer let me write it. This isn’t hard news, but I hope it’s interesting.

Speaking of AP friends, Matt Curry and I worked together in the Dallas bureau from 2003 to 2005. Curry later left journalism and attended Brite Divinity School at Texas Christian University. He's a big fan of “The Waltons,” and his family’s experience became the lede for my feature:

The Rev. Matt Curry’s parents were children of the Great Depression, just like “The Waltons” — the beloved TV family whose prime-time series premiered 50 years ago.

When Curry was growing up on a farm in northern Texas, his carpenter father and teacher mother often argued playfully over who had a poorer childhood.

“The Depression was the seminal time of their lives — the time that was about family and survival and making it through,” said Curry, now a 59-year-old Presbyterian pastor in Owensboro, Kentucky. “My dad used to talk about how his dad would go work out of town and send $5 a week to feed and clothe the family.”

So when “The Waltons,” set in 1932 and running through World War II, debuted on CBS on Sept. 14, 1972, the Currys identified closely with the storylines.

I enjoyed interviewing two stars of “The Waltons”: Richard Thomas (John-Boy Walton) and Kami Cotler (Elizabeth Walton).

The story explores how the series delved into spiritual themes at a time when the TV networks tended to avoid them.


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