Since Day 1 — almost 20 years ago — your GetReligionistas have talked about the religion “ghosts” that haunt many mainstream news stories.

The basic idea is that journalists without religion-beat skills often omit religious facts, history and beliefs when writing many stories in which it’s almost impossible to understand what is going on without reporting these religion angles. Thus, we say these stories are “haunted” by religion “ghosts.”

From time to time, we hear from critics who claim that we want journalists to “force” religion into stories in the arts, sports, politics, business, etc. In the vast majority of cases, these critics are not arguing with us — but with easily available information about the lives of the people involved in these stories. Remember that classic 2016 case with mainstream news coverage (hello ESPN) of NBA superstar Kevin Durant?

This brings me to a recent Time magazine feature that ran with this headline: “Martin Scorsese Still Has Stories to Tell.” On one level, reporter Stephanie Zacharek faced a familiar entertainment-beat story, as in doing a junket-related feature with a Hollywood player who is promoting his or her new movie.

However, what we ended up with is a positive example of a journalist weaving accurate, valid, material about a newsmaker’s religious history into a mainstream news report.

Let me note that, in terms of film-studies doctrine, there is no such thing as an “orthodox” view of the role Catholic faith plays in this superstar director’s life and work. That’s fine. There’s way more to this man’s story than ongoing (in my view valid) arguments about “The Last Temptation of Christ.”

Catholics can, and do, argue about what “kind” of Catholic he is, in terms of beliefs and practice of the faith. Film scholars can debate which of his movies are “Catholic,” which ones have faith soaked into the images and which ones seem to clash with Catholicism.

But everyone agrees on one thing: It’s impossible to talk about Scorsese and leave his Catholicism out of the mix.

Thus, Zacharek’s feature is not an example of a journalist “forcing” religion into a story about a mainstream artist. It’s an example of a story that asks relevant questions about Scorsese and then let’s him talk about his life and art. Thus, it contains quite a bit of valid Godtalk.

At first this is a rather normal arts-beat feature. For example, near the top:

Scorsese’s encyclopedic knowledge of film has made him the patron saint of film bros, and though it’s a title he most certainly never asked for, he’s happy to talk about movies for as long as you like.