Vince Gill

Podcast: God knows, there's more to rising tensions in country music than politics

Podcast: God knows, there's more to rising tensions in country music than politics

Gentle readers, here is the GetReligion question for this week.

Here we go: Who would you trust to know more about the complex cultural, moral, religious and, yes, political world of country music — the editors of Rolling Stone magazine or the late, great Johnny Cash?

I asked this question during this week’s “Crossroads” podcast (CLICK HERE to tune that in), which focused on a Rolling Stone feature with this headline: “The Culture Wars Are Tearing the Close-Knit Country Music Community Apart.”

To cut to the chase, these country music fights are all about politics — of course. And also, it’s totally new (#NOT) for country stars to speak out on issues of culture, morality, family, politics, economics, race, etc. Forget that Hank Williams guy, Jimmie Rodgers, Merle Haggard, Loretta Lynn and lots of other superstars.

People like Cash. It helps to read this next quote slowly and imagine the Man in Black’s voice-of-God singing and speaking tones

:… When asked to describe his musical values, Cash preached country gospel: "I love songs about horses, railroads, land, judgment day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak and love. And mother. And God."

Yes. there’s some politics in there — along with some other important topics.


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Talkin' Charlie Daniels 2.0: Country music is a mix of Sunday morning and Saturday night

There’s this old saying here in Tennessee: When you’re talking about country music, you have to deal with stuff that happens on Saturday night and on Sunday morning.

The first person I heard say that was Naomi Judd and, well, she would know a thing or two about that. However, I don’t think that soundbite of wisdom originated with her. That would, for example, help explain the music of Hank Williams. Ditto for Willie Nelson. How about Dolly Parton?

You can put Charlie Daniels in there, as well. This leads me to the podcast conversation I had this week with Eric Metaxas, who has been a friend for 20 years or so. Please note that this goes way back before Donald Trump decided to enter politics.

Metaxas and I agree on many things and we disagree on a few things, too. But we care deeply about what happens when religious issues collide with the news. Eric tends to focus on the end product, while — as someone who has worked in newsrooms — tend to focus on the process.

You see, in the newsrooms I have worked in there have been lots of people who “get” Saturday night, by which I mean the rough-and-tumble topics (including politics) that folks hash out in honky-tonks. There are also a few newsroom pros who “get” what happens on Sunday morning, as in the world of religion.

When it comes time to write about the life of a person like country-rock superstar Charlie Daniels, what ends up in print largely depends on who is assigned to cover the story. That usually offers a window into the worldview of newsroom managers, just as much as it does reporters.

I was stunned when the Nashville Tennessean obit for Daniels viewed his life through the lens of politics and the Trump era (oh, and music). This affected what many news consumers read all over Tennessee, since Gannett now runs this state’s dominant newspapers (including my local paper in Knoxville).

My concern about that obit led to this post: “There was more to Charlie Daniels than politics and even his music (hint: 'I'll Fly Away').” This part of the piece jumped out at me:

… Daniels undoubtedly had many other passions. A staunch supporter of U.S. troops and veterans, he spent much of his career traveling overseas to play for service members in Kuwait, Iraq and Afghanistan. …

For the last four years, hardly a day went by without Daniels sharing this message on his Twitter account: “22 VETERANS COMMIT SUICIDE EVERY DAY!!”

On the platform, the man who sang 1980's confrontational "In America" solidified his reputation as one of the most outspoken figures in country music. In daily posts, he would decry abortion as “murder,” ask fans to “pray for the blue,” and declare that “Benghazi ain’t going away.”


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