I keep saying this year after year, but it’s true. One of the greatest challenges for religion-beat specialists, season after season, is the long, steady march of feature stories that editors want you to produce linked to the major holy days in the various world religions. Easter was always one of the biggest challenges for me, in part because it’s always on Sunday morning (or in the ancient churches, at the stroke of midnight and on into the early hours of morning).
That sounds really obvious, but think it through. That means this story has to appear above the fold on A1 in the biggest newspaper of the week, which means editors have to think very highly of this story. It will also need large and spectacular color photography, for the reasons just mentioned. From the point of view of most secular editors, Easter is also a much more explicitly RELIGIOUS season than, let’s say, Christmas. That’s a problem.
Do you see the problem? How do you get large, spectacular Easter art when that art must be produced BEFORE the holy day itself? And what are most churches — liturgical churches, at least — doing in the days before Easter, when you need to shoot these photos? They are observing the rites of Maundy Thursday, Good Friday and Holy Saturday — beautiful, but solemn observances that, literally, offer visual images that are the exact opposite of what editors are going to want for that happy, happy Sunday A1 art.