Here’s a tug of the LeBlanc beret for Jennifer A. Greenhill for “Trump’s Court Artist” in The Atlantic. Being described as a court anything to President Trump qualifies as apostasy among his snarkiest critics. Consider, for example, historian John Fea’s frequent designation of “court evangelical” on his weblog, The Way of Improvement Leads Home.
Greenhill, professor of art history at the University of Southern California, concentrates her remarks largely on McNaughton’s full-barreled support of Donald Trump and his pointed depictions of Bill and Hillary Clinton, Barack Obama, even Woodrow Wilson.
I have lived through the past several years without realizing that McNaughton does so much to provoke the cultural left, including art critic Jerry Saltz of New York magazine. Saltz, as Greenhill mentions, called one McNaughton painting (of a glowering President Obama holding a burning Constitution) “bad academic derivative realism,” “typical propaganda art, drop-dead obvious in message” and “visually dead as a doornail.” (Props to the TV affiliate CBS DC for seeking his thoughts.)
Greenhill too quickly moves on from McNaughton being a member of the Church of Jesus Christ of Latter-day Saints (his attending Brigham Young University is one clue). This is the one church that teaches the most exalted perspective on the nation’s founding.