Was it Islamic terrorism? Just regular terrorism? A hate crime? A wake-up call for gay rights and gun control?
Like a dropped glass, the Orlando shooting has already shattered into many stories, less than 48 hours after the event. Activists for various causes have filled in a few details of the tragedy into scripts that seem otherwise pre-written. And many news media have been helping them.
The coverage has been overwhelming -- local and national alike -- and the cash-strapped newspapers have often borrowed from national news outlets. But here's what jumped out during my look at Florida media.
The Orlando Sentinel has done outstanding -- though not flawless -- coverage, with multiple updates. By 1:02 p.m. Sunday, it had produced an impressive profile of Omar Mateen, named by police as the man who stormed the Pulse nightclub and killed 49 people. Building partly on work by the Washington Post, the profile includes:
Omar Mir Seddique Mateen, the 29-year-old gunman accused of killing dozens of people in Orlando on Sunday, was a security guard, the divorced father of a 3-year-old and, in school, someone who acted "dorky."
He also was an extremist whose outspoken interest in terrorism twice put him on the FBI’s radar screen.
On Sunday morning, he became something far larger: a lone gunman who authorities say was responsible for the deadliest mass shooting in American history.
He called 911 from outside a gay nightclub just south of downtown Orlando, pledged allegiance to the Islamic State, authorities said, then began his assault.
For comparison, check out the Tampa Bay Times' version, which came out at 12:13 p.m. today.
The Sentinel also reveals that Mateen grew up in Port St. Lucie, Fla., and bought two guns legally; worked for a security firm; been investigated by the FBI at least twice since 2013; made reference to the Tsarnaev brothers, the brothers who bombed the 2013 Boston Marathon; and was married for two years to a woman who left because of his abusiveness. All of those elements have become part of the standard narrative in other media.