Maryam Rostampour

When writing about Iran, women and hijab, stress the Islamic roots of it all.

When writing about Iran, women and hijab, stress the Islamic roots of it all.

The female protestors in Iran have received a lot of positive press recently. Not only did they win Time magazine’s 2022 Person of the Year reader poll, they were also named the magazine’s 2022 Heroes of the Year.

Their bravery, even in the face of death — a number of them are being tortured and killed — has gained the attention of the world.

Recenty, the New York Times did a piece on how so many women are ditching their head coverings, the police aren’t bothering to arrest them. The issue here at GetReligion, of course, is whether journalists are coving the role that debates about specific Islamic traditions and laws are playing in all of this.

An engineer strode onstage at an event in Tehran, wearing tight pants and a stylish shirt, and clutching a microphone in one hand. Her long brown hair, tied in a ponytail, swung freely behind her, uncovered, in open defiance of Iran’s strict hijab law.

“I am Zeinab Kazempour,” she told the convention of Iran’s professional association of engineers. She condemned the group for supporting the hijab rules, and then she marched offstage, removing a scarf from around her neck and tossing it to the floor under a giant image of Iran’s supreme leader, Ayatollah Ali Khamenei.

The packed auditorium erupted in cheers, claps and whistles. A video of Ms. Kazempour went viral on social media and local news sites, making her the latest champion for many Iranians in a growing, open challenge to the hijab law.

Something has cracked wide open in the consciousness of Persian women.

Recently I’ve been fascinated by the refusal by Iranian women to wear head coverings. I’ve checked out Iranian activist Masih Alinejad’s “The Wind in My Hair” and Maryam Rostampour and Marziyeh Amirizadeh’s “Captive in Iran,” the latter about these two Christian women’s 259-day stay in Evin, Iran’s most notorious prison, to get a feel for what women experience in this sad and terrifying country.

Both give a snapshot of what it’s like to live in a real-life “Handmaid’s Tale” society.


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