Jolene

Let's give thanks that it's Dolly time, even if New York folks don't get all that faith stuff

Greetings and a Happy Thanksgiving nod from here in the mountains of East Tennessee, a unique and proud region that includes the kingdom of Dollywood.

I think that folks in these parts — the ones who pay attention to elite media — are a bit bemused about the current wave of Dolly Parton-mania in places like New York City and Los Angeles. I mean, lots of people in these hills have thought, for ages, that Parton deserved more attention and respect as an artist, songwriter and business maven.

There are mysteries about Dolly, of course, and I’m not just talking about all those questions about whether her arms are covered with tattoos and where she heads every now and then — under cover — with her husband in their RV. This is one colorful lady.

But here is another mystery: It’s clear that Parton’s intense Christian upbringing is still a part of who she is, but it’s hard to know what she actually believes. This is a subject that, like politics, Parton is very careful with in public remarks. Then again, one can always listen to what she says in her music.

But this brings back to the current Dolly-mania, which recently reached the ultimate high ground — The New York Times. Once again we face the same issues that I wrote about the other day in a post with this headline: “LA and New York scribes ask: How does Dolly avoid politics while embracing gays and church folks?”

In that post I wrote the following, which also fits with this New York Times article (“Is There Anything We Can All Agree On? Yes: Dolly Parton”):

How good, how complete, is this article? How you answer that question will probably pivot on which of the following questions matter the most to you: (1) How does Parton appeal to Democrats and Republicans at the same time? Or (2) how has Dolly, for a decade or two, managed to be a superstar with both LGBTQ and evangelical audiences?

Once again, we are talking about Parton as safe ground in the Donald Trump era.

Once again, there are nods to her unique stance in cultural no-man’s land between drag-queen culture and Pentecostal hillbillies.


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