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Podcast: This Gaza matrix is, for journalists, a digital-tech sword with two razor edges

Podcast: This Gaza matrix is, for journalists, a digital-tech sword with two razor edges

I don’t think that the “Crossroads” team has ever focused on the same topic during radio programs-podcasts that are only two weeks apart.

But these are strange times and it seems that everything is moving way too fast. Ask the editors at The New York Times about that.

Thus, consider this week’s podcast an updated and expanded version our previous offering that ran with this headline: “Seeking some Gaza facts, maybe even truth, in today's niche-media matrix.” Now, to tune in this week’s 2.0 take on some of those subjects (and more), CLICK HERE. I kept the same “Matrix” graphics out front for a very simple reason — I still feel like I am living in a bizarre news environment in which it is difficult to tell what is real and what is digital illusion. How about you?

Thus, we are still dealing with the New York Times headline that helped launch a thousand arguments-protests-riots-pogroms in tense urban areas (and campuses of higher learning) around the world.

That news-shaping headline again: “Israeli Strike Kills Hundreds in Hospital, Palestinians Say.” That is a headline in which hard evidence later emerged that every single world in that equation could be scratched out (think red ink) with convincing tech evidence, according to the kinds of sources that journalists usually consider authoritative.

But the whole controversy would have been different — still inaccurate, but much more honest — if the first draft had simply said this: Israeli Strike Kills Hundreds in Hospital, according to Hamas.” Yes, it would have helped if the times had not strategically located, under that headline, a photo of a blasted building in Gaza that was not the hospital (but we will set that aside for now).

The key is that the Times editors have finally deemed it necessary to address this issue, in this rather amazing item: “Editors’ Note: Gaza Hospital Coverage.” I doubt that this wall soothe any nerves in, oh, Istanbul, but it is worth reading.


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Podcast: Any religion ghosts in Writers Guild silence on bloody Hamas attack on Israel?

Podcast: Any religion ghosts in Writers Guild silence on bloody Hamas attack on Israel?

If you look up a standard definition of “antisemitism,” and commentaries that apply the term to public life, you will probably find references to mass media.

Consider, for example, this language from the “Working Definition of Antisemitism” commentary from the American Jewish committee. The definition itself: “Antisemitism is a certain perception of Jews, which may be expressed as hatred toward Jews. Rhetorical and physical manifestations of antisemitism are directed toward Jewish or non-Jewish individuals and/or their property, toward Jewish community institutions and religious facilities.”

The case-study material begins with these explanatory notes, the first two in a list of 10:

* Calling for, aiding, or justifying the killing or harming of Jews in the name of a radical ideology or an extremist view of religion.

* Making mendacious, dehumanizing, demonizing, or stereotypical allegations about Jews as such or the power of Jews as collective — such as, especially but not exclusively, the myth about a world Jewish conspiracy or of Jews controlling the media, economy, government or other societal institutions.

The phrase “controlling the media” loomed over this week’s “Crossroads” podcast (CLICK HERE to tune that in), which focused on a Los Angeles Times story with this double-decker headline:

How the Israel-Hamas war is dividing Hollywood

Nerves are fraying. Relationships are being strained to the breaking point. Words are being wielded like weapons.

For decades, claims that Jews “control” the media have included chatter about Jews “controlling” Hollywood.

The key word is “control,” as opposed to decades of writing — often by Jewish scholars — about the strong and unique role Jews have played in Hollywood life, in terms of creative skills and business clout. Consider this classic book by Neal Gabler, “An Empire of Their Own: How the Jews Invented Hollywood.”


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