OK, Catholic readers of GetReligion (and you know who you are), we have a solution to a journalism mystery that many noticed in the wave of coverage following the fire at Notre Dame Cathedral.
The big question raised by The New York Times: What’s the difference between a “statue” of Jesus and a priest carrying the Blessed Sacrament”? Hold that thought.
Let’s start with Father Jean-Marc Fournier, chaplain of the Paris Fire Brigade and one of the heroes of efforts to save what could be saved inside the iconic cathedral. Quite a few people are reporting stories about the actions that he took when it became clear that there was no way to stop the flames in the wooden structures holding up the cathedral roof.
Here’s the top of my “On Religion” column for this week, which led with this angle of the story:
As the flames rushed through Notre Dame Cathedral's wooden rafters -- each beam cut from an individual oak -- a squad of firefighters began a strategic mission.
Their leader was Father Jean-Marc Fournier, chaplain of the Paris Fire Brigade. The goal was to save a crown of thorns that pilgrims have venerated for centuries as part of one worn by the crucified Jesus. King Louis IX brought the relic to Paris in 1238, after receiving it as a gift from the embattled emperor of Constantinople.
Fournier and his firefighters were, according to KTO Catholic Television, able to "save the crown of thorns and the Blessed Sacrament." Forming a human chain, they retrieved as many relics and works of sacred art as they could, until the flames won.
Meanwhile, American television networks solemnly told viewers that "art," "artifacts" and "works of art" had been retrieved from this iconic structure at the heart of Paris. In a major story about the fire, The New York Times noted that Notre Dame Cathedral had "for centuries … enshrined an evolving notion of Frenchness."
So here is a basic religion-beat journalism challenge: How does one describe the “Blessed Sacrament” in a few phrases? Some journalists struggled with that.
For some reporters, the crucial issue was trying to turn “sacraments” and holy relics into “art” and “artifacts.”