Entertainment

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Drag show at Jesuit university gets a yawn (mostly) from mainstream press in Seattle

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Last Saturday was religion day at The Seattle Times; no small thing in that the paper hasn’t had a religion reporter in several years.

There was a poll piece on how irreligious Washington state residents are becoming. Then a short piece on the fate of a historic black church:

Then there was an attention-grabbing piece about a drag show at a local Jesuit college.

Your head spins. A what?

Which is why most reporters would like to take a crack at the story. But is it news any longer that Jesuit colleges do crazy things?

Not really. Some of you may have read what Rod Dreher wrote about the drag show, but the Times had to wait for something to actually newsy to happen. Then a professor stole copies of the student newspaper that reported on the show. That was news.

Thus, the Times wrote: 

The photo of the Seattle University student performing at a drag show in a low-cut, sparkly leotard was well lit and captured the performer mid-pose.

The editors of the university’s student newspaper The Spectator say it’s a good photo, one that they don’t regret putting on the cover of last week’s edition.

That puts them at odds with the university’s president, who called the photo “obscene,” and at least one professor, who admitted to removing every copy of the newspaper from the stands at three separate locations on the campus.

The lede is kind of stodgy, as the real story is about the professor who stole the papers.


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Episcopal cathedral plans Beyonce 'Mass'? California media fall over themselves praising it

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Every so often, a piece crosses one’s desk that makes you wonder how journalism has survived up to this point.

Puff news coverage of a “Beyonce Mass” does leave one shaking one's head. How, you wonder, can a singer better known for quadruple platinum albums be associated with the holiest rite in Christianity?

Answer: When the host organization is San Francisco’s Grace Episcopal Cathedral and the music critic penning the piece doesn’t know much about religion.

Here’s what appeared recently in the San Jose Mercury News:

For die-hard fans, the words “worship” and “Beyonce” have gone together for years.
Yet, probably not like this:
San Francisco’s stunningly beautiful Grace Cathedral will host a contemporary worship program featuring the music of Beyonce on April 25. This “Beyonce Mass,” which is part of the church’s Wednesday night The Vine service series, is at 6:30 p.m. and admission is free. No, the megastar won’t be there -- at least in person.
“Beyoncé? At church? That’s right!” says an announcement on the church’s website. “Come to The Vine SF to sing your Beyoncé favorites and discover how her art opens a window into the lives of the marginalized and forgotten -- particularly black females.”

(In response to that, redstate.com sarcastically noted: Surely the poor and marginalized will be so relieved to know there’s a church out there brave enough to let one of the richest women in America speak for them.”)

Now, a Mass is a specific rite in a specific denomination: The Roman Catholic Church. Grace Cathedral is Episcopal, not Catholic. There are conservative Anglo-Catholics who frequently use the term "Mass" in an Episcopal context, but -- obviously -- that is not what we are dealing with here.


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Thinking, with Andy Crouch, about the stunning power of celebrities in religion and ...

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This is an unusual think piece, because its contents is primarily theological -- as opposed to journalistic.

However, the whole "think piece" concept is this: We're talking about articles that will be of interest to anyone who is interested in trends in religion in the news or the process of covering them in the mainstream press.

In this case, there are all kinds of links between Andy Crouch's subject in this recent post at The Gospel Coalition -- "It’s Time to Reckon with Celebrity Power" -- and the news. He even states that in the overture.

What Crouch has not done, however, is write out the names.

It was not a great week. In three separate cases in my immediate circles, a person with significant power at the top of an organization, each one a subject of flattering major media exposure during their career, was confronted with allegations of sexual misconduct and related misdeeds. In one case, the person resigned from his role and board memberships, accompanied by a direct and remorseful confession. In the second, the person resigned, but not without posting a defiant denial of all allegations against her. In the third, the person likewise denied all allegations in the strongest terms -- at one point with physical force, banging on a table -- and, as I write, remains in his position.
All three were, or at least had once been, seen as among the most exemplary Christian leaders of their generation, including by many who worked closely with them. While I wasn’t personally close to any of the three, I have experienced and benefited from their exceptional gifts in leadership and ministry, as have thousands or millions of others.

This was one of the pieces that I was thinking about this past week when, in my post about the "Crossroads" podcast, I listed the five "Big Idea" takeaways from my 30 years writing my national "On Religion" columns.

To be specific, note No. 5:


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Muslim 'Queer Eye' actor needs some real questions, not just fawning press coverage

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I don’t watch home décor shows or personal improvement programs since they all appear to be cleverly staged fake events to me.

Which is why I didn’t know about Netflix's reboot of the Queer Eye concept about five gay male makeover experts until I read a profile of one of them, Tan France, by the London Times. What caught my eye wasn’t the glam clothing or hunky builds but a headline that proclaimed this man to be a Muslim.

Gay? Muslim? Out of the closet? In many parts of the world, that’s a death sentence. But fortunately, in this rather fetching story, not so in the West.

The history of social change is unpredictable. But no one expected the first gay Muslim on western TV to pop up quite like this from nowhere. Or rather, Doncaster.
When watching the Queer Eye series, your eyes are too blurry at first to notice. It is an ultra-camp, ultra-American show that seems to be about makeovers. There is a gang called the “Fab Five” of gay male style experts who descend from New York to the Deep South. There they seize on a miserable redneck in a pair of stained tracksuit bottoms. Before you know it they -- foremost among them Tan, a lithe 34-year-old Asian with a GI Joe haircut -- have made him happy with a new pastel shirt collection…
Queer Eye is not a sensational popular and critical success because of a change of outerwear. It’s because of something Tan -- full name Tan France -- says at the beginning of every episode. It is not about tolerance any more, he says. Anyone who feels like an outsider -- female, black, gay, immigrant, Muslim, whatever -- is not settling for tolerance. “Our show is fighting for acceptance.”

Hmmm. Think about that for a moment. Tolerance is peaceful co-existence. Acceptance implies that the opposition agrees to your terms. 

When France was recently interviewed on NBC’s Today show, the host, Megyn Kelly, obviously struggled to make sense of this mystery man. He had never been on television before, but within six weeks of Queer Eye began to be mobbed on the street. Jon Bon Jovi wants selfies, which are broadcast to France’s 500,000 Instagram followers.
“You’re not just a gay man,” Kelly says, “but in your case an immigrant, Pakistani, Muslim gay man, all of it together!”
France smiles joyously and responds: “2018, baby!”


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Preview features for 'Jesus Christ Superstar: Daily Beast and NYTimes did it best

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Without a doubt, the religion event of the week in the world of 21st century pop culture was NBC’s live Easter Sunday broadcast of Jesus Christ Superstar last night.

Having played the role of Mary Magdalene in ninth grade, I know almost every lyric and note by heart. I was interested in hearing about this bare-bones rendition of the rock opera compared to Norman Jewison’s over-wrought 1973 movie version.

My daughter and I would have enjoyed last night's show had it not been interrupted every five seconds by commercials, which utterly ruined the flow of the performance. There were lots of great performances; the kiddo loved the music and I got a big nostalgia dose.

Most favorite moment: Jesus getting mobbed by TV news crews while fans were taking selfies. More of my reaction further down.

But first, I was curious as to how reporters previewing the performance would treat the religion angle –- other than the obvious fact that the show is about the founder of a faith that has more than 2 billion adherents. Would they delve into the not-so-obvious?

Many did not. More were taken with how, for the first time, Jesus was played by a black actor, like this NPR story:

This Easter Sunday, NBC will debut its latest one-night live musical event, Jesus Christ Superstar Live In Concert. The event's source material is the 1970s rock opera by Andrew Lloyd Webber and Tim Rice, an interpretation of the final days of the life of Jesus Christ. But it's not your old school Sunday morning gospel. This time around, John Legend, the messiah of pop-R&B love jams, will take on the titular role of Jesus Christ for the production. ...


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No new podcast: But here's a flashback to tmatt reading fake-news riot act to Missouri Synod Lutherans

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We didn't record a "Crossroads" podcast this week for a simple reason. It appears that our colleagues at Lutheran Public Radio -- along with millions of other people in Western Church traditions -- were under the impression that this past week was Holy Week.

Thus, that would make today Easter. Dang modernists.

I jest, of course.

However, the Issues, Etc., folks did put a recording online that some GetReligion readers might enjoy hearing. It's a talk that I did this past summer at a national conference in Collinsville, Ill., which is just outside of St. Louis.

The assigned topic was "fake news," but I turned that around and talked about the forces that created today's toxic media culture, in which most Americans consume advocacy news products that are crafted to support the beliefs that they already have.

At the beginning of the talk I offered the following thesis statement, which I scribbled on a church bulletin seconds before I got up to talk, using a brand new speech outline (which is always a bit nerve wracking). Here is that thesis statement:

American public discourse is broken.
Right now, most American citizens are being totally hypocritical about the news.


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New York Times feature on Zoe Church of Los Angeles asks: Can churches be too hip?

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I have to say, this is one clever article. I rarely run into news reporters (other than religion-beat pros) who know anything about Hillsong and Mosaic.

What follows is a New York Times piece about a Seattle pastor who moved to Los Angeles to start a new church and who’s succeeded quite well. But added to the story are little hints that at some point, this young pastor has sold out to the zeitgeist. We all know the William Ralph Inge saying: "He who marries the spirit of this age will find himself a widower in the next."

But for now, marrying what’s cool in 2018 is paying off nicely for the pastor (I guess that he was ordained by someone, although the story doesn't say) at the heart of this story. It starts like this:

LOS ANGELES -- On a strip of Wilshire Boulevard, not far from where the rapper Notorious B.I.G. was gunned down in a drive-by shooting some 20 years ago, a black plastic pool had been placed on the sidewalk outside the El Rey Theater. It was a balmy December afternoon, and the theater had been transformed into an assembly for Zoe Church, a two-and-a-half-year-old evangelical congregation that got its start in a nightclub on Sunset Boulevard.
Today was Baptism Sunday and nearly a dozen adults signed up, cheered on by a crowd of mostly 20-somethings who were gathered behind a metal barricade. Chad Veach, the 38-year-old founder of Zoe, who moved to West Los Angeles from Seattle in 2014, chewed gum as he danced to a pop gospel playlist blaring overhead. “Let’s go!” he shouted, clapping. A pair of muscular men dunked a woman in the waist-high water. She surfaced, arms pumping the air, as a friend snapped photographs that were later posted on Instagram…
Zoe -- pronounced “zo-AY, like, be-yon-SAY,” as Mr. Veach often says -- is one of the newest in a wave of youth-oriented evangelical churches making their homes here. While most are content to have a church and a campus or two, Mr. Veach is claiming nothing less than Los Angeles County and its population of 10 million. “We’ll have many locations,” he said of Zoe. He is opening a San Fernando Valley campus on Sunday and plans one more per year for the next decade or so.

Then come the mentions of Hillsong and Mosaic. Then there's the fact that this new church draws 1,600 people per Sunday and that the pastor has major connections with pop star Justin Bieber.


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What's the 'A Wrinkle In Time' news story? Flashback to wisdom from Madeleine L'Engle

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What's the 'A Wrinkle In Time' news story? Flashback to wisdom from Madeleine L'Engle

So what is the story with the new Disney version of the classic, Newbery Award winning novel "A Wrinkle In Time" by the late, great Madeleine L'Engle?

I'm talking about a news story here.

I'm talking about the attempt -- another one -- to make this beloved youth-fiction classic into a blockbuster movie. Why is it is causing discussion, debate and even controversy? Yes, I'm asking this because that's what we talked about this week in the GetReligion "Crossroads" podcast. Click here to tune that in.

Is it news because it appears, to one degree or another, to be a box-office flop? Is it news because, at Rotten Tomatoes, only 40 percent of critics like it? That's bad, but the score from ordinary people in theaters was even lower, to the tune of only 34 percent positive reactions.

Director Ava DuVernay was not amused and argued that race may have had something to do with it, since she -- as a star African-American director -- changed the racial mix of the cast.

It's clear that some of the movie's supporters thought race was a crucial part of the mix, as seen in this NBC commentary: " 'A Wrinkle in Time' isn't a film for critics. It's Ava DuVernay's love letter to black girls." And over at CNN there was this: "Watching 'A Wrinkle in Time' is a political act."

So one more question: Why write a religion column about this book and its author?

That's what I did this past week, for the Universal syndicate. It did that because, nearly two decades ago, I had a chance to spend two hours talking to L'Engle about the crucial themes woven into her book. In particular, I asked her if there were concepts and even quotations from her novel that needed to be in a film adaption of it. Here is a key piece of that column:

It would be hard, explained L'Engle, to grasp this book's cosmic war between life and death, good and evil, darkness and light without two crucial passages.


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Scientology gets a TV channel, but rates little more than a yawn in the news coverage

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The Church of Scientology started its own TV channel this week, but coverage of the event -– such as it was -– didn’t come from religion specialists. Instead, it was general assignment reporters who did the job.

That left readers with some pretty predictable questions about this story. For example: What about the "why?" factor in the traditional journalism "who," "what," "when," "where," "why" and "how" sequence?

I found the show on YouTube and watched it for an hour. Muzak played throughout and much of the content was focused on how you, the viewer can -- through Scientology, of course -- set personal goals, overcome adversity, sail through life, and more. There was a ton of testimonies from members (or really good actors) on how Scientology had improved their lot.

There were snippets from weekly church services, although not enough to get an idea of of what typically goes on. There were odd parts; like showcasing their bookstore? But after smiling personage after smiling personage informed me of the benefits of Scientology, my interest began to wane after a half hour.

CNN Money said: 

The Church of Scientology is headed to television.
The organization is set to premiere Scientology TV on Monday, a new network that will air on DirecTV and available via streaming devices like Roku, Apple TV and Fire TV.
"The only thing more interesting than what you've heard is what you haven't," read a promo announcing the channel, shared on Scientology social media accounts.

The Associated Press did a more in-depth summation that mirrors what I saw:

The first hour offered a slickly produced taste of the series to follow from an in-house studio, including “Meet a Scientologist,” ‘’Destination Scientology” and the three-part “L. Ron Hubbard: In His Own Voice.” The channel is available on DIRECTV, AppleTV, Roku, fireTV, Chromecast, iTunes and Google Play.
(Scientology leader David) Miscavige didn’t directly address critics, but Scientology doesn’t lack for them. Several high-profile projects have investigated the church’s alleged abuses of former members, including actress Leah Remini’s A&E docuseries “Scientology and the Aftermath” and Alex Gibney’s Emmy-winning documentary, “Going Clear: Scientology and the Prison of Belief.”
Instead, the channel’s debut offered interviews with church members who touted Scientology’s rewards, showed off its impressive facilities in cities including Melbourne, London, Tokyo and throughout the United States and its work with other churches and community groups.


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