Entertainment

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New York Times feature on Zoe Church of Los Angeles asks: Can churches be too hip?

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I have to say, this is one clever article. I rarely run into news reporters (other than religion-beat pros) who know anything about Hillsong and Mosaic.

What follows is a New York Times piece about a Seattle pastor who moved to Los Angeles to start a new church and who’s succeeded quite well. But added to the story are little hints that at some point, this young pastor has sold out to the zeitgeist. We all know the William Ralph Inge saying: "He who marries the spirit of this age will find himself a widower in the next."

But for now, marrying what’s cool in 2018 is paying off nicely for the pastor (I guess that he was ordained by someone, although the story doesn't say) at the heart of this story. It starts like this:

LOS ANGELES -- On a strip of Wilshire Boulevard, not far from where the rapper Notorious B.I.G. was gunned down in a drive-by shooting some 20 years ago, a black plastic pool had been placed on the sidewalk outside the El Rey Theater. It was a balmy December afternoon, and the theater had been transformed into an assembly for Zoe Church, a two-and-a-half-year-old evangelical congregation that got its start in a nightclub on Sunset Boulevard.
Today was Baptism Sunday and nearly a dozen adults signed up, cheered on by a crowd of mostly 20-somethings who were gathered behind a metal barricade. Chad Veach, the 38-year-old founder of Zoe, who moved to West Los Angeles from Seattle in 2014, chewed gum as he danced to a pop gospel playlist blaring overhead. “Let’s go!” he shouted, clapping. A pair of muscular men dunked a woman in the waist-high water. She surfaced, arms pumping the air, as a friend snapped photographs that were later posted on Instagram…
Zoe -- pronounced “zo-AY, like, be-yon-SAY,” as Mr. Veach often says -- is one of the newest in a wave of youth-oriented evangelical churches making their homes here. While most are content to have a church and a campus or two, Mr. Veach is claiming nothing less than Los Angeles County and its population of 10 million. “We’ll have many locations,” he said of Zoe. He is opening a San Fernando Valley campus on Sunday and plans one more per year for the next decade or so.

Then come the mentions of Hillsong and Mosaic. Then there's the fact that this new church draws 1,600 people per Sunday and that the pastor has major connections with pop star Justin Bieber.


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What's the 'A Wrinkle In Time' news story? Flashback to wisdom from Madeleine L'Engle

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What's the 'A Wrinkle In Time' news story? Flashback to wisdom from Madeleine L'Engle

So what is the story with the new Disney version of the classic, Newbery Award winning novel "A Wrinkle In Time" by the late, great Madeleine L'Engle?

I'm talking about a news story here.

I'm talking about the attempt -- another one -- to make this beloved youth-fiction classic into a blockbuster movie. Why is it is causing discussion, debate and even controversy? Yes, I'm asking this because that's what we talked about this week in the GetReligion "Crossroads" podcast. Click here to tune that in.

Is it news because it appears, to one degree or another, to be a box-office flop? Is it news because, at Rotten Tomatoes, only 40 percent of critics like it? That's bad, but the score from ordinary people in theaters was even lower, to the tune of only 34 percent positive reactions.

Director Ava DuVernay was not amused and argued that race may have had something to do with it, since she -- as a star African-American director -- changed the racial mix of the cast.

It's clear that some of the movie's supporters thought race was a crucial part of the mix, as seen in this NBC commentary: " 'A Wrinkle in Time' isn't a film for critics. It's Ava DuVernay's love letter to black girls." And over at CNN there was this: "Watching 'A Wrinkle in Time' is a political act."

So one more question: Why write a religion column about this book and its author?

That's what I did this past week, for the Universal syndicate. It did that because, nearly two decades ago, I had a chance to spend two hours talking to L'Engle about the crucial themes woven into her book. In particular, I asked her if there were concepts and even quotations from her novel that needed to be in a film adaption of it. Here is a key piece of that column:

It would be hard, explained L'Engle, to grasp this book's cosmic war between life and death, good and evil, darkness and light without two crucial passages.


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Scientology gets a TV channel, but rates little more than a yawn in the news coverage

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The Church of Scientology started its own TV channel this week, but coverage of the event -– such as it was -– didn’t come from religion specialists. Instead, it was general assignment reporters who did the job.

That left readers with some pretty predictable questions about this story. For example: What about the "why?" factor in the traditional journalism "who," "what," "when," "where," "why" and "how" sequence?

I found the show on YouTube and watched it for an hour. Muzak played throughout and much of the content was focused on how you, the viewer can -- through Scientology, of course -- set personal goals, overcome adversity, sail through life, and more. There was a ton of testimonies from members (or really good actors) on how Scientology had improved their lot.

There were snippets from weekly church services, although not enough to get an idea of of what typically goes on. There were odd parts; like showcasing their bookstore? But after smiling personage after smiling personage informed me of the benefits of Scientology, my interest began to wane after a half hour.

CNN Money said: 

The Church of Scientology is headed to television.
The organization is set to premiere Scientology TV on Monday, a new network that will air on DirecTV and available via streaming devices like Roku, Apple TV and Fire TV.
"The only thing more interesting than what you've heard is what you haven't," read a promo announcing the channel, shared on Scientology social media accounts.

The Associated Press did a more in-depth summation that mirrors what I saw:

The first hour offered a slickly produced taste of the series to follow from an in-house studio, including “Meet a Scientologist,” ‘’Destination Scientology” and the three-part “L. Ron Hubbard: In His Own Voice.” The channel is available on DIRECTV, AppleTV, Roku, fireTV, Chromecast, iTunes and Google Play.
(Scientology leader David) Miscavige didn’t directly address critics, but Scientology doesn’t lack for them. Several high-profile projects have investigated the church’s alleged abuses of former members, including actress Leah Remini’s A&E docuseries “Scientology and the Aftermath” and Alex Gibney’s Emmy-winning documentary, “Going Clear: Scientology and the Prison of Belief.”
Instead, the channel’s debut offered interviews with church members who touted Scientology’s rewards, showed off its impressive facilities in cities including Melbourne, London, Tokyo and throughout the United States and its work with other churches and community groups.


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Friday Five: Award-winning religion story, Down syndrome advocate, free cars at church and more

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I'm going to bury the lede and do a bit of foreshadowing before we get to the big, happy news in this week's Friday Five.

Previously, GetReligion's own Julia Duin has won two Wilbur Awards, the national honors given by the Religion Communicators Council. The annual prizes celebrate excellence by individuals in secular media in communicating religious issues, values and themes.

Duin's first Wilbur Award came in 2002 and recognized a Washington Times series she co-wrote with Larry Witham on the future of America’s clergy.

In 2015, Duin earned her second Wilbur Award for her "From Rebel to Reverend" piece about Nadia Bolz-Weber for More Magazine.

The 2018 Wilbur Award winners were announced this week. Might Duin claim a third? Stay tuned as we dive into the Friday Five:

1. Religion story of the week: Los Angeles-based freelance writer Heather Adams had an extremely interesting piece this week on an anti-abortion activist who has Down syndrome.

Adams wrote the story for Religion News Service (full disclosure: I also do occasional writing for RNS, including a spot news piece this week on creationist Ken Ham speaking at a public university in Oklahoma).


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Same old song? The Charlotte Observer takes new look at Jim Bakker and his latest gospel

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Long ago, The Charlotte Observer won a Pulitzer in 1988 for its groundbreaking reporting on the misuse of funds by the PTL television ministry. Thus, the folks who run that newsroom no doubt feel the need to keep readers updated on the doings of PTL founder Jim Bakker after a 31-year hiatus.

So it’s come out with an anniversary package detailing not only Bakker’s new calling in life but also a sidebar on a new book about PTL and a piece on whatever happened to Tammy Faye Messner, Bakker’s first wife. The main Observer stories on PTL’s problems broke in 1987 (you can our own tmatt about lots of the background on that). One year later in February 1988, Jimmy Swaggart’s empire fell due to his sexual sins.

It would be a whole other post describing what it was like being a religion reporter during those two years. I was at the Houston Chronicle and the Bakker-Swaggart scandals, plus Pope John Paul II’s 1987 swing around North America, ensured members of the religion-beat team got on the front page a number of times.

But that was then. Here’s what the Observer just wrote.

BLUE EYE, MO. -- Three decades after his PTL empire near Charlotte crumbled amid financial and sex scandals, Jim Bakker is back on TV with a different, darker message:
The Apocalypse is coming and you better get ready.
Ready to be judged by God, sure. But the main mission of “The Jim Bakker Show” -- broadcast from a Christian compound deep in the Ozark Mountains of Missouri -- appears to be to sell you fuel-less generators, doomsday guidebooks and freeze-dried food with a shelf-life of up to 30 years.


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John Mahoney was 'moral core' on 'Frasier;' maybe his Catholic faith was relevant in obits?

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If you ever watched the classic comedy series "Frasier," it was clear that actor John Mahoney and his Martin Crane character played a crucial role in its broad appeal.

Basically, he was a battered recliner in a world of pretentious fashion, a can of beer at a wine-and-cheese party, a lifer cop surrounded by chatty urban psychiatrists. In other words, he was the down-home voice of ordinary America. He was an every-Dad.

A tribute to Mahoney at The New York Times -- not the newspaper of record's actual obituary, following his death on Sunday -- put it this way:

As Martin Crane, the lovably grumpy, blue-collar father to the snobby Frasier and Niles, he hit many notes during the series’ run from 1993 to 2004 -- sometimes all in the same episode. He played sarcastic, cutting his sons’ pretensions down to size. He did reserved, as a counterpoint to their voluble self-analysis. He even delivered warmth, when reminding Frasier and Niles of the importance of unfussy stuff like family and beer.
As Joe Keenan, a “Frasier” executive producer and writer, put it, Mr. Mahoney’s character was the “moral center” of the show.

This moral-core theme continued in the Times obit.

While Frasier and Niles Crane, both psychiatrists, worried about wine vintages, cappuccino bars and opening nights, Marty, a retired police officer, cherished his dog, his duct-tape-accented recliner chair and the solid values of his generation. Once, when his younger son declared a certain restaurant’s cuisine “to die for,” Marty corrected him. “Niles, your country and your family are to die for,” he said. “Food is to eat.”

Now, in light of all that, does it matter that Mahoney was on the record -- in an interview with a prominent journalist, no less -- saying that his Catholic faith was at the center of his life and work?

Apparently not, at least not in The New York Times and at The Los Angeles Times.


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Why should clergy (and journalists) pay serious attention to 'Oprah America,' and its pope?

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Why should clergy (and journalists) pay serious attention to 'Oprah America,' and its pope?

In 1990, I began the process of moving from being a full-time journalist to being a full-time teacher and part-time journalist. The first place I taught was in Denver Seminary, serving as a specialist on religious themes in mass media.

In my main apologetics class, I tried to get seminarians to explore places in popular culture in which ordinary Americans encountered religious questions and themes. For example, I required students to watch "The Simpsons." I was also very high on the CBS series "Northern Exposure." And, of course, I asked them to pay close attention to Oprah Winfrey.

Why? Well, that's a question linked to this week's "Crossroads" podcast, in which host Todd Wilken and I discussed that fascinating media storm that followed Winfrey's sermon at the Golden Globes, with plenty of liberal activists and journalists suggesting that she should run for president. Click here to tune that in. Also, this was the subject of my column this week for the Universal syndicate.

But why -- in the early 1990s -- did I want future pastors, youth ministers, counselors and others to pay serious attention to Oprah? Years later, I was interviewed about my work at Denver Seminary by the journal Homiletics. Here is a key piece of that piece, which was called, "We're Taking Communion at the Mall."

MATTINGLY: We live in Oprah America. The dominate dialogue of our culture is feeling, emotion, and experience.
HOMILETICS: I taught a class once in which the name Gloria Steinem came up. No one, including the women, knew whom I was talking about. When I asked them what feminist voices they were listening to, they didn't reference Wolf, Faludi, or Mackinnon. They said, "Oprah."
MATTINGLY: You know what? I think Orpah is a feminist and she's an amazingly doctrinaire feminist on issues of gender feminism and certainly on issues of the sexual revolution. What's so funny is that you've got millions and millions of women who think of themselves as conservatives, but also think of Oprah as their buddy. She's consistently liberal, especially on moral and cultural issues. She's managed to communicate warmly to the average American woman without conveying how truly radical some of her views are. She's the essence of the victim culture: the woman as victim. That's not what feminism was supposed to be. But I think most people would agree that that's a piece of what modern feminism has become: You're a victim. Get mad, get angry, get even.
HOMILETICS: Do you really think it would be wise for a pastor to get in the pulpit and start attacking Oprah or Martha Stewart?
MATTINGLY: I would certainly quote Oprah.

So what is "Oprah America" and why is it so important?


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Friday Five: Minister tax break, Mormon death, The Crown's religion, Trump's dirty words and more

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I watched the first season of "The Crown" on Netflix with my wife, Tamie.

I enjoyed it, although I wouldn't say I was goo-goo over it. When the second season came out, we caught an episode or two. Then my bride binged on the rest of it one day while I was busy with something more important (probably playing Words With Friends on my iPad). 

Suffice it to say that I haven't made it to the part featuring Queen Elizabeth II and the Rev. Billy Graham. (Right now, Tamie and I are in the middle of "Greenleaf," an Oprah Winfrey-produced drama featuring a black megachurch in Memphis, Tenn. That series reminds me of "Dallas," but with religion, not oil, as the family business. But I digress.)

Back to "The Crown": The Washington Post published an excellent Godbeat piece on it this week. More on that in a moment.

First, thought, let's dive right into this week's Friday Five:


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It's only rock 'n' roll? A Los Angeles Times music critic reviews a satanic trend

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Everyone loves cleverly written stories and August Brown’s recent story in the Los Angeles Times about the new breed of Satanists is most certainly that.

We learn the cool stuff about the edgy folks who are into this movement, but none of the inconvenient truths. In other words, there are complex religion ghosts hiding in this story. Surprise.

So yes, it is entertaining.

In November, in the candlelit basement of a house just above the Silver Lake Reservoir, Alexandra James walked over to an altar where her husband, Zachary, waited near a bleached human skull, teeth locked in eternal rictus. From the altar, she lifted a sword and drew points across his chest while a circle of onlookers watched solemnly (well, a few giggled too). An organist played eerie minor key chords and Alexandra turned to face the group.
"On this altar we consecrate swords to direct the fire of our unholy will," she said. "A human skull, symbol of death. The great mother Lilith created us all, and will destroy us all."
"Hail Satan! Hail Satan! Hail Satan!" The group chanted back.

The story describes how the attendees are mainly artists, writers and musicians who fling around words like “Satan,” “coven” and “witches” without really knowing their meanings.

But a bigger moment came a few hours later when word circulated that Charles Manson had died. Far from mourning a man whose crimes burned satanic imagery into the American mainstream, everyone cracked beers in celebration and jammed on psych rock tunes. ... It was a great night for a heterodox generation of new self-described Satanists who are upending old "Rosemary's Baby" and "Helter Skelter" stereotypes in service of radical politics, feminist aesthetics and community unity in the divisive time of Trump.

Alas, there is no mention, of the gruesome way the Satan-influenced Manson and his companions killed nine people in 1969.


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