Arts

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Frank Deford: A 'Roaring Lamb' who was among the best of the best in journalism -- period

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I have been trying, for some time now, to decide what to write about the recent death of the legendary Frank Deford of Sports Illustrated, National Public Radio, Newsweek, etc.

I bring no special journalistic insights into what made his reporting and writing so special. In this case, the word "great" is simply inadequate.

In fact, much of the mainstream coverage of his passing focused on a much loftier question: Where should Deford be listed among the greatest sportswriters of all time? But why limit this discussion to sportswriting? Many would argue that we need to open that discussion up to his legacy in long-form, American magazine journalism -- period.

I never met Deford. However, we has a friend of close friend of mine -- the late sports-media executive and writer Bob Briner, the long-time leader of Pro-Serv Television. Briner was best known for writing a prophetic little book called "Roaring Lambs," which described the various ways that modern Christians -- his fellow evangelical Protestants especially -- had retreated from the hard task of doing constructive, first-rate work in mainstream literature, music, movies, the fine arts and other forms of mass culture.

Deford was among the diverse circle of people who endorsed the book, writing:

Too often, the message of Christianity today is promulgated by 'professional' Christians, smugly preaching to the converted. More difficult and more noteworthy -- even more Christian -- is what Bob Briner advocates: that what matters is to carry the Word and its goodness into the skeptical multicultural real world.

Briner, in turn, offered an interesting nod to Deford in the pages of "Final Roar" -- a book completed by editors and friends after he died of cancer in 1999.

In that collection of notes and writings, Briner discussed a variety of ways that Christians in the business world and academia need to step forward to help young professionals who are trying to do solid, mainstream media work (as opposed to remaining in the safe, niche world of "Christian" media). Briner added:


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Hey NPR: ISIS threats to St. Catherine's Monastery in Sinai are not just about tourist dollars

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It is my sincere hope that there were no Eastern Orthodox Christians hurt in automobile accidents last week if they went into shock and swerved off the road after hearing the following National Public Radio mini-story on the radio. My fellow Orthodox believers: If you have hot coffee in hand as you read this post -- Put. It. Down.

The headline captures the tone: "Gunmen Attack Popular Religious Tourism Site In Sinai." What's the problem with that?

Well, we're talking about St. Catherine's Monastery, which is way, way, way more important -- in terms of history, art and significance to world Christianity -- than its role as a "tourism site."

Imagine the reaction among religious Jews if NPR had referred, after a similar attack, to the Western "wailing" Wall of the temple in Jerusalem as a "popular tourism site." I mean, it is a place visited by tourists, but that does not even hint at the site's significance to those who consider it a holy place. This is pushing things, but is Mecca a "popular tourism site"?

OK, forget religion for a moment. There are solid reasons that St. Catherine's has been designated as a UNESCO World Heritage Site. We are talking about what many believe is the world's oldest library.

What about the monastery's priceless, irreplaceable sacred art? Click here to check out the Metropolitan Museum of Art tribute to St, Catherine's and the icons venerated there by the monks. And here is the excellent guide to the collection maintained by Princeton University. For starters, we are talking about the home of Christ of Sinai, which is the oldest known icon of the image known as Christ Pantocrator. You can make a case that this is the world's most important, the most beloved, Christian icon.

So what did NPR say in this mini-report? Here's the top of what is stored online:

There's been an attack by gunmen near a prominent religious tourism site in southern Sinai but Egyptian authorities say no tourists were involved. One security officer was killed and four others injured.


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Once again, Time magazine's top 100 influential people list shortchanges the religious world

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Each year, Time magazine comes out with its “100 Most Influential People” list, which is often clueless about the world of religion.

Well, it's deja vu all over again. This year’s selection did not fail to disappoint.

There were no icons of the religious left, such the Rev. James Martin nor, on the opposite pole, people like the Rev. Russell Moore, who took a lot of heat -- and nearly lost his job -- for criticizing evangelical Trump supporters.

There was no Abu Bakr al Baghdadi, the ISIS leader whose butchery and short-lived Islamic  caliphate is still creating international havoc. (He made the short list for Time’s 2015 person of the year, so go figure).

There was no sign of the Rev. Tim Keller, the Presbyterian pastor who, against many odds, started a Reformed congregation in highly secular Manhattan 28 years ago and grew it into a 5,000-member congregation. No less than the New York magazine has called Keller the city’s “most successful Christian evangelist.” It was only recently that he became more widely known after Princeton Theological Seminary announced he’d won its annual Kuyper Prize, then reneged on giving him the award after an outcry from theological liberals.

The only religious leader cited was Pope Francis, in an essay written by Cardinal Blaise Cupich:


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Guardian drags Mike Pence into Christian music festival story, blunting crucial points

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I'm beginning to see a pattern: To get attention in mass media, faith-based events and/or culture have to be tied, however tenuously, to U.S. President Donald J. Trump or his administration.

I get it: Sex sells, and few things, it seems, are more "sexy," news-wise, than the 45th President of the United States and his team.

But sometimes, this desire for a political connection dents an otherwise good and thoughtful piece on culture, faith, and people -- you know, stuff that sometimes exists apart from politics.

For an example, let's turn again to one of Britain's top progressive newspapers, The Guardian. It should be noted that this paper began life as the Manchester Guardian and was once home to Malcolm Muggeridge, a once-socialist reporter whose Christian conversion was one of the great biographical stories of the last century, if you are talking about interesting lives in journalism.

"St. Mugg," as he was known after his radical conversion at age 60, probably wouldn't find a home at The Guardian today. But there are some good writers contributing to its pages, however much they may be caught up in the frenzy of "Must-include-a-Trump-reference" that has overtaken us.

Say hello, then, to Jemayel Khawaja, a freelancer in Los Angeles who knows music and culture quite well. The Pakistani-born Khawaja authored one of the better analyses of contemporary Christian music that I've seen in the media, once you get past the obligatory, almost tortured, Trumpiana:

“Lord Jesus, thank you for dying for me,” says a bearded man in cut-off shorts standing atop a floodlit stage as hundreds of youths look on. “Lord Jesus, you can have my life.” Teenagers in Avenged Sevenfold shirts with bandannas wrapped around their faces bow their heads and pray together. And then the double-time kickdrum drops in, the guitars start chugging, and the mosh pit resumes.


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Beauty and the Beast: Why aren't we told why Malaysia doesn't want it?

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Like almost every other parent of a child or pre-teen in America, I’m hoping to take the kiddo to “Beauty and the Beast” this weekend at some nearby theater. The Disney Channel, to which my daughter is glued every afternoon, advertises the movie during nearly every ad break, so there are probably few Americans under 13 who don’t know about its release.

Of course there’s been blowback about the “gay moment” in B&B, which apparently comes rather late in the film (after a few hints early on). So, we’ll see if my almost 12-year-old picks up anything different in that I’ve not breathed a word to her about the issue.

Meanwhile, we’ll see if I pick up anything. There were a few things said about a same-sex couple in “Finding Dory,” but they were only on for a few nanoseconds and you had to be looking for it. Also I’m hoping this PG-rated movie stays PG. I'm not looking forward to it for other reasons. Disney has a way of overloading a simple fairy tale and I've been hearing that it's overblown and overdone. 

Some folks overseas have an even different read on the movie, according to the Los Angeles Times, which ran this piece:

When Disney's live-action "Beauty and the Beast" debuts worldwide Thursday, Malaysia will no longer be among the invited guests.
The Associated Press reported Tuesday that the company had shelved its plans for Malaysian release after film censors there approved the film after cutting out its so-called "gay moment."
According to the chairman of the Film Censorship Board in Malaysia, Abdul Halim Abdul Hamid, scenes promoting homosexuality are banned in the country.
"We have approved it, but there is a minor cut involving a gay moment. It is only one short scene but it is inappropriate because many children will be watching this movie," Abdul Hamid told the Associated Press.

This is confusing. The film board censored the film to match up with local sensitivities, then banned it nonetheless? Odd. Why is this happening?


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New York Times offers faith-free take on rugby fans hijacking 'Swing Low, Sweet Chariot'

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Let me start by confessing that I know very little about rugby or the fan culture that surrounds it in some parts of the world. In other words, I am an American.

However, I do know a thing or two about church music. Basically, I have been singing in church choirs (and academic choirs dedicated to classical and sacred music) so long that I don't even remember when I started. My childhood memories have always included choirs.

Thus, allow me to make a few comments on half of the material found in a fascinating New York Times feature that ran with this headline: "How a Slave Spiritual Became English Rugby’s Anthem." The story is labeled "rugby," which implies that it was a sports feature. However, it was also featured in the "international" news section of the Times online round-up.

Obviously, I want to comment on the feature's religious content and lack thereof. Here is the overture:

LONDON -- Barely a minute had elapsed in the match between the national rugby teams of England and France when the song first boomed around the stands at Twickenham Stadium.
“Swing low, sweet chariot,” thousands of fans sang, “coming for to carry me home.”
It is a famous refrain and melody. For many in the United States, “Swing Low, Sweet Chariot” enjoys a hallowed status as one of the cherished of 19th-century African-American spirituals, its forlorn lyrics invoking the darkness of slavery and the sustained oppression of a race.
But here, across the Atlantic, the song has developed a parallel existence, unchanged in form but utterly different in function, as a boisterous drinking song turned sports anthem.

The feature includes quite a bit of material about rugby culture. It also does a fantastic job of describing the symbolic role that this spiritual -- it could also be called a folk hymn -- has played in African-American history.

So what is missing?


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Portrait of a lady: Concerning missing art treasures and a contested cathedral

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“Cognitive dissonance” is a mellifluous phrase I’ve heard bandied about in the media during these first days of the Donald Trump administration.

The new president’s supporters are in the grips of this psychological malady, the Daily Kos tells us. In an interview broadcast by MSNBC “Bill Nye” the “science guy” postulated the president also suffered from “cognitive dissonance,” and as he had a “worldview that disagrees with what you observe.”

Writing in 1962 in Scientific American about this new psychological theory, (cognitive dissonance, not Donald Trump), Leon Festinger offered this explanation:

This theory centers around the idea that if a person knows various things that are not psychologically consistent with one another, he will, in a variety of ways, try to make them more consistent. Two items of information that psychologically do not fit together are said to be in a dissonant relation to each other. The items of information may be about behavior, feelings, opinions, things in the environment and so on. The word "cognitive" simply emphasizes that the theory deals with relations among items of information.

Such ideas are not new. Scripture tells us: A double minded man is unstable in all his ways (James 1:8). Once upon a time, a double minded man was one with a character flaw. Now he has a pathological condition.

If the president and his supporters are not sick, they must be evil, the pundits tell us -- witness the contretemps over “alternative facts” and Kellyanne Conway.  Moral opprobrium like burning coals has been heaped onto the head of the presidential counselor in disputes over alternative narratives of reality.

Stepping back into the GetReligion harness has resulted in a bout or two of cognitive dissonance for me -- the neural pathways used in my work as a country priest are not those of a journalism critic.

Nor did I keep all my bookmarks on the web. Looking for interesting items has led me to some odd corners, and the odd corners have unearthed odd stories.

I learned just the other day of a gallery opening in Minsk. The Belarusian Telegraphic Agency reports:


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New Washington Post shocker: Christian bookstore chain wants CDs with 'clean' language! Film at 11

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You can imagine that when one of we happy, few Get Religionistas writes a snarky headline, there's more to follow.

Thus, I trust you won't be disappointed as we join the Washington Post on a voyage of discovery. The find? The shocking development here: Folks who run Christian bookstores respond quickly when customers complain about the content of a product they're selling.

(Your correspondent has direct, personal experience in this matter. I'll get to that in a moment.)

Here, now, the "news." Sho Baraka is an African-American hip-hop artist with a highly creative mind, and a love for Jesus. He's been popular in Christian circles after finding faith a few years back, and his latest album, "The Narrative" (promotional video above) hit the shelves at LifeWay Christian Bookstores, a chain owned by the Southern Baptist Conventions. Then, it appears, some folks listened to the songs, which then alarmed those hearers.

Take it away, Washington Post:

Popular hip-hop artist Sho Baraka has taken aim at Southern Baptist retailer LifeWay Christian Stores for dropping his album for including the word “penis,” a move that shows a growing tension between the black artist and his white evangelical fans.
A spokesman for LifeWay confirmed the retailer’s decision, saying in an email that customers complained about the language, but the representative declined to provide further details.
Christian bookstores don’t usually place rap albums by black activist artists front and center on their shelves. But in recent years, white evangelicals have embraced several black hip-hop artists such as chart-topping rappers Lecrae and Trip Lee, whose albums are sold on LifeWay’s website. Baraka, who was once part of Lecrae’s Reach Records label, said he upset LifeWay customers by including the anatomical reference in his album.

Here's a stunner, right?


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Washington Post's Jewish-Art-About-Jesus 'taboo' extends to theology, too

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That Jews have issues in considering the life and ministry of Jesus of Nazareth should come as little surprise. Christ, as Jesus was later called, challenged the spiritual orthodoxy of his day, and remains a challenge to the faith of millions. The bottom line: If Jesus is the Messiah, then Jews (and everyone else) has to make a decision to accept or reject Him.

In Israel, where, cultural sensitivities are high, then, it’s no surprise that “Jewish art challenges the taboo of Jesus,” as the Washington Post noted recently.

Nevertheless, it is a little surprising that at the very epicenter of news coverage of this issue in Jewish and Christian experience, there’s practically no discussion of, well, theology.

Diving in:

At the center of the Israel Museum’s newest art exhibit stands an imposing, life-size marble figure of Jesus. The sculpture, titled “Christ Before the People’s Court,” would not be out of place in a church in Rome.
Yet in this depiction, the Christian savior wears a Jewish skullcap.
The sculpture, created by Russian Jewish artist Mark Antokolsky in 1876, is part of a collection of more than 150 artworks by 40 Jewish and Israeli artists who have used Christian imagery to challenge long-held taboos in both communities. It showcases the evolving attitudes of Jewish, Zionist and Israeli artists toward a figure whose place in Jewish history has been negotiated and reinterpreted over more than two millennia.
It is a risky statement for an Israeli museum.
Throughout history, Jews have traditionally shunned Jesus and his gospel. And while the Holy Land might be his accepted birthplace, for Jews in the modern state of Israel there is often resistance to learning about or even acknowledging Christianity.

Again, that's no surprise: As the Post notes, the better part of the past two millennia have been occupied by those blaming Jews for the death of Christ, culminating in the Shoah, the attempt to exterminate the Jewish race undertaken by Germany's National Socialist, or Nazi, party.


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