Oh no, not again: AP fails to ask school 'covenant' question in LGBTQ teacher case

I know. I know.

Trust me, I know that your GetReligionistas keep making the same point over and over when digging into mainstream news coverage of LGBTQ teachers (or people in other staff positions) who, after making public declarations of their beliefs on sex and marriage, lose their jobs in doctrinally defined private schools.

We keep making the point over and over because it's a crucial question when covering these stories. When are reporters and editors going to start asking the crucial question?

The question, of course, is this: Had the person who was fired voluntarily signed an employee lifestyle (or doctrinal) covenant in which they promised to support (or at least not openly oppose) the teachings at the heart of the religious school's work?

So here we go again, this time in an Associated Press report -- as printed at Crux -- about another conflict in Charlotte:

A gay teacher sued a Roman Catholic school on Wednesday for firing him after he announced his wedding to a man, the latest in a series of legal fights over anti-discrimination protections for LGBT people.
The lawsuit argues Charlotte Catholic High School violated federal employment law by firing Lonnie Billard from a substitute teaching role in 2014 after a Facebook post about his wedding. While the lawsuit doesn’t invoke state law, it comes amid protracted litigation over a North Carolina law limiting protections for LGBT people.
Billard taught English and drama full time at the school for more than a decade, earning its Teacher of the Year award in 2012. He then transitioned to a role as a regular substitute teacher, typically working more than a dozen weeks per year, according to the lawsuit.

Let me stress, as always, that journalists do not have to agree with a religious school's doctrines -- in this case Catholic -- in order to accurately cover these stories. You just have to realize that many if not most private schools, both liberal and conservative, have these kinds of covenants defending the faith that they claim to represent in their work.


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Dry bones transformed and other visions: What do Jews believe about life after death?

Dry bones transformed and other visions: What do Jews believe about life after death?

NORMAN’S QUESTION:

The Hebrew Bible makes no mention of an afterlife. When did this belief come into being among the Israelites, and why?

THE RELIGION GUY’S ANSWER:

This is an appropriate follow-up to our December 1 answer to Paula concerning “what does Christianity say happens to believers after death?”

True, the Hebrew Bible or Tanakh (or for Christians the Old Testament) has no explicit and detailed concept of the afterlife such as we have in the New Testament. This whole topic has been considerably more central and developed in Christianity than in Judaism. However, Jewish authors offer a more complex scenario than that Jewish Scripture “makes no mention of an afterlife.” They observe that while most biblical references are vague, we see an evolution in belief. Some particulars:

Frequent references in Genesis, followed by the Psalms and the prophets, say that the dead abide in a shadowy state called sheol. Such passages as Ecclesiastes 9:5, Job 14:21, and Psalm 88:11-12 indicate that this involves no conscious existence.

On the other hand, the Bible depicts forms of life beyond death in Genesis 5:24 (Enoch taken directly to God), 2 Kings 2:11 (the same with Elijah), 1 Samuel 2:6 (God “brings down to sheol and raises up”), Psalm 49:15 (“God will ransom my soul from the power of sheol, for he will receive me”), and Saul’s notable conversation with the deceased Samuel in 1 Samuel 28.

Also, sages interpreted the prophet Ezekiel’s “dry bones” vision in chapter 37 as depicting a communal afterlife for Israel, and the Talmud saw Isaiah 60:21 (“they shall possess the land forever”) in terms of bodily resurrection.


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Huston Smith: Farewell to a religious voyager who personified modern, progressive faith

Huston Smith: Farewell to a religious voyager who personified modern, progressive faith

Huston Smith -- to my mind an unmatched connoisseur of spiritual experimentation who was also exceptionally grounded in an extraordinary range of religious protocols -- died just prior to the new year, Dec. 30 to be exact, at age 97.

News media coverage of his death, while adequate, underplayed at least one salient point.

Which is: If any one person can be said to represent wholesale societal change, then it may be said that Smith personified the radical reevaluation of contemporary religious beliefs and practices that has profoundly divided Western culture. From the mid-20th century until today, this reevaluation continues.

Evidence of it may be seen in the ongoing culture wars dividing the United States and in parts of Europe.

As I said, the major news media provided adequate coverage of his death, given his limited fame among the general public, and even if they lingered a bit too long on Smith's brief experimentation with (then still legal) psychedelic drugs in the 1960s.

The factual and many faceted details of Smith's academic and personal biography were capably reported, as was his strong support for religious freedoms and religious and cultural pluralism.

For those who missed his death, or are unfamiliar with his life and work, click here for the New York Times obituary. Or click here for the Los Angeles Times obit.

Several outlets noted Smith's death by reposting past interviews and stories. How much easier and cheaper is that in this age of instantaneous web news and shrinking editorial budgets?


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As Emanuel AME gunman gets death, looking for faith — and finding it — on victims' side

It's impossible to tell the story of the Emanuel AME church massacre without a huge dose of faith.

All along, we at GetReligion have praised the unsurpassed local coverage of Pulitzer Prize-winning journalist Jennifer Berry Hawes and her colleagues with the Post and Courier, the daily newspaper in Charleston, S.C.

In the wake of gunman Dylann Roof receiving a federal death sentence Tuesday, we again point readers to Hawes & Co.'s banner coverage of the decision.

But I also want to call special attention to a national story on Roof's sentencing, via the New York Times: 

CHARLESTON, S.C. — Dylann S. Roof, the unrepentant and inscrutable white supremacist who killed nine African-American churchgoers in a brazen racial rampage almost 19 months ago, an outburst of extremist violence that shocked the nation, was condemned to death by a federal jury on Tuesday.
The jury of nine whites and three blacks, who last month found Mr. Roof guilty of 33 counts for the attack at this city’s Emanuel African Methodist Episcopal Church, returned their unanimous verdict after about three hours of deliberations in the penalty phase of a heart-rending and often legally confounding trial.

The Times' story is full of strong and appropriate religion content, including this reaction:


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'Twas their gift to be simple (and celibate), but now the Shakers are all but gone

If you have studied the history of religion in America -- part of my double-major as an undergraduate and then my master's degree work in church-state studies -- then you will have run into the fascinating movement called the Shakers. Trust me, there is more to these believers than their influence on the Arts and Crafts Movement and, well, L.L. Bean.

The Shakers are in the news right now for reasons that are easy to understand, but a bit harder to explain -- if you care about the details.

The best report I've seen on this topic so far (combining elements of several other news stories) ran last week in The Washington Post with this headline: "One of the Shakers’ last three members died Monday. The storied sect is verging on extinction." It's a solid report, but does contain a very interesting and important hole. Meanwhile, here's some key material at the top of the story:

Sister Frances Carr died at the Shaker community at Sabbathday Lake in New Gloucester, Maine, “after a brief battle with cancer,” according to a statement on the community’s website. It continued, “The end came swiftly and with dignity surrounded by the community and her nieces.” Carr was 89.
Carr was a member of the United Society of Believers in Christ’s Second Appearance, a Christian group formed in 1747 in Manchester, England. They earned the name the Shakers when critics began calling them “Shaking Quakers” because of “their ecstatic and violent bodily agitation in worship.” ... The Shakers eventually abandoned this particular dancing-style worship, but the congregation adopted the term, according to the Associated Press.
The religious sect moved to the United States when Ann Lee, one of its leaders (known as Mother Ann) who was imprisoned in England for her views, fled to the New World with eight of her followers in 1774. Eventually, the group established its first American community in New Lebanon, N.Y. Slowly, it blossomed into 18 communities across the Eastern United States, including locations in Florida, Georgia, Kentucky and Massachusetts.

The last remaining Shaker community is at Sabbathday Lake, with two members.

Now, if you know anything else about the Shakers -- other than about their music (think "Simple Gifts") and furniture -- then it is probably a rather logical reason for the movement's decline:


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Washington Post's Jewish-Art-About-Jesus 'taboo' extends to theology, too

That Jews have issues in considering the life and ministry of Jesus of Nazareth should come as little surprise. Christ, as Jesus was later called, challenged the spiritual orthodoxy of his day, and remains a challenge to the faith of millions. The bottom line: If Jesus is the Messiah, then Jews (and everyone else) has to make a decision to accept or reject Him.

In Israel, where, cultural sensitivities are high, then, it’s no surprise that Jewish art challenges the taboo of Jesus,” as the Washington Post noted recently.

Nevertheless, it is a little surprising that at the very epicenter of news coverage of this issue in Jewish and Christian experience, there’s practically no discussion of, well, theology.

Diving in:

At the center of the Israel Museum’s newest art exhibit stands an imposing, life-size marble figure of Jesus. The sculpture, titled “Christ Before the People’s Court,” would not be out of place in a church in Rome.
Yet in this depiction, the Christian savior wears a Jewish skullcap.
The sculpture, created by Russian Jewish artist Mark Antokolsky in 1876, is part of a collection of more than 150 artworks by 40 Jewish and Israeli artists who have used Christian imagery to challenge long-held taboos in both communities. It showcases the evolving attitudes of Jewish, Zionist and Israeli artists toward a figure whose place in Jewish history has been negotiated and reinterpreted over more than two millennia.
It is a risky statement for an Israeli museum.
Throughout history, Jews have traditionally shunned Jesus and his gospel. And while the Holy Land might be his accepted birthplace, for Jews in the modern state of Israel there is often resistance to learning about or even acknowledging Christianity.

Again, that's no surprise: As the Post notes, the better part of the past two millennia have been occupied by those blaming Jews for the death of Christ, culminating in the Shoah, the attempt to exterminate the Jewish race undertaken by Germany's National Socialist, or Nazi, party.


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Best of cotton-candy journalism: How to turn religious pablum into front-page news

Over the weekend, newspaper readers in America's fourth-largest city woke up to a front-page religion story.

Ordinarily, we at GetReligion would praise the Houston Chronicle for recognizing the importance of faith in readers' lives and giving it prominent play.

But oh, what a giant piece of fact-free cotton candy this Page 1 story turns out to be.

Seriously, this puff piece offers a nauseating case study in how not to do religion trend stories. From the beginning, the Chronicle ignores old-fashioned journalistic conventions like attributing statements of facts to named sources and quoting experts who could help put the random featured church into a wider context.

Instead, this piece reads like a journalist's stream of consciousness — no actual reporting or quoting people necessary:

On Sunday mornings at many mainline Protestant churches around Houston, there comes a moment when the pastor has to doff the robe, ditch the suit, throw on some jeans or khakis, run down the hall to a room with no pews or stained glass, and — most importantly — get his or her head into a different place.
Such is the nature of the modern church. The traditional service in the traditional sanctuary, supported by choir and organ and centuries of custom, is often no longer enough.
For many worshippers, the contemporary service is what they know and expect, conducive not only to casual attire but a more relaxed attitude, comfortable seats, and actual enjoyment. Praise Jesus? Sure, but how about a little raucous praise music to go with it? And cue the slide show while you’re at it.
At first glance, the gathering overseen by Pastor Eric Huffman on the campus of St. Luke’s United Methodist Church looks like any other contemporary service. But in fact there’s a different story behind The Story, the name given to the church within a church that St. Luke’s decided to establish just yards away from its blue-blooded main building across from the southern flank of River Oaks.
It’s an entirely reasonable thing to aim for a younger churchgoer, given that Grandma’s church hasn’t been cutting it with newer generations since the 1960s. The trend of declining church attendance is known to most every leadership team at pretty much every denominational church. But for most of them, the solution, by and large, has been stylistic.
Few, for example, try to lure visitors by emphasizing disagreement and doubt, to the point that The Story asks on its website, “What if Christians stopped treating doubt like an enemy? What if Christians could agree to disagree?


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RIP Nat Hentoff: How did press handle his crusade against illiberals, on left and right?

As a self-proclaimed "Jewish, atheist, civil libertarian, left-wing pro-lifer,” journalist Nat Hentoff had -- as you would imagine -- an unusual set of friends and enemies.

In the end, it's pretty easy to describe the thread that united his admirers. They (I should say "we") saluted his fierce liberalism on First Amendment issues. I would stress that he strongly defended free speech, freedom of association and the free exercise of religious convictions, as well as freedom of the press.

The question today is how much of his unique intellectual equation made it into the elite newsroom articles about his death. Hold that thought.

You could say that the First Amendment was his only creed, but that would be wrong. As an atheist, he was a strict and doctrinaire materialist (especially when DNA was involved). Why would that be controversial? Well, let's let Hentoff explain that, in this famous passage from a 1992 piece -- "Pro-choice bigots: a view from the pro-life left" -- in the old-school New Republic:

Being without theology isn’t the slightest hindrance to being pro-life. As any obstetrics manual -- Williams Obstetrics, for example -- points out, there are two patients involved, and the one not yet born “should be given the same meticulous care by the physician that we long have given the pregnant woman.”

Nor, biologically, does it make any sense to draw life-or-death lines at viability. Once implantation takes place, this being has all the genetic information within that makes each human being unique. And he or she embodies continually developing human life from that point on. ... Whether the life is cut off in the fourth week or the fourteenth, the victim is one of our species, and has been from the start.

This brings us to the elite media obits.

In my opinion there are three pieces of Hentoff's life and work that must be mentioned in these pieces. First, of course, there is his status as a legendary writer about jazz, one of the great passions of his life. Second, you need to discuss why he was consistently pro-life. Note the "why" in that sentence. Third, you have to talk about his radical and consistent First Amendment views -- he defended voices on left and right -- and how those convictions eventually turned him into a heretic (symbolized by The Village Voice firing him) for post-liberal liberals who back campus speech codes, new limits on religious liberty, etc.

So what happened?


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The sky is falling! The sky is falling! Transgender bathroom bill unveiled in Texas

Even if you live far from the Lone Star State, the weeping and gnashing of teeth — on the part of the news media — were difficult to miss last week.

Suffice it to say that elite journalists are beside themselves over this: Top Texas Republicans seem intent on heading down the same dangerous, discriminatory path as North Carolina. At least that's the slanted perspective that major newspapers advanced after Thursday's unveiling of a Texas "bathroom bill" (scare quotes courtesy of the news media).

In the following "news story" lede, please help me count how many different ways the Dallas Morning News editorializes its concerns:

AUSTIN -- Cities like Dallas and Austin could have to undo local laws that protect transgender people from discrimination if Texas passes the so-called bathroom bill unveiled Thursday, a proposal panned by the business community that's wreaked havoc on other states' economies.

OK, what's your count?

I got five:

1. "could have to undo local laws"

2. "that protect transgender people from discrimination"

3. "the so-called bathroom bill"

4. "a proposal panned by the business community"

5. "that's wreaked havoc on other states' economies"

Man, I sure hope the Dallas Morning News doesn't waste space by writing a separate editorial on this subject. Just include a note on the opinion page referring to the front-page "news story."


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