TV-Radio

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Photos of lilies at sunrise won't be enough: Talking 2020 Easter news with Eric Metaxas

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Yes, I wore the tacky “I (heart) New York” sweatshirt on purpose.

Note that it’s green, as well. Just to crank up the tacky factor, I bought this stereotypical sweatshirt for half price after St. Patrick’s Day — at a shop located deep in the dark, dismal, Dante’s Inferno-like lower floors of New York City’s Penn Station. If you’ve been there, you know what I am talking about.

So I wore it as an ironic nod to the fact that my old friend Eric Metaxas is — like all New York City writer-commentators — doing what he calls “bunker” broadcasts from his apartment somewhere in the 4, 5, 6 subway zone on the city’s East Side. He pops out from time to time for runs in Central Park (especially if there are Samaritan’s Purse field hospitals there).

I have known Metaxas for nearly a quarter century now, dating back to early Internet contacts in the days when he was a freelancer and VeggieTales scribe (see his interview with Phil “Bob the Tomato” Vischer).

Note that means that our friendship dates way, way back before we needed to avoid talking about Citizen Donald Trump. I also do not understand his obsession with late 1970s radio classics, but that’s another issue altogether. I mean, Trump plus “Bennie and the Jets”? Come on.

But I thought GetReligion readers might enjoy this video on this weekend, in particular, since it focuses on news coverage of this very unique Easter season — both in the churches of the East and West. Metaxas grew up in Greek Orthodoxy and has traveled into evangelicalism, while I grew up Southern Baptist and have converted into Eastern Orthodoxy. We are both bilingual, in a way.

This is not — to say the least — a year when newspaper editors will be able to get away with a glowing picture of Easter lilies at sunrise and that’s that.


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Stories near you? Ultra-Orthodox Jews making news in a time of coronavirus self-isolation

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TV binge-watching has emerged as a primary coping strategy for — I’m estimating here — the gazillions of people tired of 2,000-piece puzzles and cleaning their homes, but who still find themselves indefinitely sequestered because of the coronavirus pandemic.

Dare I say, thank God for cable streaming?

I’d include in my moment of praise the new four-part Netflix series “Unorthodox,” the story of a young Jewish woman raised in the ultra-Orthodox, Hasidic Satmar community in Brooklyn’s Williamsburg neighborhood who runs away because, as she says, “there are too many rules.”

Click here to view the show’s official trailer. The dialogue is in Yiddish, German and English — a linguistic stew that my late in-laws also spoke, often in the same sentence. They also added some Hebrew and were particularly adept at mixing curse words. But I digress.

The show is based on the real-life story of Deborah Feldman. As with virtually all such shows, some details of Feldman’s best-selling (according to Amazon) memoir were changed or invented for dramatic impact.

Media depictions of insular religious communities — be they polygamist Mormons, as in HBO’s TV series “Big Love,” or the Amish in the Academy Award-winning Harrison Ford film “Witness” — require unusual sensitivity.

Journalism, regardless of the form taken (I’m including here cinematic documentaries), requires an equally deft hand. One reason is that the most insular religious groups are notoriously mistrustful of outsiders, making them difficult to penetrate. That in turn often leads to innocent misunderstandings that undercut credibility. (I’ll leave intentional distortions and sensationalism for another post.)

I’ll get back to the how-to issue below. But first let’s give “Unorthodox” a deeper look. This is a topic that could point to news stories linked to other tight-knit religious communities, here in America and around the world.


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Angry preachers fight 'shelter in place.' #NEWS Major religious groups follow rules? #SOWHAT

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If you were going to create an FAQ built on complaints from ordinary news consumers about the journalism biz, some variation on this question would have to be at or near the top of the list: “Why do journalists cover so much bad news? Why do they ignore all the good things that people do in our town/city/country/world and focus only on the bad things that a small handful of people do?”

I believe it was the late Walter Cronkite of CBS Evening News fame who said something like this (I’ve been hunting, but can’t find the quote): It would be a terrible thing if we lived in a world in which good news was so rare that everyone considered it unique and truly newsworthy.

If you pay attention to religion threads on Twitter, you know that we are living through a textbook case study of people arguing about this subject. This time, the question looks like this: Why are the few pastors who reject “shelter in place” orders getting so much ink with their face-to-face worship services, while the vast majority of clergy who have moved their rites online — often for the first time — are getting little or no coverage? I have already written about this twice at GetReligion — look here and then here.

Some people are upset, I think, because the rebels are all independent church leaders who, as a rule, perfectly match each and every stereotype of the angry white evangelicals and Pentecostals who back, you know, Citizen Donald Trump. In a way, this is a life-and-death example of the great evangelical monolith myth. Here is what people are feeling: How come some angry preacher deep in the Bible Belt is getting all this coverage and, well, online efforts by the still massive Southern Baptist Convention are ignored?

Frankly, the leap to online worship hasn’t been ignored. It has been covered over and over in local and regional news and in a few national stories that have not received all that much attention.

It’s also true — you know this if you follow Twitter — that Catholic and Eastern Orthodox people have been arguing about “shelter in place” rules, as well. The news there is that bishops have been making decisions to protect their priests and laypeople (see my most recent “On Religion” column). That’s a big story, too.

So what do these mad-preacher stories look like? For some reason, Reuters seems to be Ground Zero. Consider this headline: “The Americans defying Palm Sunday quarantines: 'Satan's trying to keep us apart'.” The story opens with a brave woman near Cincinnati who is staying at home and then jumps to this:


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A baseball flashback (sort of): Kudos to MLB.com for getting some Tebow details right

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So does anyone else miss baseball right about now?

I really do. I especially love, near the end of spring training, following the stories of the minor-league stars who suddenly get hot and rise into the major leagues. Is there anything more inspiring than watching a rookie who is 28, 29 or even 30 run down the red carpet on opening day and be introduced to The Show?

With that in mind, I would like to mix that story — tragically cut off this year, of course — with another ongoing story. That would be the evolving life and career of one Tim Tebow.

This MLB.com story ran quite some time ago, before our world turned inside out, but I filed it away since it managed to gracefully handle an interesting development in the Tebow story. I saw some other news reports that, as usual, were cranked out by journalists who seemed to go out of their way to turn this story into another chance to mock this man or ignore relevant facts about his life.

So here is a small dose of baseball news. Do you remember the news when this story broke? Here’s the MLB.com headline: “Tebow to represent Philippines in WBC qualifiers.” I am sure the lead-ups to the 2021 World Baseball Classic have been messed up — but let’s hope that our world is sorted out by next summer. Here is the overture:

PORT ST. LUCIE, Fla. -- Calling the opportunity “a really cool thing,” Tim Tebow has agreed to play for the Philippines in 2021 World Baseball Classic qualifiers.

Tebow, a former Heisman Trophy-winning quarterback who has spent the past four years as a Mets Minor League outfielder, was born in the Philippines. When the country’s national baseball team invited him to participate in WBC qualifiers, Tebow ran it past Mets general manager Brodie Van Wagenen and manager Luis Rojas, who signed off on him leaving this year's Spring Training to play.

“I’ve just got such a heart for the Philippines,” Tebow said. “I’ve just really had a love for the people for a long time. To be able to represent them will be really cool -- really, really cool. You don’t get a lot of chances to represent people or places that mean something to you.”

Many journalists left it at that — Tebow was born in the Philippines. End of story. The implication was that he was some kind of baseball hired gun for a day.


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Autism and Communion: Textbook social-media clash between parents, press and church

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Every now and then I get an email from a GetReligion reader who has, for all practical purposes, researched and written a perfect news-critique post for this blog.

It’s especially interesting when the email comes from someone who — in a perfect world — would make an ideal source for mainstream coverage of the very issue that he or she is concerned about.

So that’s what happened the other day when I received a note from Father Matthew Schneider, who writes at a blog called Through Catholic Lenses. He is also known, on Twitter, as @AutisticPriest — a fact that is relevant, in this case.

That is, the fact that Father Schneider is autistic is relevant because he has a natural concern for people facing autism and related challenges, which has led him to dig into church law and teachings on that topic.

This matters when facing a USA Today headline such as this one: “Boy with autism denied First Communion at Catholic church: 'That is discrimination,' mom says.”

What we have here is a perfect, 5-star example of a clash between parents — backed with press reports — and church officials who seem to think they have lots of time (In the social-media age? #DUH!) to figure out faithful responses to complex liturgical issues. It also helps, of course, when reporters fail to use search engines and plug into logical sources about Catholic teachings and even Canon Law.

Anyway, here is the overture to this story, which is long, but essential:

MANALAPAN, N.J. — Nicole and Jimmy LaCugna both grew up with a strong Catholic faith. Each attended religious education as children, married in a Catholic church and sent their first son, Nicholas, through a faith-based pre-K program.

So when their second son, 8-year-old Anthony, reached second grade last fall, he was on track to receive his first Holy Communion in April.

But just days ago, the couple learned Anthony would not be allowed to receive the sacrament at St. Aloysius in Jackson, New Jersey, the church the family has attended for years.


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Orson Bean and Hollywood: His wild life had a final chapter worthy of some ink

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Orson Bean answered the same question many times during his crazy ride from Broadway to doing every conceivable kind of work during his decades in Hollywood.

What was this funny guy trying to do, while embracing drugs, edgy politics, sexual healing, hippie communes, experimental forms of therapy and other diversions involving his body, mind and soul?

On one occasion, Bean said he was trying to become the "happiest son of a bitch alive." In another Los Angeles Times interview he added: "I did all this stuff, the drugs, getting my kisser on the tube, because I thought it would make me happy. But it didn't work. I didn't find happiness until I learned to surrender, to give up the crazy pursuit."

Surrender to what? The answer to that question didn't make it into the media tributes after the 91-year-old Bean's death on Feb. 7, when he was hit by two cars while walking in his Venice, Calif., neighborhood. However, the answer has hiding in plain sight in several cable TV interviews, his one-man stage show and an online testimony he wrote entitled "How Orson Bean Found God."

"For most of my life I didn't believe in God," noted Bean. "Who had time? I was too busy with things of this world: getting ahead, getting laid, becoming famous.

"For most of my adult life I've been at least somewhat famous. Not so famous that I had to wear dark glasses to walk down the street, but famous enough that head waiters would give me a good table. I didn't want to be famous for its own sake. I wanted to be famous so as to be happy."

What finally turned Bean's life around was a religious conversion. He went looking for the "Higher Power" in his 12-step program and eventually found peace.

Many Hollywood people who knew Bean were amazed that the final act in his wild life -- from Communist sympathizer to father-in-law of the late conservative raconteur Andrew Breitbart -- didn't make it into news reports.

This was a lot of territory to cover. Bean's work was known by multiple generations -- from "What's My Line" to "Desperate Housewives," from his many appearances on "The Tonight Show starring Johnny Carson" to the surrealist classic "Being John Malkovich." Bean was pre-hip, then hip and finally a kind of ironic post-hip.

In the obituaries, journalists "got the blacklist thing in there, of course, because that's still a major sign of status in Hollywood," said Barbara Nicolosi Harrington, a former Catholic nun who became a screenwriter and film-studies professor.


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Orson Bean's wild life: Why did Los Angeles Times obit skip God's role in final chapters?

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No doubt about it, actor Orson Bean lived a wild life — even by Hollywood standards.

As you would expect, the lengthy Los Angeles Times obituary for Bean — who died at age 91 when hit by two cars — was packed with colorful details. I mean, this is a man whose early life included a run-in with the Hollywood blacklist, yet he ended up as a conservative who helped inspire the career of his son-in-law Andrew Breitbart.

But here is the GetReligion question for this day: Why would the newspaper of record in La La Land avoid one of the key elements of the final chapter of this man’s life, as in his conversion to Christianity?

Surely there was room for a phrase or two about that development in lines such as these?

Bean’s onstage antics included stand-up comedy and magic tricks as he made the rounds on game shows and late-night television. He was fondly remembered by baby boomers for bringing his wit and sophistication to “What’s My Line?,” “I’ve Got a Secret” and “To Tell the Truth” and guest-starring in variety series and talk shows, including “The Ed Sullivan Show,” “The Tonight Show starring Johnny Carson” and “The Mike Douglas Show.” Later in his career, he starred in “Dr. Quinn, Medicine Woman,” “Being John Malkovich” and “Desperate Housewives” while racking up dozens of guest appearance credits, with “Two and a Half Men,” “The Closer,” “Modern Family” and “How I Met Your Mother” among them.

Bean, who wrote several memoirs and a cookbook for cats, was briefly blacklisted, became a hippie, a peddler of a self-help method and a beloved Venice resident as he bolstered the local theater scene with wife Alley Mills. All along, his true passion was the stage, though he acquiesced to television, films and even commercials just to pay his bills.

The story gets wilder and wilder, which only points to the irony of journalists (the Times was not alone in missing the faith angle here) avoiding any discussion of Bean’s faith — which he made no attempt to hide, as one can see in the videos accompanying this post.

You can see a hint of what is missing in this colorful passage:


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GetReligion isn't an entertainment blog: But entertainment and news often run together

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Your GetReligionistas received an interesting note this week (via our comments pages) that reminded me that I haven’t offered an update on how things are going one month into GetReligion 4.0.

GetReligion 4.0? Well, GetReligion 1.0 was quite small, with me and co-founder Doug LeBlanc striving to get one or two items online day after day while doing other jobs. Then, in 2.0, I did the blog part-time for a decade while leading the Washington Journalism Center — with contributions from a wonderful pack of scribes, such as Daniel Pulliam, Elizabeth Eisenstadt Evans, M.Z. Hemingway, Sarah Pulliam Bailey, George Conger and others. The 3.0 version just ended, with me blogging and editing full-time with the members of the current gang contributing throughout the week.

With 4.0, I’m part-time, again and we’re part of the First Amendment work at the Overby Center at the University of Mississippi. The site has downsized a bit and we do need financial support from readers. We also share some content with the online magazine Religion UnPlugged.

Now, the following letter from reader Mark Gammon came in response to a recent piece by Catholic-news specialist Clemente Lisi that ran with this headline: “HBO's 'The New Pope' serves up lots of sinful sizzle, but no substance worth discussing.” Here is what Gammon had to say:

Oh no. Is this what this website is going to be now? I always appreciated reading about the press’ blind spots or unconscious hostility toward religion. As a theologian, I found it a valuable service.

This piece, on the other hand, is just whining about a TV show.


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HBO's 'The New Pope' serves up lots of sinful sizzle, but no substance worth discussing

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There is often a Hollywood fascination with all that’s morbid about religion. This has traditionally included a profane approach when it comes to the Catholic church — dramatizing reality into what can sometimes be an ugly trope.

This is exactly what we get with HBO’s new TV mini-series The New Pope. As is often the case, it’s also easy to see this entertainment as a form of semi-journalistic commentary about the state of the church.

As always, Bill Donohue of the Catholic League for Religious and Civil Rights spoke up: “We have been tracking what The New York Times and The Washington Post have been saying about the Catholic Church for decades, and it will shock no one to learn that they are not exactly our biggest fans. More proof was offered today with the reviews of the first episode of ‘The New Pope.’ What they said tells us as much about them as it does HBO, another media outlet that likes to stick it to the Church.”

This new series picks up from “The Young Pope,” starring Jude Law as the fictional (and very conservative) Pius XIII, that ran in 2016. That series ended with the young fictional pontiff deep in a coma. The second series, which premiered on January 13, gets even crazier — and more sacrilegious — with the introduction of a new pope, played in over-the-top form by John Malkovich as John Paul III.

The biggest issue with this new mini-series — coming on the heels of the fictionalized Netflix movie “The Two Popes” — is the total lack of respect there is for the church and faith. The Vatican and the men who run it appear to be more into power and greed than saving souls.

The first episode did pack plenty of drama and intrigue, but that ultimately isn’t enough in this case to sustain a meaningful series.


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