Arts

Modern world knows how to hoard lots of 'stuff,' but struggles with the higher virtues

Modern world knows how to hoard lots of 'stuff,' but struggles with the higher virtues

Quoting Alexander Solzhenitsyn is not a typical cold open for an edgy Jewish comedian.

But the Russian-British Konstantin Kisin -- a self-avowed "politically non-binary satirist" -- wasn't joking during his recent speech to the Alliance for Responsible Citizenship in London's O2 Arena. He was describing what he sees as immediate threats to liberal Western culture.

Solzhenitsyn, who wrote "The Gulag Archipelago," noted: "The strength or weakness of a society depends more on the level of its spiritual life than on its level of industrialization. … If a nation's spiritual energies have been exhausted, it will not be saved from collapse by the most perfect government structure or by any industrial development. A tree with a rotten core cannot stand."

That quote came to mind, said Kisin, while watching throngs around the world celebrate the Oct. 7 raids on civilian populations in Israel.

"I am starting to lose faith. I don't know how long our civilization will survive. For years now, many of us have been warning that the barbarians are at the gates. We were wrong. They're inside," said Kisin, who offered serious commentary and dark humor. "I'm not going to be all doom and gloom. There are positives as well. Say what you want about Hamas supporters, at least they know what a woman is."

The ARC co-founders -- British Baroness Philippa Claire Stroud and Canadian psychologist Jordan Peterson -- urged the authors, business leaders, artists, scientists and others who spoke during the three-day gathering to focus on a positive vision of public life.

Thus, ARC circulated questions such as, "Can we find a unifying story that will guide us as we make our way forward?" and "How do we facilitate the development of a responsible and educated citizenry?" But, in a pre-conference paper, Peterson and the Canadian iconographer and YouTube maven Jonathan Pageau noted that future progress will require dealing with the past.


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Film legend Martin Scorsese -- no surprise -- talks about his latest movie (and Jesus)

Film legend Martin Scorsese -- no surprise -- talks about his latest movie (and Jesus)

Since Day 1 — almost 20 years ago — your GetReligionistas have talked about the religion “ghosts” that haunt many mainstream news stories.

The basic idea is that journalists without religion-beat skills often omit religious facts, history and beliefs when writing many stories in which it’s almost impossible to understand what is going on without reporting these religion angles. Thus, we say these stories are “haunted” by religion “ghosts.”

From time to time, we hear from critics who claim that we want journalists to “force” religion into stories in the arts, sports, politics, business, etc. In the vast majority of cases, these critics are not arguing with us — but with easily available information about the lives of the people involved in these stories. Remember that classic 2016 case with mainstream news coverage (hello ESPN) of NBA superstar Kevin Durant?

This brings me to a recent Time magazine feature that ran with this headline: “Martin Scorsese Still Has Stories to Tell.” On one level, reporter Stephanie Zacharek faced a familiar entertainment-beat story, as in doing a junket-related feature with a Hollywood player who is promoting his or her new movie.

However, what we ended up with is a positive example of a journalist weaving accurate, valid, material about a newsmaker’s religious history into a mainstream news report.

Let me note that, in terms of film-studies doctrine, there is no such thing as an “orthodox” view of the role Catholic faith plays in this superstar director’s life and work. That’s fine. There’s way more to this man’s story than ongoing (in my view valid) arguments about “The Last Temptation of Christ.

Catholics can, and do, argue about what “kind” of Catholic he is, in terms of beliefs and practice of the faith. Film scholars can debate which of his movies are “Catholic,” which ones have faith soaked into the images and which ones seem to clash with Catholicism.

But everyone agrees on one thing: It’s impossible to talk about Scorsese and leave his Catholicism out of the mix.

Thus, Zacharek’s feature is not an example of a journalist “forcing” religion into a story about a mainstream artist. It’s an example of a story that asks relevant questions about Scorsese and then let’s him talk about his life and art. Thus, it contains quite a bit of valid Godtalk.

At first this is a rather normal arts-beat feature. For example, near the top:

Scorsese’s encyclopedic knowledge of film has made him the patron saint of film bros, and though it’s a title he most certainly never asked for, he’s happy to talk about movies for as long as you like.


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Latest angle in covering 'The Chosen?' It's a journalism thing -- follow the money

Latest angle in covering 'The Chosen?' It's a journalism thing -- follow the money

Sometime in 2024, filmmaker Dallas Jenkins will release season 4 of his very successful “The Chosen” series. It’s the first multi-season cable-television series about the life of Jesus Christ.

Now, think back a few years — to when 74,346 people raised $10 million for Season 1, which came out in 2019. That amount made “The Chosen” the largest crowdfunded mass-media project –- ever.

For the first year or so that the runaway TV hit series “The Chosen” ran on its own private app and on YouTube, it was hard to get journalists to take it seriously.

Now, most of the big media have covered it, and its success and that of “Jesus Revolution,” the surprise indie hit about the 1970s Jesus movement and one of its leaders, Lonnie Frisbee, is being touted as the big new success story in filmography.

Yes, we know. Hollywood discovering that religious believers care about values, and entertainment, is a “new story” that reporters have “discovered” once a decade for quite some time now.

RealClearInvestigations, a site not known for its religion coverage, remarked upon this trend recently.

"Jesus Revolution" and "The Chosen" are not just Christian dramas but the avant garde in a revolution in faith entertainment. The former – a feel-good movie about hippies who returned to Christ during the 1970s, starring former "Cheers" and "Frasier" star Kelsey Grammer – has grossed more than $52 million since its debut just a few weeks ago, making it the most successful film released by studio heavyweight Lionsgate since 2019.

But the instructive parable may be its predecessor, which made Hollywood sit up and take notice. Since its release in 2017, "The Chosen," portraying a charismatic Jesus and his youthful disciples, showed it didn't much need Tinseltown's blessing. Through crowdfunding, its producers have raised millions of dollars from thousands of fans and the show is now in its third season. It is thus a case study in outflanking Mammon – the biblical term for debasing riches – in the modern entertainment tempest. 

Again — 74,346 people raised $10 million for Season 1. Some $45 million was raised for Season 2.

A year ago when I wrote this article about all of this, for Newsweek, the show was closing in on 390 million views.


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Plug-In: A $50 million shrine dedicated to honor Catholic farm boy who became a martyr

Plug-In: A $50 million shrine dedicated to honor Catholic farm boy who became a martyr

Most weeks, I send out a “live” version of Weekend Plug-in.

This week, though, I expected to be on an airplane as this e-newsletter began arriving in readers’ inboxes. So if any UFOs got shot out of the sky this weekend, don’t look for the religion angle right here, right now.

But please do enjoy this prescheduled roundup of the best reads and top headlines in the world of faith.

What To Know: The Big Story

Blessed Stanley: A dedication Mass for a $50 million shrine honoring the Catholic Church’s first U.S.-born martyr was held in Oklahoma City. I wrote about the life — and death — of slain missionary Stanley Francis Rother for The Associated Press.

My story notes:

The Spanish colonial-style structure incorporates a 2,000-seat sanctuary as well as a visitor center, gift shop, museum and smaller chapel that will serve as Rother’s final resting place.

The shrine grounds also will feature a re-creation of Tepeyac Hill, the Mexico City site where Catholics believe the Virgin Mary appeared to an Indigenous Mexican man named Juan Diego in 1531. An artist created painted bronze statues of Our Lady of Guadalupe and St. Juan Diego — each weighing thousands of pounds — for the Oklahoma site.

Life and ministry: For the best in-depth coverage of Rother and the shrine, be sure to follow The Oklahoman’s faith editor, Carla Hinton, who has covered this story for years.

Among her features this week: a detailed look at the shrine museum and an exploration of how “Rother’s heart has remained with his beloved Guatemalan parishioners.”

A final shrine note: I first wrote about Rother in 2001 during my time as religion editor for The Oklahoman. In 2017, I did a Religion News Service feature on the love for “Father Stan” in his hometown of Okarche, Oklahoma.


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This keeps making news: Why do images of Prophet Muhammad so deeply offend Muslims?

This keeps making news: Why do images of Prophet Muhammad so deeply offend Muslims?

THE QUESTION:

Why do images of the Prophet Muhammad so deeply offend Muslims?

THE RELIGION GUY’S ANSWER:

This issue has erupted unexpectedly at Methodist-related Hamline University in Minnesota. Last October, adjunct art teacher Erika Lopez Prater showed an online class two medieval paintings in which pious Muslims had portrayed the Prophet Muhammad receiving Quran revelations from the angel Gabriel.

Lopez Prater warned Muslim students in advance so they could avert thir eyes. Nonetheless, the president of the Muslim Students Association (MSA) complained that Lopez Prater’s “trigger warning” itself showed she had committed an offense against Islam. Hamline’s President Fayneese Miller called Lopez Prater’s deed “Islamophobic” (she later apologized for that word) and the school decided not to renew the teacher’s contract.

The faculty, alarmed over academic freedom, called January 24 for Miller’s resignation in a lopsided 71 – 12 vote of no confidence. Then in response to that response, 13 leaders from campus groups like the MSA, Student Congress, and diversity committee endorsed Miller’s leadership and accused the faculty of betraying students.

Meanwhile, Lopez Prater is suing the university for defamation and religious discrimination.

Christiane Gruber, a well-known professor of Islamic art at the University of Michigan, entered the fray to defend and explain her Hamline colleague’s classroom behavior in this article at TheConversation.com.

Whatever current scruples, Gruber said, Muslim artists centuries ago did in fact depict Muhammad and both Muslim and non-Muslim art historians regularly teach about this. Paintings of Muhammad are collected at Istanbul’s renowned Topkapi Palace Library, among other places.


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Sam Harris take jab at those who believe in heaven: Maybe listen to some ancient voices?

Sam Harris take jab at those who believe in heaven: Maybe listen to some ancient voices?

When cosmonaut Yuri Gagarin returned to earth in 1961, after the first manned spaceflight, Soviet leaders claimed he said: "I went up to space, but I didn't encounter God."

Venturing into similar territory, superstar atheist Sam Harris rocked cyberspace during a recent Triggernometry YouTube appearance in which he discussed Donald Trump, faith elements in "wokeness" and the flocks of Americans who insist on believing in heaven.

Political Twitter screamed when he said there was "a left-wing conspiracy to deny the presidency to Donald Trump. … Absolutely, but I think it was warranted."

But comedians Konstantin Kisin and Francis Foster pushed back, asking if Harris was justifying moral relativism. Perhaps today's truth wars, the Triggernometry team suggested, were linked to a famous G.K. Chesterton quip: "When men choose not to believe in God, they do not thereafter believe in nothing, they then become capable of believing in anything."

During the ensuing discussion, Harris offered another viral soundbite: "Where is heaven, exactly, given that we have multiple telescopes up there beaming back tens of billions of years' worth of information?" Yet millions of Americans still embrace the supernatural claims of an ancient faith, including that Jesus will return to "raise the living and the dead."

"You'd be surprised by the number of percent of sober, non-Bible-thumping people who would say 'yes' to that question," he said. "They might be Christian, they might be, listen, 'I love the Bible. It gives me a great moral framework. It gives my kids a great moral framework. This is the tradition I'm identified with. This is all super important to me' -- but that's kind of as far as it goes. Right? Like, I'm not going to make magical claims about flying saviors who are literally going to come down from … heaven."

While the Twitter masses raged, the French-Canadian iconographer and writer Jonathan Pageau recorded a video essay on his "The Symbolic World" channel about why materialists and religious believers keep debating the meaning of terms such as "heaven" and "earth."


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Yes, the Gray Lady made a somewhat understandable error in its stolen-tabernacle story

Yes, the Gray Lady made a somewhat understandable error in its stolen-tabernacle story

Let’s face it, liturgical traditions in ancient Christian flocks are complicated.

With that in mind, let me respond to an error in an otherwise solid story in The New York Times — the latest in what seems like an endless river of news reports about attacks on sanctuaries around the world. Our own Clemente Lisi has written many posts on this topic and, alas, it seems that journalists will be writing more crime stories of this kind in the future.

Here is the dramatic double-decker headline on this latest tragic story:

Theft of a Church’s Tabernacle Leaves More Than a Physical Void

A Brooklyn congregation condemned the desecration of their sacred sanctuary in a burglary that the pastor called “one more blow” to a struggling church.

As I said, this Times story does contain an error that I think is worth a correction.

However, I will have to admit that I read right past this error when I first saw this story and I can understand why it might have slipped past copy-desk professionals (unless a traditional Catholic was in the mix). Why would I have missed it? I’ll deal with that in a moment. First, here is the overture, which contains the error:

Deflated, Father Frank Tumino stepped into the pulpit at St. Francis Xavier Church in Brooklyn on Tuesday morning. Six blocks away, St. Augustine’s, the other church where he serves as pastor, was closed and cordoned off with police tape. At its center was a literal and figurative hole.

“This is just one more blow,” Father Tumino said after presiding over Mass. He was referring to the theft of St. Augustine’s tabernacle, a $2 million gold treasure that was separated from its 19th-century foundation last week with a power saw before presumably vanishing into the murky underground of stolen artifacts.

The ornate tabernacle box that held the eucharist — the wine and consecrated wafers that the faithful believe embody Jesus Christ — disappeared from the Park Slope church’s sanctuary sometime between last Thursday evening and Saturday afternoon, the police said.

The error?


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Some 'Father Stu' coverage misses real-life redemptive message while shooting at actors

Some 'Father Stu' coverage misses real-life redemptive message while shooting at actors

Easter weekend has become secular enough over the past few decades where many Americans use the holiday weekend to go to the movies.

It’s a trend that started with the summer blockbuster during the Fourth of July holiday and subsequently by Hollywood with premieres on Christmas Day. While COVID-19 put some of that on hold as audiences streamed movies at home, it seems to be making a comeback with the easing of the pandemic.

The gently gay-friendly Fantastic Beasts: The Secret of Dumbledore won the box office this past weekend, while the religiously-inspired film Father Stu finished a respectable fifth. It wasn’t a bad finish for a film that doesn’t feature a Marvel superhero and may find an audience in Western-rite Christians who were otherwise at church and with family this past Sunday.

Of course, this is a film that features a superhero of a different kind.

Father Stu is the true story of Stuart Long, an amateur boxer who eventually moves to Los Angeles in order to pursue an acting career and along that journey he becomes a Catholic priest. That’s the simplest way to put it without giving away too much of the plot for those who are planning to see it in the coming days.

The two-hour film, featuring Mark Wahlberg as the main character, gets a Rotten Tomatoes score of 45% based on 75 reviews by critics, but a 95% from verified users from the general audience. It shouldn’t surprise me that there is a divergence between media-market critics and the audience when it comes to movies that glorify faith. I found the story compelling, despite the vulgar language, but it is worth seeing.

I get that reviewers are entitled to their opinions. After all, that’s the job of a critic. But the coverage around the film, however, has been framed in a certain way, offering up lopsided and negative takes among many mainstream news sites.

This isn’t a traditional news-coverage question, but it’s appropriate to ask: What’s going on here?


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Will Smith's Oscars slap turned heads; Denzel Washington quietly warned about temptation

Will Smith's Oscars slap turned heads; Denzel Washington quietly warned about temptation

Moments after the Academy Awards slap heard 'round the world, Will Smith huddled during a commercial break with Denzel Washington, another of the Best Actor nominees.

No one could hear what Smith discussed with the man who is both an A-list player and the rare Hollywood superstar who has – after years in hot press spotlights – emerged as a mentor on issues of faith and family.

But Smith appeared to have Washington on his mind during his emotional remarks after winning the Oscar for his work in "King Richard." Smith apologized to his peers for slap-punching Chris Rock after his jest about his wife Jada Pinkett-Smith's shaved head. The comic apparently didn't know she was suffering hair loss with Alopecia.

“In this moment, I am overwhelmed by what God is calling on me to do and be in this world. … I'm being called on in my life to love people and to protect people," said Smith, tears on his face. "I know that to do what we do, you gotta be able to take abuse, you gotta be able to have people talk crazy about you. In this business, you gotta be able to have people disrespecting you. And you gotta smile and pretend that that's OK."

When Washington offered quiet words of encouragement from offstage, Smith thanked him and added: "Denzel said a few minutes ago: At your highest moment, be careful – that's when the devil comes for you."

This was not ordinary Oscars God-talk.

This drama triggered waves of social-media angst, with critics and millions of viewers debating who to blame for this crisis during an otherwise meandering Academy Awards show shaped by politics, pandemics, gender, race and low ratings.


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