The cable television and online streaming explosion has produced a golden age of visual, fictionalized, but ripped-from-the-headlines story telling. Some religious and political conservatives may disdain the liberal-leaning views that many of the shows unabashedly embrace, but for those who create the programming it's an unprecedented era of opportunities.

It's also an era of unprecedented, and often confusing, crossover between news and entertainment. From shows dramatizing or spoofing Washington politics, to those cherry-picking storylines from current international intrigues, it’s often hard to tell the two apart, where fact takes leave and artful fiction enters.

As traditional news platforms continue to implode -- and loose their ability to devote adequate resources to in-depth, reporting-based investigative journalism -- it’s a trend that, for the foreseeable future, is likely to continue, for better or worse, but more likely the worse for informed civic debate.

Personally, I find great artistic merit in many of these shows. I also appreciate their willingness to highlight some of the social ills that plague our -- and virtually every other -- nation. That and because I relish a well-written and well-acted product. It helps to remember that I'm an ex-Los Angeles reporter who spent time on the Hollywood TV and film beats, and who also briefly worked in the feature film industry.

Still, I limit my watching because, well, because the shows are binge-watching addictive and I don't want to spend too much time watching TV, no matter how good and entertaining it may be. I’m old-fashioned. I’d rather waste time reading non-fiction, which my reactive mind argues is somehow healthier for me. But that may just be my generational snob appeal.

In a sense, all the fictional dramas I’m drawn to are some writer’s fantasy, but I tend to be drawn to the show's based on the possible, meaning that while I have little interest in a “Game of Thrones,” a series such as “Big Love,” the departed HBO show about polygamy-practicing, fringe Mormons, quickly sucked me in because of my interest in religious groups and the show’s artistic mastery (and a fantastic cast).

Likewise, my deep interest in Israel’s fate and that of the Middle East in general, has drawn me to the Netflix (in the U.S., anyway) show “Fauda,” which I have allowed myself to devour in binge-size bites.