Music

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OK, Daily Beast, let's try this 'Despacito': You CAN question Bieber's faith, with a little respect

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When the GetReligion team receives an email referencing coverage of a news story, the subject lines are generally subdued. When tmatt wrote asking, "Anyone wanna jump on this hand grenade," we all knew it would be, for want of a better phrase, a real hot tamale.

So we arrive at the young life of one Justin Drew Bieber, age 24, the pop sensation whose current mega-hit single, "Despacito," ("Slowly") would remind a listener who knew both Spanish and the Bible more of the sensual verses in the Old Testament's Song of Solomon than, say, a Keith Green worship piece.

But there's another side to the "Biebs," as he's known to millions of fans. He's a Christian, or so we're told from time to time in the media. And the latest bit of media fanfare came last week from The Daily Beast, which often seems to vie for the coveted "Least-Respectful of Faith" title in the news business.

Their religion coverage is uneven at best, downright snarky at worst. Some of it is news. Some of it is clearly biased editorializing.

This time, the website asks, "Is Justin Bieber Sabotaging His Career for Jesus?" And the text leaves little room to doubt what they're thinking:

... On Tuesday, Hollywood’s least-holy gossip site ran a story explaining that, according to sources connected to Hillsong, Bieber’s church, the singer is taking a professional step back because he has “rededicated his life to Christ.” The update continues, “Bieber’s decision seemed to come out of the blue, but our sources say it was squarely based on what Bieber believes is religious enlightenment.”
Attending more Sunday services is one thing, but opening your own franchise for the Lord is quite another. According to TMZ’s “inside source,” Bieber “may be even planning to start his own church,” which sounds like a magical place where DUIs are automatically stricken from your record and Selena Gomez is always willing to give you a second chance.


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The Maldives: Why does this exotic spot produce a disproportionate number of jihadi fighters?

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The Maldives: Why does this exotic spot produce a disproportionate number of jihadi fighters?

“Discover the sunny side of Life: Sunny all year long, Waves like nowhere else, Underwater beauty like paradise! Visit Maldives for a perfect holiday.”

Ah, the Maldives -- the ultimate exotic tropical beach vacation, or so the above pitch for tourist dollars promises. Public relations is what it is, but judging by the photos I've seen (I've never visited), the Maldives may live up to all that’s promised.

Unfortunately, the Indian Ocean island nation may now have to add a discreet asterisk to its pitch.

Because once again, there’s trouble in paradise. And once again, the problem is growing Islamic radicalism and the threat of terrorism.

This recent piece from The New York Times lays it out.

MALÉ, Maldives -- This island paradise made news recently for a reason other than its pristine beaches and high-end resorts: the gruesome killing of a liberal blogger, stabbed to death by multiple assailants.
The killing in April of Yameen Rasheed, 29, a strong voice against growing Islamic radicalization, has amplified safety concerns -- particularly for foreign tourists, a highly vulnerable group and one that the islands’ economy depends on. It is no idle threat, in a country that by some accounts supplies the world’s highest per-capita number of foreign fighters to extremist outfits in Syria and Iraq.
Last summer, the government introduced the country’s first state policy on terrorism, calling for increased safety awareness at resorts and security assessments at seaports and in airports. In January, the Republic of Maldives’ Islamic Ministry released policy recommendations that included a provision instructing tourism companies to provide visitors with written rules on how to conduct themselves in a Muslim country
But critics say these initiatives are cosmetic, doing little to standardize safety policies, and have come only after international stakeholders pressured the Maldivian authorities to acknowledge the threat extremism poses to visitors.

I'm guessing relatively few Americans can find the Maldives on a map, and that even fewer have visited. (Most tourists are visitors from China and Europe.)

So why care about the woes of a small nation of less than 400,000 people scattered across some 1,200 atoll islands -- one that may, it seems, as well be a universe away from Main Street, USA?


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Guardian drags Mike Pence into Christian music festival story, blunting crucial points

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I'm beginning to see a pattern: To get attention in mass media, faith-based events and/or culture have to be tied, however tenuously, to U.S. President Donald J. Trump or his administration.

I get it: Sex sells, and few things, it seems, are more "sexy," news-wise, than the 45th President of the United States and his team.

But sometimes, this desire for a political connection dents an otherwise good and thoughtful piece on culture, faith, and people -- you know, stuff that sometimes exists apart from politics.

For an example, let's turn again to one of Britain's top progressive newspapers, The Guardian. It should be noted that this paper began life as the Manchester Guardian and was once home to Malcolm Muggeridge, a once-socialist reporter whose Christian conversion was one of the great biographical stories of the last century, if you are talking about interesting lives in journalism.

"St. Mugg," as he was known after his radical conversion at age 60, probably wouldn't find a home at The Guardian today. But there are some good writers contributing to its pages, however much they may be caught up in the frenzy of "Must-include-a-Trump-reference" that has overtaken us.

Say hello, then, to Jemayel Khawaja, a freelancer in Los Angeles who knows music and culture quite well. The Pakistani-born Khawaja authored one of the better analyses of contemporary Christian music that I've seen in the media, once you get past the obligatory, almost tortured, Trumpiana:

“Lord Jesus, thank you for dying for me,” says a bearded man in cut-off shorts standing atop a floodlit stage as hundreds of youths look on. “Lord Jesus, you can have my life.” Teenagers in Avenged Sevenfold shirts with bandannas wrapped around their faces bow their heads and pray together. And then the double-time kickdrum drops in, the guitars start chugging, and the mosh pit resumes.


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Hey, Los Angeles Times: GOP'ers aren't the only conservatives living under cover in Hollywood

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Conservatives in Hollywood are like male calico cats: You know they exist, but they’re tough to find.

The Los Angeles Times recently came out with a piece on what it’s like to be Republican in Hollywood and how -- even during this Era of President Donald Trump -- GOP'ers must remain undercover. You’d think things would be different in 2017. After all, liberals in cinema circles were anything but hidden during the Barack Obama administration.

But Hollywood wanted Hillary; they got The Donald and so there’s still a lot of wrath in La La Land. And so the Times set out to find the folks who are swimming upstream, as it were. Did they see any "religion ghosts"? We will come back to that question.

As an Academy Award-winning producer and a political conservative, Gerald Molen has worked in the entertainment business long enough to remember when being openly Republican in Hollywood was no big deal.
“In the ’90s, it was never really an issue that I had to hide. I was always forthright,” recalled the producer, whose credits include “Schindler’s List” and two “Jurassic Park” movies. “It used to be we could have a conversation with two opposing points of view and it would be amiable. At the end, we still walked away and had lunch together.”
Those days are largely gone, he said. “The acrimony — it’s there. It’s front and center.”
For the vast majority of conservatives who work in entertainment, going to set or the office each day has become a game of avoidance and secrecy. The political closet is now a necessity for many in an industry that is among the most liberal in the country.

The article then touched on Friends of Abe, a conservative organization whose membership of some 2,500 persons is secret because getting outed is a career killer.

Leaders of Friends of Abe said its members have sharply divergent views on the current president.
“There are very conservative people in FOA who are troubled by his rhetoric,” said executive director Jeremy Boreing, a filmmaker and self-described Trump skeptic. “There are others who are very gung-ho and supportive of him. There are people who are cautiously optimistic and others who are just cautious.”
He said it was too early to tell how Trump will affect the organization, but “if Hollywood continues to overreact to Trump and toxify people’s professional lives, FOA will grow. We got started under [George W.] Bush, not under Obama. Hollywood was a more pleasant place for conservatives during Obama’s tenure because Hollywood was in a good mood.”

The reason I’m commenting on that piece for this column is because a lot of conservatives are people of faith, yet religion isn’t mentioned at all.


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New York Times offers faith-free take on rugby fans hijacking 'Swing Low, Sweet Chariot'

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Let me start by confessing that I know very little about rugby or the fan culture that surrounds it in some parts of the world. In other words, I am an American.

However, I do know a thing or two about church music. Basically, I have been singing in church choirs (and academic choirs dedicated to classical and sacred music) so long that I don't even remember when I started. My childhood memories have always included choirs.

Thus, allow me to make a few comments on half of the material found in a fascinating New York Times feature that ran with this headline: "How a Slave Spiritual Became English Rugby’s Anthem." The story is labeled "rugby," which implies that it was a sports feature. However, it was also featured in the "international" news section of the Times online round-up.

Obviously, I want to comment on the feature's religious content and lack thereof. Here is the overture:

LONDON -- Barely a minute had elapsed in the match between the national rugby teams of England and France when the song first boomed around the stands at Twickenham Stadium.
“Swing low, sweet chariot,” thousands of fans sang, “coming for to carry me home.”
It is a famous refrain and melody. For many in the United States, “Swing Low, Sweet Chariot” enjoys a hallowed status as one of the cherished of 19th-century African-American spirituals, its forlorn lyrics invoking the darkness of slavery and the sustained oppression of a race.
But here, across the Atlantic, the song has developed a parallel existence, unchanged in form but utterly different in function, as a boisterous drinking song turned sports anthem.

The feature includes quite a bit of material about rugby culture. It also does a fantastic job of describing the symbolic role that this spiritual -- it could also be called a folk hymn -- has played in African-American history.

So what is missing?


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New Washington Post shocker: Christian bookstore chain wants CDs with 'clean' language! Film at 11

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You can imagine that when one of we happy, few Get Religionistas writes a snarky headline, there's more to follow.

Thus, I trust you won't be disappointed as we join the Washington Post on a voyage of discovery. The find? The shocking development here: Folks who run Christian bookstores respond quickly when customers complain about the content of a product they're selling.

(Your correspondent has direct, personal experience in this matter. I'll get to that in a moment.)

Here, now, the "news." Sho Baraka is an African-American hip-hop artist with a highly creative mind, and a love for Jesus. He's been popular in Christian circles after finding faith a few years back, and his latest album, "The Narrative" (promotional video above) hit the shelves at LifeWay Christian Bookstores, a chain owned by the Southern Baptist Conventions. Then, it appears, some folks listened to the songs, which then alarmed those hearers.

Take it away, Washington Post:

Popular hip-hop artist Sho Baraka has taken aim at Southern Baptist retailer LifeWay Christian Stores for dropping his album for including the word “penis,” a move that shows a growing tension between the black artist and his white evangelical fans.
A spokesman for LifeWay confirmed the retailer’s decision, saying in an email that customers complained about the language, but the representative declined to provide further details.
Christian bookstores don’t usually place rap albums by black activist artists front and center on their shelves. But in recent years, white evangelicals have embraced several black hip-hop artists such as chart-topping rappers Lecrae and Trip Lee, whose albums are sold on LifeWay’s website. Baraka, who was once part of Lecrae’s Reach Records label, said he upset LifeWay customers by including the anatomical reference in his album.

Here's a stunner, right?


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'Twas their gift to be simple (and celibate), but now the Shakers are all but gone

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If you have studied the history of religion in America -- part of my double-major as an undergraduate and then my master's degree work in church-state studies -- then you will have run into the fascinating movement called the Shakers. Trust me, there is more to these believers than their influence on the Arts and Crafts Movement and, well, L.L. Bean.

The Shakers are in the news right now for reasons that are easy to understand, but a bit harder to explain -- if you care about the details.

The best report I've seen on this topic so far (combining elements of several other news stories) ran last week in The Washington Post with this headline: "One of the Shakers’ last three members died Monday. The storied sect is verging on extinction." It's a solid report, but does contain a very interesting and important hole. Meanwhile, here's some key material at the top of the story:

Sister Frances Carr died at the Shaker community at Sabbathday Lake in New Gloucester, Maine, “after a brief battle with cancer,” according to a statement on the community’s website. It continued, “The end came swiftly and with dignity surrounded by the community and her nieces.” Carr was 89.
Carr was a member of the United Society of Believers in Christ’s Second Appearance, a Christian group formed in 1747 in Manchester, England. They earned the name the Shakers when critics began calling them “Shaking Quakers” because of “their ecstatic and violent bodily agitation in worship.” ... The Shakers eventually abandoned this particular dancing-style worship, but the congregation adopted the term, according to the Associated Press.
The religious sect moved to the United States when Ann Lee, one of its leaders (known as Mother Ann) who was imprisoned in England for her views, fled to the New World with eight of her followers in 1774. Eventually, the group established its first American community in New Lebanon, N.Y. Slowly, it blossomed into 18 communities across the Eastern United States, including locations in Florida, Georgia, Kentucky and Massachusetts.

The last remaining Shaker community is at Sabbathday Lake, with two members.

Now, if you know anything else about the Shakers -- other than about their music (think "Simple Gifts") and furniture -- then it is probably a rather logical reason for the movement's decline:


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The Washington Post team is surprised, it seems, that 'free agency' matters to Mormons

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They say politics makes strange, er, bedfellows.

Well, here’s proof: The Radio City Music Hall Rockettes and the Mormon Tabernacle Choir will each -- and very much separately -- perform in Washington on Inauguration Day, January 20. And just as some Rockettes opted out of performing for President-elect Donald Trump’s celebrations, so, too, did one member of the “MoTab,” as the choir is informally known, decline.

Except the choir member, soprano Jan Chamberlin, did more than drop out of the Washington gig. She resigned from the choir itself, after five years in a much-sought-after position among members of the Church of Jesus Christ of Latter-day Saints  who have exceptional musical abilities.

Chamberlin compared performing for the real estate mogul-turned-politician with someone “throwing roses [before] Hitler.” The choir’s acceptance of the invite filled her with conflicting emotions. Let’s drop in on how the Washington Post picked up the story:

Ever since “the announcement” -- as Chamberlin called it -- she has “spent several sleepless nights and days in turmoil and agony,” she wrote in a Facebook post that was no longer public by Friday evening. “I have reflected carefully on both sides of the issue, prayed a lot, talked with family and friends, and searched my soul. I’ve tried to tell myself that by not going to the inauguration, that I would be able to stay in Choir for all the other good reasons.”
Ultimately, though, Chamberlin decided that she could not stay in the Mormon Tabernacle Choir. The Salt Lake City Tribune [sic] reported that Chamberlin, a singer in the famed group, is resigning after learning that the choir would appear at President-elect Donald Trump’s inauguration in January.
“I simply cannot continue with the recent turn of events,” she wrote on Facebook. “I could never look myself in the mirror again with self respect.”
Chamberlin wrote that by “singing for this man” the choir would appear to be “endorsing” tyranny and fascism, and its image would be “severely damaged.” Moreover, she wrote, it would leave many feeling betrayed, as she already did.

But everybody knows that each and every member of the LDS Church is a rock-ribbed, right-leaning Republican. Right?


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Taking down Kim Burrell: Sermon on homosexuality gets quick, one-sided media react

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When I read about pastor and entertainer Kim Burrell’s sermon where she called homosexuality “perverted,” I knew she was going to be made to pay for that and pay big.

Not only is her name mud in the entertainment world, but her recently launched radio show on a local Texas station just got cancelled.

Believe me, that will just be the beginning. What makes this so timely is that the movie, “Hidden Figures,” in which Burrell sings for the soundtrack is opening this week.

Here’s how the Los Angeles Times explained things:

Gospel singer Kim Burrell labeled homosexuality “perverted” in a sermon she gave in her other life as a Pentecostal preacher, quickly eliciting responses from both Pharrell Williams, with whom she sings on the “Hidden Figures” soundtrack, and two stars from that film, Octavia Spencer and Janelle Monáe.
Burrell and Williams were originally scheduled to perform the soundtrack song “I See a Victory,” on which he is also a producer, on “The Ellen Show” on Thursday, with Monáe also slated to appear as a guest. But on Tuesday morning, show host Ellen DeGeneres announced on Twitter that Burrell would not join Monáe and Williams on Thursday’s show.

Then followed the withering tweet by DeGeneres and then:

“I came to tell you about sin,” Burrell said in the recent sermon at the Houston church she founded and where she is pastor, Love and Liberty Fellowship Church International. “That perverted homosexual spirit, and the spirit of delusion and confusion, it has deceived many men and women.”
A firestorm of criticism was touched off when video of the sermon began to circulate and Burrell took to Facebook Live to add, “There are a lot of people that I’m aware of that struggle or deal [with] or have that spirit. Have I discriminated against them? Have I ever outright told them that I don’t love you and you going to hell? … I don’t give that call.”

That and USA Today’s account were two of the less hysterical stories on the issue.


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