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Huston Smith: Farewell to a religious voyager who personified modern, progressive faith

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Huston Smith: Farewell to a religious voyager who personified modern, progressive faith

Huston Smith -- to my mind an unmatched connoisseur of spiritual experimentation who was also exceptionally grounded in an extraordinary range of religious protocols -- died just prior to the new year, Dec. 30 to be exact, at age 97.

News media coverage of his death, while adequate, underplayed at least one salient point.

Which is: If any one person can be said to represent wholesale societal change, then it may be said that Smith personified the radical reevaluation of contemporary religious beliefs and practices that has profoundly divided Western culture. From the mid-20th century until today, this reevaluation continues.

Evidence of it may be seen in the ongoing culture wars dividing the United States and in parts of Europe.

As I said, the major news media provided adequate coverage of his death, given his limited fame among the general public, and even if they lingered a bit too long on Smith's brief experimentation with (then still legal) psychedelic drugs in the 1960s.

The factual and many faceted details of Smith's academic and personal biography were capably reported, as was his strong support for religious freedoms and religious and cultural pluralism.

For those who missed his death, or are unfamiliar with his life and work, click here for the New York Times obituary. Or click here for the Los Angeles Times obit.

Several outlets noted Smith's death by reposting past interviews and stories. How much easier and cheaper is that in this age of instantaneous web news and shrinking editorial budgets?


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As Emanuel AME gunman gets death, looking for faith — and finding it — on victims' side

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It's impossible to tell the story of the Emanuel AME church massacre without a huge dose of faith.

All along, we at GetReligion have praised the unsurpassed local coverage of Pulitzer Prize-winning journalist Jennifer Berry Hawes and her colleagues with the Post and Courier, the daily newspaper in Charleston, S.C.

In the wake of gunman Dylann Roof receiving a federal death sentence Tuesday, we again point readers to Hawes & Co.'s banner coverage of the decision.

But I also want to call special attention to a national story on Roof's sentencing, via the New York Times: 

CHARLESTON, S.C. — Dylann S. Roof, the unrepentant and inscrutable white supremacist who killed nine African-American churchgoers in a brazen racial rampage almost 19 months ago, an outburst of extremist violence that shocked the nation, was condemned to death by a federal jury on Tuesday.
The jury of nine whites and three blacks, who last month found Mr. Roof guilty of 33 counts for the attack at this city’s Emanuel African Methodist Episcopal Church, returned their unanimous verdict after about three hours of deliberations in the penalty phase of a heart-rending and often legally confounding trial.

The Times' story is full of strong and appropriate religion content, including this reaction:


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'Twas their gift to be simple (and celibate), but now the Shakers are all but gone

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If you have studied the history of religion in America -- part of my double-major as an undergraduate and then my master's degree work in church-state studies -- then you will have run into the fascinating movement called the Shakers. Trust me, there is more to these believers than their influence on the Arts and Crafts Movement and, well, L.L. Bean.

The Shakers are in the news right now for reasons that are easy to understand, but a bit harder to explain -- if you care about the details.

The best report I've seen on this topic so far (combining elements of several other news stories) ran last week in The Washington Post with this headline: "One of the Shakers’ last three members died Monday. The storied sect is verging on extinction." It's a solid report, but does contain a very interesting and important hole. Meanwhile, here's some key material at the top of the story:

Sister Frances Carr died at the Shaker community at Sabbathday Lake in New Gloucester, Maine, “after a brief battle with cancer,” according to a statement on the community’s website. It continued, “The end came swiftly and with dignity surrounded by the community and her nieces.” Carr was 89.
Carr was a member of the United Society of Believers in Christ’s Second Appearance, a Christian group formed in 1747 in Manchester, England. They earned the name the Shakers when critics began calling them “Shaking Quakers” because of “their ecstatic and violent bodily agitation in worship.” ... The Shakers eventually abandoned this particular dancing-style worship, but the congregation adopted the term, according to the Associated Press.
The religious sect moved to the United States when Ann Lee, one of its leaders (known as Mother Ann) who was imprisoned in England for her views, fled to the New World with eight of her followers in 1774. Eventually, the group established its first American community in New Lebanon, N.Y. Slowly, it blossomed into 18 communities across the Eastern United States, including locations in Florida, Georgia, Kentucky and Massachusetts.

The last remaining Shaker community is at Sabbathday Lake, with two members.

Now, if you know anything else about the Shakers -- other than about their music (think "Simple Gifts") and furniture -- then it is probably a rather logical reason for the movement's decline:


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Washington Post's Jewish-Art-About-Jesus 'taboo' extends to theology, too

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That Jews have issues in considering the life and ministry of Jesus of Nazareth should come as little surprise. Christ, as Jesus was later called, challenged the spiritual orthodoxy of his day, and remains a challenge to the faith of millions. The bottom line: If Jesus is the Messiah, then Jews (and everyone else) has to make a decision to accept or reject Him.

In Israel, where, cultural sensitivities are high, then, it’s no surprise that “Jewish art challenges the taboo of Jesus,” as the Washington Post noted recently.

Nevertheless, it is a little surprising that at the very epicenter of news coverage of this issue in Jewish and Christian experience, there’s practically no discussion of, well, theology.

Diving in:

At the center of the Israel Museum’s newest art exhibit stands an imposing, life-size marble figure of Jesus. The sculpture, titled “Christ Before the People’s Court,” would not be out of place in a church in Rome.
Yet in this depiction, the Christian savior wears a Jewish skullcap.
The sculpture, created by Russian Jewish artist Mark Antokolsky in 1876, is part of a collection of more than 150 artworks by 40 Jewish and Israeli artists who have used Christian imagery to challenge long-held taboos in both communities. It showcases the evolving attitudes of Jewish, Zionist and Israeli artists toward a figure whose place in Jewish history has been negotiated and reinterpreted over more than two millennia.
It is a risky statement for an Israeli museum.
Throughout history, Jews have traditionally shunned Jesus and his gospel. And while the Holy Land might be his accepted birthplace, for Jews in the modern state of Israel there is often resistance to learning about or even acknowledging Christianity.

Again, that's no surprise: As the Post notes, the better part of the past two millennia have been occupied by those blaming Jews for the death of Christ, culminating in the Shoah, the attempt to exterminate the Jewish race undertaken by Germany's National Socialist, or Nazi, party.


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Best of cotton-candy journalism: How to turn religious pablum into front-page news

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Over the weekend, newspaper readers in America's fourth-largest city woke up to a front-page religion story.

Ordinarily, we at GetReligion would praise the Houston Chronicle for recognizing the importance of faith in readers' lives and giving it prominent play.

But oh, what a giant piece of fact-free cotton candy this Page 1 story turns out to be.

Seriously, this puff piece offers a nauseating case study in how not to do religion trend stories. From the beginning, the Chronicle ignores old-fashioned journalistic conventions like attributing statements of facts to named sources and quoting experts who could help put the random featured church into a wider context.

Instead, this piece reads like a journalist's stream of consciousness — no actual reporting or quoting people necessary:

On Sunday mornings at many mainline Protestant churches around Houston, there comes a moment when the pastor has to doff the robe, ditch the suit, throw on some jeans or khakis, run down the hall to a room with no pews or stained glass, and — most importantly — get his or her head into a different place.
Such is the nature of the modern church. The traditional service in the traditional sanctuary, supported by choir and organ and centuries of custom, is often no longer enough.
For many worshippers, the contemporary service is what they know and expect, conducive not only to casual attire but a more relaxed attitude, comfortable seats, and actual enjoyment. Praise Jesus? Sure, but how about a little raucous praise music to go with it? And cue the slide show while you’re at it.
At first glance, the gathering overseen by Pastor Eric Huffman on the campus of St. Luke’s United Methodist Church looks like any other contemporary service. But in fact there’s a different story behind The Story, the name given to the church within a church that St. Luke’s decided to establish just yards away from its blue-blooded main building across from the southern flank of River Oaks.
It’s an entirely reasonable thing to aim for a younger churchgoer, given that Grandma’s church hasn’t been cutting it with newer generations since the 1960s. The trend of declining church attendance is known to most every leadership team at pretty much every denominational church. But for most of them, the solution, by and large, has been stylistic.
Few, for example, try to lure visitors by emphasizing disagreement and doubt, to the point that The Story asks on its website, “What if Christians stopped treating doubt like an enemy? What if Christians could agree to disagree?


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RIP Nat Hentoff: How did press handle his crusade against illiberals, on left and right?

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As a self-proclaimed "Jewish, atheist, civil libertarian, left-wing pro-lifer,” journalist Nat Hentoff had -- as you would imagine -- an unusual set of friends and enemies.

In the end, it's pretty easy to describe the thread that united his admirers. They (I should say "we") saluted his fierce liberalism on First Amendment issues. I would stress that he strongly defended free speech, freedom of association and the free exercise of religious convictions, as well as freedom of the press.

The question today is how much of his unique intellectual equation made it into the elite newsroom articles about his death. Hold that thought.

You could say that the First Amendment was his only creed, but that would be wrong. As an atheist, he was a strict and doctrinaire materialist (especially when DNA was involved). Why would that be controversial? Well, let's let Hentoff explain that, in this famous passage from a 1992 piece -- "Pro-choice bigots: a view from the pro-life left" -- in the old-school New Republic:

Being without theology isn’t the slightest hindrance to being pro-life. As any obstetrics manual -- Williams Obstetrics, for example -- points out, there are two patients involved, and the one not yet born “should be given the same meticulous care by the physician that we long have given the pregnant woman.”

Nor, biologically, does it make any sense to draw life-or-death lines at viability. Once implantation takes place, this being has all the genetic information within that makes each human being unique. And he or she embodies continually developing human life from that point on. ... Whether the life is cut off in the fourth week or the fourteenth, the victim is one of our species, and has been from the start.

This brings us to the elite media obits.

In my opinion there are three pieces of Hentoff's life and work that must be mentioned in these pieces. First, of course, there is his status as a legendary writer about jazz, one of the great passions of his life. Second, you need to discuss why he was consistently pro-life. Note the "why" in that sentence. Third, you have to talk about his radical and consistent First Amendment views -- he defended voices on left and right -- and how those convictions eventually turned him into a heretic (symbolized by The Village Voice firing him) for post-liberal liberals who back campus speech codes, new limits on religious liberty, etc.

So what happened?


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The sky is falling! The sky is falling! Transgender bathroom bill unveiled in Texas

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Even if you live far from the Lone Star State, the weeping and gnashing of teeth — on the part of the news media — were difficult to miss last week.

Suffice it to say that elite journalists are beside themselves over this: Top Texas Republicans seem intent on heading down the same dangerous, discriminatory path as North Carolina. At least that's the slanted perspective that major newspapers advanced after Thursday's unveiling of a Texas "bathroom bill" (scare quotes courtesy of the news media).

In the following "news story" lede, please help me count how many different ways the Dallas Morning News editorializes its concerns:

AUSTIN -- Cities like Dallas and Austin could have to undo local laws that protect transgender people from discrimination if Texas passes the so-called bathroom bill unveiled Thursday, a proposal panned by the business community that's wreaked havoc on other states' economies.

OK, what's your count?

I got five:

1. "could have to undo local laws"

2. "that protect transgender people from discrimination"

3. "the so-called bathroom bill"

4. "a proposal panned by the business community"

5. "that's wreaked havoc on other states' economies"

Man, I sure hope the Dallas Morning News doesn't waste space by writing a separate editorial on this subject. Just include a note on the opinion page referring to the front-page "news story."


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What Meryl Streep said, kind of: LA Times offers Hollywood values (minus you know what)

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First things first: I confess that I would pay money to hear Meryl Streep read the ingredients off the side of a cereal box and she could choose the accent she used. I'm a fan. However, to continue my confessions, my reaction to the Twitter storm about her Golden Globes sermon (text here) is rather mixed.

Any reader of this blog knows that I am with her when it comes to cheering for the press to play a watchdog role with the Powers That Be. I would back that argument no matter who is in the White House, not just during GOP (or whatever Citizen Donald Trump is) administrations. As a First Amendment liberal, I would also like to see her cheer for freedom of speech, freedom of association and the free exercise of religion.

But here is my main question, after reading some of the press coverage: Is Streep actually on Trump's payroll?

She could not have given a speech that helped Trump more and, perhaps, hurt the mainstream press more than the one she gave last night. As a #NeverTrump (and #NeverHillary) voter, this has nothing to do with protecting Trump. No, Streep poured more gasoline on the old Hollywood values fires, a fact explored -- kind of -- in a massive Los Angeles Times reaction package on Hollywood, values issues and Trump (and to a lesser extent, Trump voters).

What does this have to do with religion-beat coverage?

Absolutely nothing, in this case. That's bad.

You know that whole "Does Hollywood get the religion market" thing? Don't expect to read about that in this tsunami of digital ink. Maybe there is some thoughtful material in there on entertainment colliding with faith, morality and culture issues, but I couldn't find it before the Times firewall shut me down.

The key statement can be seen in one bold headline: "The notion of a liberal agenda in Hollywood is absurd."


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AP story on trangender man doesn't ask obvious questions about Catholic doctrine

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One thing that’s been lost in this new journalism era is the ability for critical thinking that leads to logical questions.

Now, don't get me wrong, there’s lots of critical thinking going on in coverage of the incoming GOP administration but there’s not so much regarding people who are at the opposite political pole, over on the political and cultural left.

When I read this Associated Press piece, I wondered why the reporter said relatively little about the man at the center of the article, instead of using his lawsuit as a wrap-up for other news on transgender issues. Was there no one editing this piece who couldn't send the writer back for more details? It would also help to actually talk to people who could explain details in church doctrines.

The story begins thus:

TRENTON, N.J. (AP) -- A transgender man sued a Roman Catholic hospital on Thursday, saying it cited religion in refusing to allow his surgeon to perform a hysterectomy as part of his sex transition.
Jionni Conforti's sex and gender discrimination lawsuit comes as new regulations hailed as groundbreaking anti-discrimination protections for transgender people are under legal attack from religious groups.
Conforti had scheduled the surgery at St. Joseph's Regional Medical Center in Paterson in 2015. He says a hospital administrator told him the procedure to remove his uterus couldn't be done because it was a "Catholic hospital."
"I felt completely disrespected," said Conforti, whose transition began in 2004. "That's not how any hospital should treat any person regardless of who they are."

Let’s start at the third paragraph with the scare quotes around the word “Catholic hospital.” Is there any possibility that it might not be a Catholic hospital? No? Then why the quotes?

The article goes on to list similar lawsuits in other states, including North Dakota, and includes a quote from the Catholic bishop of Fargo. Which is all well and good, but the hospital at the center of this story is located in the Diocese of Paterson, NJ.

Further on down:


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