Music

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CNN offers fine look at Prince the believer (while missing a key Jehovah's Witness belief)

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It is perfectly normal for mainstream journalists to have to explain complicated subjects to their readers. It's part of the job.

At the moment, political reporters are trying to explain the differences between country-club Republicans, libertarian Republicans, neoconservative Republicans, Log Cabin Republicans, culturally conservative Republicans and Donald Trump. This is tough work. A few years ago I read a newspaper story that managed to explain the off-sides rule in soccer. Amazing!

But when it comes to stories that involve religious doctrine, journalists often stumble or punt. How many solid articles have you seen that explained the crucial doctrinal differences between Sunni and Shia Muslims?

This brings me to two news features about the final years of Prince, the time in which he retreated even further from public view after joining the Jehovah's Witnesses. CNN offered a fine piece, but omitted a crucial piece of doctrine at the heart of controversies about this religious movement, which many Christians consider a sect or even -- in doctrinal terms -- a cult. The Los Angeles Times, however, managed to give readers a short description of this doctrinal clash.

The CNN piece was quite solid in its fine details about the singer and the believers who knew him as another believer in their flock. Here is the overture:

(CNN) The world knew Prince as a pop star with a flamboyant, larger-than-life stage presence, overtly sexual songs and videos and gifted musical genius. But at the Jehovah's Witness Kingdom Hall, St. Louis Park congregation, Prince was just an understated man in a simple black suit.
"He was exceptionally shy," recalled congregation secretary Bruce McFarland.
Here they called him Brother Nelson and remember him slipping in after the opening song in the Sunday morning service, dutifully holding up his hand, clutching his Bible marked with post-it notes, patiently waiting his turn to discuss the Scripture.


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The artist named Prince: Was he ultimately a rebel for, or against, the Sexual Revolution?

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So, in the end, was Prince Rogers Nelson a hero of the Sexual Revolution or someone who, as he grew more mature, was a heretic who -- in the name of a controversial faith -- rejected many of the sexy doctrines he previously celebrated?

I'm not sure that there's a definitive answer to that, especially when talking about someone as complex as Prince (or TAPKAP). But I do think that it was crucial for journalists to let their readers know that this was an important question to ask.

In the first stories about the artist's death, the emphasis was totally on Prince the gender-blurring hedonist. But as the day went on, a few counter themes began to emerge.

You could see the struggle (and that's kind of a compliment) most clearly in The Washington Post, where the first news reports about Prince were baptized in his sexy '80s glory, while a sidebar openly discussed changes linked to his decision to join the Jehovah's Witnesses.

In the final obit, the Post team hinted early and, at the very end, mentioned that many seemed afraid to mention. Here's the solid lede:

A musical chameleon and flamboyant showman who never stopped evolving, Prince was one of the music world’s most enigmatic superstars. He celebrated unabashed hedonism, sang of broken hearts and spiritual longing and had a mysterious personal identity that defied easy definition.

The obit hit all of the fine details of the sexy Prince, from erotic guitar eruptions to skimpy costumes. It was difficult, at times, to tell what was happening when, in terms of his music and stage personas. If he never stopped evolving, then it's crucial to be precise about the young prince vs. the mature Prince.

At the very end, the news story offered this:


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About that church girl on The Voice: Might faith have something to do with her music?

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Anyone who follows GetReligion knows that I am really into music of just about every kind (basically everything except opera and pop-country). I have never, however, been a fan of the whole world of reality TV.

So you put the two together -- pop music and reality TV -- and I would much rather cue up something from my massive Doctor Who library.

However, I do live in East Tennessee and was pretty hard not to notice, in the newspapers at least, when a show like The Voice got down to the final two singers and both of them were from here in the Hills. The winner of season nine was Jordan Smith, from down the valley at Lee University, and the runner-up was a young woman from Knoxville named Emily Ann Roberts.

Now, if you follow those polls to determine America's most religious or "Bible-minded" cities, then you know that Knoxville is not exactly Portland, either Maine or Oregon. Thus, it didn't take a doctorate in sociology to figure out that, here in Dolly Parton territory, young Roberts has spent some time singing in church.

This showed up -- in the vaguest possible terms -- in a recent Knoxville News-Sentinel update on her life and work after the finale of The Voice.

This was not a hard puzzle to figure out, folks. Let's start right at the opening:


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Weekend think piece: The 'Passion' that looms over the historic Rome-Moscow meeting

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First things first: Click play on the above YouTube. Now begin reading.

As you would expect, I have received quite a bit of email during the past 24 hours linked to my GetReligion post -- "What brings Rome and Moscow together at last? Suffering churches in Syria, Iraq" -- about the mainstream media coverage of the stunning announcement of a Feb. 12 meeting between Pope Francis and Patriarch Kirill of Moscow, the leader of the Orthodox Church of All Russia.

As you would expect, much of the press coverage has stressed what this all means, from a Roman Catholic and Western perspective.

This is understandable, since there are 1.2 billion Catholics in the world and Francis is the brightest star in the religion-news firmament at the moment. People who know their history, however, know that this meeting is also rooted in the life and work of Saint Pope John Paul II, who grew up in a Polish Catholic culture that shares so much with the churches of the East, spiritually and culturally.

I updated my piece yesterday to point readers toward a fine Crux think piece by the omnipresent (yes, I'll keep using that word) John L. Allen, Jr. Let me do that once again. Read it all, please. Near the end, there is this interesting comment concerning Pope Francis:

... His foreign policy priorities since his election have been largely congenial to Russia’s perceived interests. In September 2013, he joined forces with Vladimir Putin in successfully heading off a proposed Western military offensive in Syria to bring down the regime of Syrian President Bashar al-Assad.
Since then, Francis and Putin have met in the Vatican and found common ground on several matters, including the protection of Christians in the Middle East and the growing reemergence of Cuba in the community of nations.

This morning, my email contained another essay by a Catholic scribe that I stress is essential reading for those starting a research folder to prepare to cover the meeting in Havana. This is from Inside the Vatican and it is another eLetter from commentator Robert Moynihan.

This piece is simply packed with amazing details about events -- some completely overlooked by the mainstream media -- that have almost certainly, one after another, contributed to the logic of the Cuba meeting between Francis and Kirill.


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How far did The Economist go to get a hoverboarding priest into its lofty pages?

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OK, so who out there in cyberspace who wasn't tempted to write a post about the Catholic priest in the Philippines who rode you know what around in the center aisle of the church? Who could resist the chance to write a headline like, oh, "Bishop suspends hoverboarding priest." I mean, the bishop could have "left him hanging" or something like that, as well.

It's one thing, I guess to write a basic news story about this strange case. Take for example the basic Religion News Service piece that started like this:

(RNS) Hoverboards earned a reputation as maybe the most dangerous gift for kids this holiday season, given their penchant for catching fire and inducing nasty spills.
But they’re apparently also perilous for Catholic priests who get it into their heads it might be a good idea to use one during Christmas Eve Mass — while congregants are shooting video on their smartphones.

I thought that was that. Alas, there was allegedly more to say on this case and by The Economist, no less.

As former GetReligionista Mark Kellner wrote, in a note pointing us toward this most bizarre piece, "$5, or a candy bar, to the first person who can connect this to reality. Seems to me like an awfully long stretch to work in the priest-on-a-hoverboard."

Amen to that sentiment. You can feel the stretching start right in the epic double-decker headline:


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So is the fallen Mark Salling of 'Glee' a 'Christian' songster or an ex-Christian songster?

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Once again, it's time to venture into the sad world of mainstream media cranking out click-bait pop news in search of social-media action.

On top of all that, this "Morning Mix" mini-feature at The Washington Post -- which appears to involve zero original reporting -- is topped by a headline that doesn't even match the contents of its quickie, URL-driven text.

We will get to the headline. But first, the "news."

It should be said right away: Mark Salling, the former “Glee” cast member arrested on child pornography charges in Los Angeles on Tuesday, has not been convicted of a crime. That, however, did not prevent legions on social media from dissecting the 33-year-old’s career as though it were little more than a fresh corpse just arrived at the morgue. ...
Crime Watch Daily, which broke the story of his arrest, said police used a battering ram to break down Salling’s door and found hundreds of images. Salling has yet to comment on the arrest.

Then a key early hint of what is to come:

... The list of celebrities who recover from child porn scandals is not long. And it’s worth remembering that Salling, a Christian musician who once rocked in the name of the lord, wasn’t even supposed to be here.


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GQ presents nuanced view of Hillsong, Justin Bieber and the cool cult of celebrity

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Does Justin Bieber actually have a church?

Several readers dropped the GetReligion team notes that GQ just came out with a l-o-n-g feature on the Australian-based Hillsong Church and its Manhattan branches. As the prelude says:

“It’s where the cool kids spend Sunday morning after Saturday night at the club. For ye of little faith, it’s hard to make sense out of Hillsong. Is it legit? Is it a hipster cult? And why’s everyone wearing Saint Laurent? GQ’s Taffy Brodesser-Akner joins the flock to find out if Christianity can really be this cool and still be Christian.”

Who would not read this story after such an intro? Turns out that Brodesser-Akner is Jewish and visiting Hillsong, to her, is like covering life on Jupiter. But she does so nonetheless in a breathless, first person, words-piled-on-words style that somehow works in this quasi-novel of a piece. And atop it she asks the pertinent question: "What would cool Jesus do?"

We’re not sure how to answer that after finishing the piece, but we do know this:

About five years ago, Pastor Carl got a phone call. Carl is one of the lead pastors at Hillsong NYC, a mega-church so reputedly, mystifyingly cool that cable-news outlets cover its services like they’re Kardashian birthday bashes at 1 Oak. On the other end of the line was one of Carl’s best friends, Judah Smith, another mega-pastor who also happens to be the chaplain for the Seattle Seahawks. “I need you to help me with a young man,” Pastor Judah said, and Pastor Carl rushed to agree, because helping is Carl’s thing, and the young man was, yes, Justin Bieber …


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'Happy Holidays Charlie Brown'? So what happened in that Kentucky play?

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So what happened? What did Linus van Pelt say?

I am referring, of course, to the controversy that unfolded this past week in Johnson County, Ken., where school officials -- after receiving complaints from some in their community -- removed the speech by Linus at the pivotal moment in an elementary school production of "A Charlie Brown Christmas." Click here for the previous GetReligion post focusing on the Lexington Herald-Leader coverage of this Christmas wars showdown.

Here was my main point in my previous post: If Linus could not recite the key lines from the Gospel of St. Luke -- in response to Charlie Brown's anguished cry of "Isn't there anyone who knows what Christmas is all about?" -- then what was Linus going to say? It appeared, in previous coverage, that no one asked that question.

In the comments on that previous post, several readers tipped us off to what happened. So here is an update from the Herald-Leader, to stay with the same news source used before.

Though Johnson County school officials deleted a Bible passage from a student production of A Charlie Brown Christmas despite protests, several adults in the audience at Thursday’s performance recited the lines normally spoken by the character Linus, a video shows.
The scene at W.R. Castle Elementary School followed a firestorm of controversy in Johnson County this week.

And there is more information later:

Castle Elementary principal Jeff Cochran said in an interview Thursday that as instructed by school officials, no student in the play performed the scene in which Linus recites the passage from the Bible in explaining the meaning of Christmas:
“Ye shall find the babe wrapped in swaddling clothes lying in the manger. And suddenly, there was with the angel a multitude of the heavenly host, praising God and saying, ‘Glory to God in the highest, and on Earth peace, good will toward men.’ ”


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Final questions: Who wrote the New Testament's Book of Revelation?

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Final questions: Who wrote the New Testament's Book of Revelation?

JOHN (the perfect name for this question) ASKS: 

I thought the John of Revelation was the Beloved Disciple. The sermon today tried to disabuse me of that notion. What do we know about this?

THE RELIGION GUY’S ANSWER: 

One cherished Christmas tradition is dramatic presentation of the story of Jesus via Handel’s “Messiah,” the most-beloved, most-performed musical setting of Bible verses ever composed.  This 1742 oratorio concludes with a stirring chorus taken from the Book of Revelation 5:9,12-14 in the King James Version:

“Worthy is the Lamb that was slain and hath redeemed us to God by his blood, to receive power, and riches, and wisdom, and strength, and honor, and glory, and blessing…. Blessing and honor, glory and power, be unto him that sitteth upon the throne, and unto the Lamb, for ever and ever…. Amen.”

Who received this book’s elaborate vision and wrote it down? That’s among many mysteries about Revelation, a.k.a. the Apocalypse, along with what its many lurid symbols mean, and whether it addresses 1st Century persecution, church struggles throughout history, future culmination in the end times, or some combination. The early church, especially in the East, was reluctant and late in deciding this unusual book belonged in the New Testament.

The text names the writer as a “John” who lived on the island of Patmos off the coast of Asia Minor (present-day Turkey) due to “tribulation” and testimony to Jesus Christ, indicating he was in forced exile. There is early and strong tradition that this was John, the “beloved” apostle among the Twelve chosen by Jesus, though the text doesn’t say so.


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