Rolling Stone has done gaudy before. Its writers have weathered Lady Gaga’s meat gown, Madonna’s frills and external bras, Bowie’s androgynous alien Ziggy Stardust and more. Yet its cover story gets goggle-eyed at Catholic trappings — the “absurd, impossibly baroque backdrop of the Vatican” — just to show Pope Francis as moderate and low-key. And a liberal, modern, progressive (i.e., good) pontiff. All that and more goes into the cover story of the current Rolling Stone, painting Francis as a huge surprise to a dusty, arthritic institution: a sweet man bursting with idealism, pushing the Roman Catholic Church to shed its benighted notions of politics and morality.
GetReligionista Mark Kellner wrote a breezy, well-deserved diss to the Rolling Stone article. Now let’s peel a few layers off this onion.
What Stone writer Mark Binelli gives us is an expanded version of hopeful chatterings last year by liberal media, when Francis was elected. Granted, Rolling Stone celebrates colorful writing, but Binelli’s story reads like an odd mix of naïvete and cynicism. Case in point:

