Earlier this week, Daniel touched on some newspapers’ breathless “C.S. Lewis had premarital sex” exposes. Some of the comments on his post have mentioned the critique of Lewis in the Nov. 21 New Yorker.
Update on the preacher in black
The folks at CT have an interesting feature online that addresses many issues related to the role of faith in the Walk the Line biopic of June and Johnny Cash.
Meanwhile, back at the Air Force Academy
OK, so everyone remembers where GetReligion stands on the Air Force Academy story, right? We back free speech. Chaplains do not have to edit their own faith, especially in meetings that students choose to attend. Religious groups have the same rights as secular groups, when it comes to using emails, posters, public announcements and all of that.
From our "no comment" department
The statue breakers of Hollywood
Normally tmatt has written about the articles regarding our friend Barbara Nicolosi, but I’m taking this one — the essay “Can Jesus Save Hollywood?” — because of its appearance in The Atlantic. Hanna Rosin travels to Hollywood in this month’s issue to report on Nicolosi and her colleagues at Act One, who are striving to transform Hollywood one talented writer at a time.
Here ye go again
Wait a minute. Have the malls already been turned into little fake islands of New England? Is it already that time of year?
That Jimmy Carter flashback
I have had a number of readers ask me for my reaction to the recent remarks by former President Jimmy Carter in which he addressed both his party’s dogmatic stance in favor of abortion and its growing estrangement from traditional religious believers.
Connecting the Army recruiting dots
I’m curious. I wonder if the trend covered in this story — “Youths in Rural U.S. Are Drawn To Military” — has anything to do with two other stories that I have tried to follow closely for this blog. I refer to the growing tensions among military chaplains and the growing tensions about religious expression at military academies.
Narnia goes to Hollywood
Since I first saw clips of what is now becoming the first installment of C.S. Lewis’ Chronicles of Narnia last February, I maintained a level of skepticism as a means of protecting myself from disappointment. I was concerned that the film would deviate from The Lion, the Witch and the Wardrobe‘s explicit Christian themes. I was afraid the directors and producers would deviate from the film’s original plot. I was also afraid that they would attempt to make the fourth installment of The Lord of the Rings.
