country music

Podcast: God knows, there's more to rising tensions in country music than politics

Podcast: God knows, there's more to rising tensions in country music than politics

Gentle readers, here is the GetReligion question for this week.

Here we go: Who would you trust to know more about the complex cultural, moral, religious and, yes, political world of country music — the editors of Rolling Stone magazine or the late, great Johnny Cash?

I asked this question during this week’s “Crossroads” podcast (CLICK HERE to tune that in), which focused on a Rolling Stone feature with this headline: “The Culture Wars Are Tearing the Close-Knit Country Music Community Apart.”

To cut to the chase, these country music fights are all about politics — of course. And also, it’s totally new (#NOT) for country stars to speak out on issues of culture, morality, family, politics, economics, race, etc. Forget that Hank Williams guy, Jimmie Rodgers, Merle Haggard, Loretta Lynn and lots of other superstars.

People like Cash. It helps to read this next quote slowly and imagine the Man in Black’s voice-of-God singing and speaking tones

:… When asked to describe his musical values, Cash preached country gospel: "I love songs about horses, railroads, land, judgment day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak and love. And mother. And God."

Yes. there’s some politics in there — along with some other important topics.


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An anguished 'nothing in particular' believer shakes up country music establishment

An anguished 'nothing in particular' believer shakes up country music establishment

Oliver Anthony counted about 20 listeners when he performed earlier this summer at a produce market in coastal North Carolina.

That was before August 8, when radiowv posted his "Rich Men North Of Richmond" video on YouTube. More than 37 million views later, as of earlier this week, the unknown country singer from Farmville, Virginia, has become a culture-wars lightning rod.

When he returned to the Morris Farm Market, near Currituck, he faced the massive August 13 crowd and read from Psalm 37: "The wicked plot against the righteous and gnash their teeth at them; but the Lord laughs at the wicked, for he knows their day is coming. The wicked draw the sword and bend the bow to bring down the poor and needy, to slay those whose ways are upright. But their swords will pierce their own hearts, and their bows will be broken."

Anthony then sang his NSFW (not safe for worship) hit about suicide, depression, hunger, drugs, politics, child sex trafficking and dead-end jobs.

"I've been sellin' my soul, workin' all day / Overtime hours for bulls*** pay / So I can sit out here and waste my life away / Drag back home and drown my troubles away," he sang, with the crowd shouting along. The chorus began: "Lord, it's a damn shame what the world's gotten to / For people like me and people like you / Wish I could just wake up and it not be true / But it is, oh, it is / Livin' in the new world / With an old soul."

"Rich Men North Of Richmond" debuted at No. 1 in Billboard's Top 100, the first time ever for a new artist without a recording contract and mainstream radio support.

"The song was immediately politicized, even though there have always been country songs with singers lamenting the state of their lives and the state of America," said David Watson, a theologian and country-music fan. He is academic dean of United Theological Seminary in Dayton, Ohio, near a Rust Belt poverty zone with historic ties to Appalachia.


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Loretta Lynn's reality: Gospel truth mixed with rhinestone feminism in the real world

Loretta Lynn's reality: Gospel truth mixed with rhinestone feminism in the real world

On many Sundays, Loretta Lynn sent her social-media followers a thought for the day from Scripture.

Two days before her death at her ranch in Hurricane Mills, Tenn., the 90-year-old country-music legend posted two verses, repeating the second verse to stress her point.

Lynn's final Instagram post said: "Everyone who does evil hates the light, and will not come into the light for fear that their deeds will be exposed. But whoever lives by the truth comes into the light, so that it may be seen plainly that what they have done has been done in the sight of God. John 3:20-21"

The feisty superstar experienced plenty of darkness and light and shared the gritty details in a career that changed the role of women in Nashville. Lynn was raised poor in the Kentucky hills and spent years in church pews before she started singing in honky-tonks. Her husband Oliver "Dolittle" Lynn struggled with alcoholism, but they stuck together in a union that inspired songs about love and loyalty, as well as break-ups and fist fights, such as "Don't Come Home A-Drinkin' (With Lovin' On Your Mind)."

Lynn vowed to tell the truth about both sides of her life. She loved to sing hymns and gospel music, while critics hailed the rhinestone feminism of her hits such as "You Ain't Woman Enough," "The Pill," "Rated X" and "You're Looking at Country."

In her "Coal Miner's Daughter" memoir, Lynn described her faith journey: "I believed it all, but for some reason, I was never baptized. After I started in music, I got away from going to church and reading the Bible. I believe I was living the way God meant me to, but I wasn't giving God the right attention."

In that same 1976 memoir, she added: "I'm trying to lead a good Christian life, especially since I got baptized two years ago. So there ain't too much spicy to tell about me -- just the truth." Christian Chronicle editor Bobby Ross, Jr., noted that she later added a strong kicker to that: "Nobody's perfect. The only one that ever was, was crucified.”

Anyone who explored the details of Lynn's life and music knew that she wasn't a good fit in the "elite feminist establishment" or among advocates of a "status-quo idea of domesticity," noted Russell Moore, Christianity Today's editor in chief.


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Plug-In: From Loretta Lynn to Aaron Judge, the week's top nine religion newsmakers

Plug-In: From Loretta Lynn to Aaron Judge, the week's top nine religion newsmakers

A country music queen. A home run king.

A former White House press secretary. A current U.S. Supreme Court plaintiff.

They are among nine key religion newsmakers who made headlines this past week (in alphabetical order):

Bart Barber: I’m showing a little bias here because I wrote this week’s Associated Press profile of Barber, a small-town Texas pastor and rancher elected to lead the 13.7 million-member Southern Baptist Convention at a time of major crisis. Barber will be featured Sunday night in a “60 Minutes” interview with Anderson Cooper.

Chris Jones and Sarah Huckabee Sanders: Jones is the Democrat and Sanders the Republican in Arkansas’ gubernatorial race. “With two preachers’ kids and a pastor in the race, Arkansans are poised to elect a governor who can sing hymns by heart and quote Scripture from memory,” the Arkansas Democrat-Gazette’s Frank Lockwood writes as he delves into faith and politics. (Sanders served as former President Donald Trump’s White House press secretary from 2017 to 2019.)

Aaron Judge: The New York Yankees star made history when he hit his 62nd home run of the season Tuesday night. Prayer and faith played a key role during Judge’s chase, reports the Deseret News’ Ryan McDonald.

Loretta Lynn: The country music superstar and Kentucky coal miner’s daughter died Tuesday at age 90. “She really was serious about her faith and a devout member of the church,” retired minister Terry Rush, who maintained a close friendship with Lynn, told me.

John Henry Ramirez: The Texas killer fought all the way to the U.S. Supreme Court to have his pastor lay hands on him and pray during his execution. “Just know that I fought a good fight, and I am ready to go,” Ramirez said before his death by lethal injection Wednesday, as noted by The Associated Press’ Juan A. Lozano and Michael Graczyk.

Lorie Smith and Jack Phillips: The two claim in an opinion piece for USA Today that Colorado is trampling on their First Amendment rights as Christian artists, and they’re fighting back. Website designer Smith’s case is headed to the U.S. Supreme Court, the Deseret News’ Kelsey Dallas reports.


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Hillbilly Thomists: Dominican brothers singing about the Americana ties that bind

Hillbilly Thomists: Dominican brothers singing about the Americana ties that bind

With its sobering lyrics and a droning country-blues riff, "Holy Ghost Power" by the Hillbilly Thomists is a song with zero chance for Christian radio success.

The jilted protagonist has been "living off of grits, whiskey and Moon Pies." His man cave offers no refuge: "A hundred channels of nothing on the TV at 10. It's like Diet Coke and original sin. … Now it's a zombie town, there's a lot of undead. They wander around looking underfed."

But the chorus offers hope: "He makes a rich man poor; He makes a weak man strong. No more going wrong just to get along. I felt the force of the truth when they pierced His side. I saw the war eagle dive and I could not hide."

It wouldn't shock old-school country fans if this was a Johnny Cash song. But it was written by a banjo-playing Dominican from Georgia who has an Oxford theology doctorate and now leads the Pontifical University of Saint Thomas Aquinas. Writing to the National Reso-Phonic Company, Father Thomas Joseph White said he likes to play this classic blues guitar "in my office looking out at the Roman Forum that's 2,700 years-old."

That makes sense in the Hillbilly Thomists, a "musical collective" of Dominicans, most of whom have Bible-belt roots. The band recently staged a concert in the Grand Ole Opry and, over the past decade, has recorded three albums of music that would sound at home at Appalachian fairs, but not in most church halls.

There's a vital tie linking these songs to the life and work of this band of priests and brothers, said Father Simon Teller (who plays fiddle). Whether singing Appalachian hymns or their own original songs, the Hillbilly Thomists -- dressed in the white habits of their order -- keep returning to images of suffering, sorrow, eternity, hope, grace and redemption.

"We're priests in the Dominican order and that kind of states our vision of the world and the faith and everything we do," he said. "In our day job, we're working a lot with people who are dealing with very concrete situations and have a lot of very concrete questions."

"Holy Ghost Power," for example, is "not sung from the voice of a clergyman. It's sung with the voice of a man who's living a very ordinary life that is going off the rails in a very ordinary way," said Teller. "There's a malaise there and he's unsatisfied by the things of this world."


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Naomi Judd: 'It's scary to show that part of you that is the not so smart, not so together side'

Naomi Judd: 'It's scary to show that part of you that is the not so smart, not so together side'

Naomi Judd thought she understood the ties that bind country-music stars and their audience -- then one aggressive fan went and joined the Pentecostal church the Judd family called home.

"It really burdened me," said Judd, after signing hundreds of her "Love Can Build a Bridge" memoir back in 1993. "I just don't sign autographs at church. The best way I can explain it to children … is to say, 'Honey, Jesus is the star.' "

After a year of this tense standoff, Judd became concerned and wrote the fan. "I said, 'I want you to really get away by yourself and read this letter and answer this question honestly: Do you come to church to see The Judds or do you come to church to see God?' She never came back to church. But she was in the autograph line today."

Through it all, Judd and her brash daughter Wynonna have talked openly about their triumphs and their struggles. Many fans identified with their failures just as much as the messages about faith and family.

At the time of that 1993 interview, Naomi Judd had battled through waves of anxiety attacks to address some dark realities -- such as rape, crisis pregnancy and her deadly battle with hepatitis C that retired the The Judds.

What she hadn't discussed at that time was the sexual abuse in her childhood that led to treatment-resistant depression. Judd's April 30th death, at age 76, focused new attention on blunt passages in her 2016 book "River of Time," in which she said had been tempted by suicide. "I wanted to be completely honest that if someone took out a gun and killed me on stage, they would be doing me a favor," she wrote.

The Judds were inducted into the Country Music Hall of Fame the day after Naomi's death and her shaken daughter Ashley Judd told the crowd, "I'm sorry that she couldn't hang on until today." Writing in USA Today, the actress expressed gratitude for her mother's legacy, but added: "Perhaps it's indecorous to say, but my heart is filled with something else, too. Incandescent rage. Because my mother was stolen from me by the disease of mental illness, by the wounds she carried from a lifetime of injustices that started when she was a girl."


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Naomi Judd: Press reports covered the dark nights of her life, but not the Sunday mornings

Naomi Judd: Press reports covered the dark nights of her life, but not the Sunday mornings

Journalists tend to remember symbolic details from many of interesting interviews — whether they are with superstars of various kinds or ordinary people who have seen remarkable things.

Exhausted after signing hundreds of copies of her “Love Can Build a Bridge” memoir back in 1993, Naomi Judd retreated to her tour bus parked behind the bookstore. She apologized for heading to the back room to get out of one of her famous stage dresses and into something from her farm outside of Nashville. The ground rules: no photos, but all questions were fair game.

At point in her life, she had already talked about some dark days and nights — from rape to a crisis pregnancy and beyond. But she hadn’t dug deeper into her childhood and the abuse that created the deep pools of depression that would eventually take her life.

But this was a woman who was driven to talk about her angels, as well as her demons. My favorite quote from that interview didn’t make it into the “On Religion” column that I wrote pre-Internet, but stashed deep in my file cabinets with pages of notes and transcripts.

Naomi Judd stressed that if people — journalists included — want to understand country music, and the relationship between the musicians and their fans, they need to remember that it’s normal, in a country music show, “to sing about Sunday morning, as well as Friday and Saturday nights.”

That’s what I went looking for in the coverage of her death and then the ceremony in which The Judds — Wynonna and Naomi — entered the Country Music Hall of Fame. Here’s the top of the Nashville Tennessean report on that event, as it ran in USA Today:

As Grammy-winning duo The Judds were inducted into the Country Music Hall of Fame Sunday evening, Wynonna Judd addressed the passing of her mother Naomi just one day earlier.

Following brief remarks from her younger sister Ashley, Wynonna spoke for roughly four minutes.

"It's a strange dynamic to be this broken and this blessed. … But though my heart is broken, I will continue to sing," she said.

Wynonna said Naomi Judd, 76, passed away at 2:20 PM, and that she kissed her mother "on the forehead and walked away." She also stated that the last act she, Ashley and unnamed other family members did together was praying the Bible's 23rd Psalm. The crowd in attendance all recited the Psalm in unison with Judd to complete her speech.

That’s solid and hints at the atmosphere during the ceremony.

Truth is, Hall of Fame member Ricky Skaggs — who knew the Judds from the days before their rise to fame — took the audience to church, as he struggled to control his emotions through the entire speech-sermon.


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Talkin' Charlie Daniels 2.0: Country music is a mix of Sunday morning and Saturday night

There’s this old saying here in Tennessee: When you’re talking about country music, you have to deal with stuff that happens on Saturday night and on Sunday morning.

The first person I heard say that was Naomi Judd and, well, she would know a thing or two about that. However, I don’t think that soundbite of wisdom originated with her. That would, for example, help explain the music of Hank Williams. Ditto for Willie Nelson. How about Dolly Parton?

You can put Charlie Daniels in there, as well. This leads me to the podcast conversation I had this week with Eric Metaxas, who has been a friend for 20 years or so. Please note that this goes way back before Donald Trump decided to enter politics.

Metaxas and I agree on many things and we disagree on a few things, too. But we care deeply about what happens when religious issues collide with the news. Eric tends to focus on the end product, while — as someone who has worked in newsrooms — tend to focus on the process.

You see, in the newsrooms I have worked in there have been lots of people who “get” Saturday night, by which I mean the rough-and-tumble topics (including politics) that folks hash out in honky-tonks. There are also a few newsroom pros who “get” what happens on Sunday morning, as in the world of religion.

When it comes time to write about the life of a person like country-rock superstar Charlie Daniels, what ends up in print largely depends on who is assigned to cover the story. That usually offers a window into the worldview of newsroom managers, just as much as it does reporters.

I was stunned when the Nashville Tennessean obit for Daniels viewed his life through the lens of politics and the Trump era (oh, and music). This affected what many news consumers read all over Tennessee, since Gannett now runs this state’s dominant newspapers (including my local paper in Knoxville).

My concern about that obit led to this post: “There was more to Charlie Daniels than politics and even his music (hint: 'I'll Fly Away').” This part of the piece jumped out at me:

… Daniels undoubtedly had many other passions. A staunch supporter of U.S. troops and veterans, he spent much of his career traveling overseas to play for service members in Kuwait, Iraq and Afghanistan. …

For the last four years, hardly a day went by without Daniels sharing this message on his Twitter account: “22 VETERANS COMMIT SUICIDE EVERY DAY!!”

On the platform, the man who sang 1980's confrontational "In America" solidified his reputation as one of the most outspoken figures in country music. In daily posts, he would decry abortion as “murder,” ask fans to “pray for the blue,” and declare that “Benghazi ain’t going away.”


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Washington Post offers look at five country music myths and misses a familiar ghost

I have been feeling my inner music-beat writer stirring a bit, as of late. Maybe, like Pete Townshend, I’m getting old. Then again, my East Tennessee home is a short drive from the birthplace of country music, and only slightly further from Nashville.

Thus, my eyes tend to focus a bit when I see this kind of headline in a blue-zip code elite newspaper, in this case the Washington Post: “Five myths about country music.”

Yes, this did run as a “perspective” piece in the Outlook section, so I am not looking at this as a news piece. Instead, I am simply noting an interesting chunk of this country-music flyover, since I would argue that it points toward a familiar news “ghost” in popular culture. I am referring to the prominent role that religion and religious imagery plays in country music and how that helps shape its audience.

Here is the overture of this piece by Jocelyn Neal, a music professor at the University of North Carolina at Chapel Hill. She is the author of “Country Music: A Cultural and Stylistic History,” from Oxford Press.

Love it or leave it, country music — with its whiskey-soaked nostalgia and crying steel guitars, its trains, trucks and lost love — is a defining feature of the American soundscape. This fall, Ken Burns’s documentary series, along with an outpouring of Dolly Parton tributes on NPR, Netflix and the stage at the Grand Ole Opry, has trained a spotlight on the genre. Still, myths infuse many people’s understanding of country music — and some of them are integral to its appeal.

Something seems to be missing there.

Let’s turn to an alternative summary statement, provided by someone who knew quite a bit about this topic — Johnny “The Man in Black” Cash. Asked to state his musical values, he said:


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