What we have here is a beautiful little feature story about a subject that is, literally, close to the heart and soul of any Orthodox Christian -- icons. The story ran in The Baltimore Sun, the newspaper that landed in my front yard for a decade, which means that it's about an Orthodox congregation that I have actually visited.
Iconography is a complicated subject on several levels, both in terms of the theology, the history and the craft itself. This story gets so many details right that I hesitate to note an error or, maybe, two -- one of mathematics (I think) and the other is, well, just a strange hole that would have been easy to fill.
First things first: Here is the overture.
As Dionysios Bouloubassis picks up his paint brush at Saint Mary Antiochian Orthodox Church early one morning, the large canvas before him is blank but for the outlines of an angel he has sketched in pencil.
Swirling on reddish-brown pigment, he brings its wings to life. He fleshes out a Bible, then two hands to hold it. By nightfall, the cherub seems alive, its eyes gazing down from heaven.
The angel, a figure from the Book of Revelation, is one of 16 that Bouloubassis, a master iconographer from Greece, plans to paint and affix to the 60-foot dome inside Saint Mary, part of a years-long project in art and worship the Hunt Valley congregation launched in 2013.
So far so good. However, the very next paragraph contains a crucial error of history.
If all goes as planned, Bouloubassis will leave the interior of the year-old church covered in icons -- mural-sized renderings of Christ, the saints, angels and other religious images that have been part of the Orthodox Christian worship tradition for more than 1,200 years.
Where did that reference to 1,200 years come from?