Pop Culture

, , , , , ,

'The Exorcist' at 50 -- If demons are real, how about angels? What about an eternal soul?

, , , , , ,
'The Exorcist' at 50 -- If demons are real, how about angels? What about an eternal soul?

William Peter Blatty was pounding out the first pages of "The Exorcist" when his telephone rang -- bringing the news that his mother had died.

The screenwriter was already digging into dark material that was completely different from the whimsical work -- such as the classic "A Shot in the Dark" Pink Panther script -- that established his Hollywood career. He was writing a fictional take on an exorcism case he heard discussed during his Georgetown University studies.

But the death of Blatty's Lebanese-born, fervently Catholic mother changed everything. She spoke very little English and called her son "Il Waheed," Arabic for "the one" or "the only." He struggled with grief for five years and his supernatural thriller turned into something much more ambitious.

"I wanted to write about good and evil and the unseen world all around us. I wanted to make a statement that the grave is not the end, that there is more to life than death," said Blatty, meeting in a diner near the Georgetown neighborhood described in "The Exorcist."

It was 2013, four years before Blatty's death, and our conversation focused on the 40th anniversary of the film that brought him an Academy Award, for adopting his novel for the big screen. Now, on the 50th anniversary of "The Exorcist," critics are still debating why it had such as seismic impact.

Blatty insisted, many times, that he wasn't trying to shock people, even though the R-rated classic sent many rushing for theater exits, sickened by its stomach-wrenching visions. His goal was "apostolic, from the beginning," an attempt to inspire faith and defend core Christian doctrines, he said.

The equation was simple: "If demons are real, why not angels? If angels are real, why not souls? And if souls are real, what about your own soul? … And, by the way, if incarnate evil is real, what are you going to do about that?"

"The Exorcist" set box-office records for horror films, with numbers that soared with subsequent re-releases. At the same time, Blatty was deeply satisfied to hear priests report that, in the weeks after the movie opened, penitents lined up for confession.


Please respect our Commenting Policy
, , , , , , , , , , , , , , ,

Sexy pop star Sabrina Carpenter ruffles feathers, and a badly-covered news story is born

, , , , , , , , , , , , , , ,
Sexy pop star Sabrina Carpenter ruffles feathers, and a badly-covered news story is born

Religion and pop culture frequently intersect and this can create some rather strange bedfellows.

Can we see this in the news? Well, the mainstream media is largely a secular place, but pop-culture reporting — especially when it comes to celebrities — may be the most-secular niche of them all. 

This brings us to recent headlines. The name Sabrina Carpenter may not mean anything to anyone over 25, but she was at the center of a major religion story just last week. Search the name “Sabrina Carpenter” and the word “church” in News Google and you’ll see what I’m referring to. 

The pop singer made news — and not just for her music — after her latest music video "Feather,” which was filmed at the Annunciation of the Blessed Virgin Mary Church in Brooklyn, New York.

The video shows Carpenter in an outfit not suitable for church as several men fight over her. It also shows her attending their funerals at the church with candy-colored coffins. One off those coffins includes the inscription "RIP B - - - -.”

There was fallout. This is what Fox News reported on its website once church officials in Brooklyn caught wind of what had happened:

"The parish did not follow diocesan policy regarding the filming on Church property, which includes a review of the scenes and script," the statement read.

While the parish initially claimed that the video’s production company "failed to accurately represent the video content," an investigation into the matter concluded that documents given to the parish "while failing to depict the entirety of the scenes, clearly portray inappropriate behavior unsuitable for a church sanctuary."

As a result, Brennan announced that the parish’s vicar, Monsignor Jamie Gigantiello, was relieved of his position and temporarily replaced with Auxiliary Bishop Witold Mroziewski, who took over all administrative responsibilities. 

John Notaro, executive director of the Catholic Foundation of Brooklyn and Queens and Futures in Education, has also taken over Gigantiello’s administrative responsibilities for those respective organizations. Gigantiello, however, will still remain in the church as a pastor.

Prepare for a very important detail of a liturgical nature.


Please respect our Commenting Policy
, , , , , , ,

Rolling Stone readers will be shocked: Flamy Grant's cock-and-bull tale of oppression

, , , , , , ,
Rolling Stone readers will be shocked: Flamy Grant's cock-and-bull tale of oppression

Ethan Millman of Rolling Stone had an amusing story on his hands, if ideology had not prevailed and rendered it into an uncritical public relations piece.

The story is this: The Recording Academy changed the category of the album “Bible Belt Baby” by Flamy Grant from Contemporary Christian Album to Best Pop Vocal Album. Millman reports that the change was the result of vulgarities in the song “Esther, Ruth, and Rahab,” which includes this line: “God would only hear a prayer/If it came from a person with a cock.”

Millman quotes this statement from the Recording Academy that confirms its reason for making the change: “Re-categorizing recordings with explicit language/content has been a standard practice for the Gospel & CCM genre committee, given that the Gospel & CCM Field consists of lyrics-based categories that reflect a Christian worldview.”

And that’s the point when the detachment of traditional journalism concludes. I am sure that is shocking to Rolling Stone readers.

The rest of the story hands the microphone to Matthew Blake (the offstage name of Flamy Grant), who has a sense of humor about a great many things other than his victimization narrative. In this story, his word is printed as gospel.

First Blake complains about the category change — one that most purveyors of Contemporary Christian Music would welcome, given the genre’s reputation as being bland and dull.

But Blake believes the change “completely buried me” because, as Millman explains, Blake would “now be measured against the likes of the world’s biggest superstars as opposed to a smaller niche of peers from the Christian music community.”

Next, Blake presents as a naif in the woods of Big Music: “This is all so new to me; I’m pretty clueless about the inner workings of the music industry.”


Please respect our Commenting Policy
, , , , , , , , , , ,

Upon Friar Review -- Looking for spiritual questions in the wilds of pop culture

, , , , , , , , , , ,
Upon Friar Review -- Looking for spiritual questions in the wilds of pop culture

During the 1990s, legions of kids could quote chapter and verse from the "X-Files" adventures of FBI special agents Fox Mulder and Dana Scully.

Scully was the skeptic who put her faith in science, while Mulder plunged head-first into the supernatural. But in one case, Scully experienced mysterious visions that helped her save a life. Stunned, she returned to church. Confessing to a priest, she asked why she witnessed a miracle, but her partner did not.

Maybe, the priest said, God was only speaking to her. "With the Lord, anything is possible. Perhaps you saw these things because you needed to. … Why does that surprise you?"

Scully answered: "Mostly it just makes me afraid. … Afraid that God is speaking, but that no one is listening."

Father Casey Cole grew up in that era. While he wasn't an "X-Files" fan, many of his friends were, hooked by the show's mantra, "The truth is out there." Thus, this confession scene has become one of many video clips he uses as chaplain at three schools in Macon, Georgia.

When exploring pop culture, the young Franciscan friar is looking for good questions -- the kinds of questions he thinks the church needs to hear.

That's easier with some forms of entertainment than others. It's possible for savvy pastors, youth leaders and teachers to respond to high-quality movies and television programs, especially those that address spiritual issues, said Cole, describing the approach used in the "Upon Friar Review" videos he makes with Father Patrick Tuttle of Holy Spirit Catholic Church in Macon.

Then there are "times when Father Patrick closes his eyes and says, 'This is awful.' … There are times when I want to say, 'This is the worst thing ever.' But when we're at our best, we can say, 'Let's take a step back and let's analyze this. What question is being asked here? …

"These things ask important questions, and maybe questions the church seems unwilling or unable to answer. Well, we need to be the ones t


Please respect our Commenting Policy
, , , , , , , , ,

Film legend Martin Scorsese -- no surprise -- talks about his latest movie (and Jesus)

, , , , , , , , ,
Film legend Martin Scorsese -- no surprise -- talks about his latest movie (and Jesus)

Since Day 1 — almost 20 years ago — your GetReligionistas have talked about the religion “ghosts” that haunt many mainstream news stories.

The basic idea is that journalists without religion-beat skills often omit religious facts, history and beliefs when writing many stories in which it’s almost impossible to understand what is going on without reporting these religion angles. Thus, we say these stories are “haunted” by religion “ghosts.”

From time to time, we hear from critics who claim that we want journalists to “force” religion into stories in the arts, sports, politics, business, etc. In the vast majority of cases, these critics are not arguing with us — but with easily available information about the lives of the people involved in these stories. Remember that classic 2016 case with mainstream news coverage (hello ESPN) of NBA superstar Kevin Durant?

This brings me to a recent Time magazine feature that ran with this headline: “Martin Scorsese Still Has Stories to Tell.” On one level, reporter Stephanie Zacharek faced a familiar entertainment-beat story, as in doing a junket-related feature with a Hollywood player who is promoting his or her new movie.

However, what we ended up with is a positive example of a journalist weaving accurate, valid, material about a newsmaker’s religious history into a mainstream news report.

Let me note that, in terms of film-studies doctrine, there is no such thing as an “orthodox” view of the role Catholic faith plays in this superstar director’s life and work. That’s fine. There’s way more to this man’s story than ongoing (in my view valid) arguments about “The Last Temptation of Christ.”

Catholics can, and do, argue about what “kind” of Catholic he is, in terms of beliefs and practice of the faith. Film scholars can debate which of his movies are “Catholic,” which ones have faith soaked into the images and which ones seem to clash with Catholicism.

But everyone agrees on one thing: It’s impossible to talk about Scorsese and leave his Catholicism out of the mix.

Thus, Zacharek’s feature is not an example of a journalist “forcing” religion into a story about a mainstream artist. It’s an example of a story that asks relevant questions about Scorsese and then let’s him talk about his life and art. Thus, it contains quite a bit of valid Godtalk.

At first this is a rather normal arts-beat feature. For example, near the top:

Scorsese’s encyclopedic knowledge of film has made him the patron saint of film bros, and though it’s a title he most certainly never asked for, he’s happy to talk about movies for as long as you like.


Please respect our Commenting Policy
, , , , , , , , , , , , ,

Podcast: Another sexy version of the old New Age arrives, with the 'Secular Sabbath'

, , , , , , , , , , , , ,
Podcast: Another sexy version of the old New Age arrives, with the 'Secular Sabbath'

This podcast post really needs a soundtrack. So, please click on this Secular Sabbath video and leave it running. Then open the GetReligion post in a second browser window and start reading. This will help with the content — I promise.

This week’s “Crossroads” discussion (CLICK HERE to tune that in) focused on a timely, solid feature at The Free Press with this catchy headline: “Can You Find God in a Bikini?” The story was timely because, in many ways, this is a news story that has been with us for decades (if not for centuries, viewed from a theological, pre-electronic-trance-music point of view).

To understand my thinking here, it helps to follow a timeline linking a few books on this topic.

Let’s start here, with “Understanding the New Age,” which was researched in the late 1980s by the great religion-beat pro Russell Chandler. The key to this vague New Age thing, he said, is the movement’s “view of the nature of reality, which admits to no absolutes” and, thus, all “standards of morality” are “relative.”

In the mid-1990s, linked to another burst of New Age media buzz, I interviewed Chandler and the resulting “On Religion” column included this thesis:

A few years ago, most generic bookstores had a "New Age" section. Today, this is rare. But this doesn't mean that the wave of religious trends that crested in the 1980s simply vanished. Truth is, it soaked in.

"You don't see New Age shelves anymore because you can find New Age books in almost every part of the store," said Russell Chandler, an award-winning religion writer best known for his 18 years at the Los Angeles Times. "They're in the psychology section and over on the women's shelf. You'll find them under self-help, stress, holistic health and the environmental, too."

The day of New Age cover stories in news magazines may have passed, but that's beside the point. New Age faith, said Chandler, has "become so visible that it's now all but invisible."

Reading Chandler led me to New Age preachers such as Marianne Williamson (yes, she is seeking — again — the White House as a Democrat) and her bestselling book “A Return to Love: Reflections on the Principles of A Course in Miracles.”


Please respect our Commenting Policy
, , , , , , , , , , , , ,

Podcast: God knows, there's more to rising tensions in country music than politics

, , , , , , , , , , , , ,
Podcast: God knows, there's more to rising tensions in country music than politics

Gentle readers, here is the GetReligion question for this week.

Here we go: Who would you trust to know more about the complex cultural, moral, religious and, yes, political world of country music — the editors of Rolling Stone magazine or the late, great Johnny Cash?

I asked this question during this week’s “Crossroads” podcast (CLICK HERE to tune that in), which focused on a Rolling Stone feature with this headline: “The Culture Wars Are Tearing the Close-Knit Country Music Community Apart.”

To cut to the chase, these country music fights are all about politics — of course. And also, it’s totally new (#NOT) for country stars to speak out on issues of culture, morality, family, politics, economics, race, etc. Forget that Hank Williams guy, Jimmie Rodgers, Merle Haggard, Loretta Lynn and lots of other superstars.

People like Cash. It helps to read this next quote slowly and imagine the Man in Black’s voice-of-God singing and speaking tones

:… When asked to describe his musical values, Cash preached country gospel: "I love songs about horses, railroads, land, judgment day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak and love. And mother. And God."

Yes. there’s some politics in there — along with some other important topics.


Please respect our Commenting Policy
, , , , , , , , ,

Thinking just a little bit about Jimmy Buffett, the laid back Catholic troubadour?

, , , , , , , , ,
Thinking just a little bit about Jimmy Buffett, the laid back Catholic troubadour?

I wrote this short “think piece” just before heading out the door on a trip to our old stomping grounds in South Florida.

The timing is a coincidence, with zero connections to some follow-up reflections on my recent post — “New York Times offers flashback to sacraments offered by the priest of the Parrotheads” — about some religion “ghosts” linked to coverage of the late singer-songwriter Jimmy Buffett.

I had no idea that there would be some Catholic-press coverage pointing to some faith-centered threads in his music. Hold that thought. Here is a small chunk of my GetReligion post noting the Big Idea in the Times story:

The basic idea is that the singer-songwriter was a kind of guru-priest who was looking at the humdrum lives being lived by millions of Americans. He saw this and, looking out from the center microphone on stage during his never-ending tours, he had compassion on them.

After all, he had seen this relationship before. When fans sang along in the crowd, it created, as noted in the Times feature, a “unified hum, reminding Mr. Buffett of the recitation of prayers in church during his altar boy days.”

Was there more to the theological content of Buffett’s lyrics than that? The Catholic News Agency offered a feature with the headline, “Jimmy Buffett: more Catholic than you think?”

While admitting that there was little overt Catholic content in the singer’s public life and remarks, this new piece dug back to earlier interpretive work by Stephen M. Metzger, writing for the Church Life Journal at Notre Dame University.

“[I]t is clear that Catholicism left an indelible mark on his imagination,” wrote Stephen M. Metzger, a scriptor (cataloguer of Latin manuscripts) and graduate of the University of Notre Dame’s Medieval Institute. … Buffett attended St. Ignatius Catholic School and went on to graduate from McGill-Toolen Catholic High School, which remains the most prominent Catholic high school in Mobile, Alabama. 

Metzger said evidence of Buffett’s Catholic upbringing shone through in his work, even if his songs weren’t explicitly Catholic.


Please respect our Commenting Policy
, , , , , , , , , ,

Podcast: Attention Gray Lady folks! Latter-day Saints are not the only skilled fantasy scribes

, , , , , , , , , ,
Podcast: Attention Gray Lady folks! Latter-day Saints are not the only skilled fantasy scribes

Two decades ago, I attended Nimbus 2003, the first global Harry Potter studies convention.

This colorful event, at a Disney hotel in Orlando, drew a capacity crowd of about 600 participants — about 90% of which were female — from the United States, England and Australia.

What kinds of people showed up and what does this flashback have to do with this week’s “Crossroads” podcast (CLICK HERE to tune that in)? Hold that thought. Here’s a bite of the “On Religion” column that I wrote about that event, one of many Harry Potter-related columns I have written over the years.

In hotel hallways, witch wannabes raised their expensive, professionally carved wands and fought imaginary duels with tickling spells and other incantations. In the lecture halls, others heard papers on everything from Harry Potter and the First Amendment to "Greenhouses are for Girls, Beasts are for Boys? Gender Characterizations in Harry Potter." …

Organizers also dedicated an entire track of lectures and panels to spiritual issues, addressing topics such as "Seven Deadly Sins, Seven Heavenly Virtues: Moral Development in Harry Potter" and "Can Any Wisdom Come From Wizardry?"

I was not surprised that a large number of the participants mentioned, in registration, that they were Wiccans or interested in other forms of neo-paganism. However, it was clear that at least half of the crowd of readers with marked-up Harry Potter books were mothers — often homeschool enthusiasts — who were Catholics, evangelical Protestants or members of the Church of Jesus Christ of Latter-day Saints.

It was important, some said, that author J.K. Rowling had outed herself, early on, as a communicant in the progressive Scottish Episcopal Church. She told a Canadian newspaper: "Every time I've been asked if I believe in God, I've said, 'yes,' because I do. … If I talk too freely about that, I think the intelligent reader — whether 10 or 60 — will be able to guess what is coming in the books."

Now, this brings us to that fascinating New York Times feature that ran with this double-decker headline:

An Unexpected Hotbed of Y.A. Authors: Utah

A tight-knit community of young-adult writers who belong to the Church of Jesus Christ of Latter-day Saints has yielded smashes like “Twilight.” But religious doctrine can clash with creative freedoms

Yes, it’s interesting that Mormons play a major role in the world of fantasy fiction for children, teenagers and family-reading circles. I also thought it was interesting that editors at the world’s most prestigious newspaper have never heard of some other religious believers who have excelled as fantasy stars.

Can you say “Narnia”? How about “The Hobbit”? How about “A Wrinkle in Time”?


Please respect our Commenting Policy