Sistine Chapel

Was Jesus white and should sacred art that depicts Him in that manner be scrapped?

Was Jesus white and should sacred art that depicts Him in that manner be scrapped?

THE QUESTION:

Was Jesus white?

THE RELIGION GUY’S ANSWER:

No.

But in these racially anxious times for America, there’s more to be said.

In a biblical dream-vision, presumably not meant to be taken literally in racial terms (Revelation 1:15), the feet of the triumphal Jesus Christ are bronze in color. In terms of actual 1st Century history, it makes the most sense to think that Jesus was neither north European white nor African black. As a man of the Mideast, he’d presumably have had a light brown or olive complexion like today’s Arabs or Sephardic Jews, with a good tan from all those outdoor travels.

Megyn Kelly assured Fox News viewers in 2013 of the “verifiable fact” that “Jesus was a white man.” In recent days, similar racial uproar was generated by Black Lives Matter activist Shaun King. After tweeting that memorials to “despicable” slaveowners George Washington and Thomas Jefferson must come down, he added obliteration of statues of “the white European they claim is Jesus,” seen as “a form of white supremacy.” A further tweet extended the ban to such “racist propaganda” in murals and stained glass of Jesus.

King did not specify that paintings should likewise be removed from display or destroyed, though that seems an obvious implication. Such iconoclasm would denude the world’s museums of countless masterpieces. In one example, so treasured is Leonardo da Vinci’s “Savior of the World” portrait of a Caucasian-looking Jesus that Crown Prince Mohammed bin Salman of Saudi Arabia paid $450 million for it in 2017.

Moving to popular art, should we still watch those movies and TV productions where Jesus looks Caucasian, and more Gentile than Jewish? On that score, Mel Gibson’s film “The Passion of the Christ” (2004) gave Jesus a modest prosthetic nose and colorized the actor’s eyes to darken them.


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Time capsule as Italy approached edge of cliff: Rome and art in the time of coronavirus

EDITOR”S NOTE: This weekend’s think piece is a kind of time capsule, written and published earlier this month as the coronavirus crisis appeared on the horizon in the city of Rome.

This piece was written by the veteran religion writer previously known as Roberta Green, best known for her work at The Orange County Register. She was living in Rome for several months, as she will explain, while researching and writing a book on art, faith and the importance of beauty. That’s the kind of topic that sends a writer to Rome. She returned to the United States on one of the last flights out.

This was published on March 9th at Religion Unplugged. I have made no attempt to update it, in terms of the COVID-19 statistics. I find it kind of sobering to read this essay and then think of all that has happened in the relatively short time that has passed since this was written. (tmatt)

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ROME — When my husband and I decided to move to Rome for the first half of this year to escape distractions and try to write books we’ve been working on for years, we had no idea that we’d be living in one of the centers of a global epidemic.

At the time we left California in January, coronavirus had surfaced in China and the World Health Organization was yet to name the disease it caused COVID-19. We didn’t expect to encounter it in Rome. But we did.


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Free the cardinals!

Yesterday tmatt asked readers to submit links to papal coverage that was particularly good or bad. I’m going to go ahead and put my responses in a separate post.


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