Marc Thiessen

Piecemeal coverage of Benedict XVI death reveals ultra-thin ranks of religion reporters

Piecemeal coverage of Benedict XVI death reveals ultra-thin ranks of religion reporters

The death of a pope is like a World Series Day for religion reporters, who know that whatever they write will show up on the front page — alongside whatever Associated Press dispatches come from Rome.

This time around, papal coverage was strung together with a collection of work by beat specialists, columnists, general assignment reporters dragooned into doing pope coverage and retired folks brought in for a one-off and Catholic insiders. As the religion beat has been eviscerated at so many outlets, media managers aren’t sure where to turn when a major story like a papal death comes up,

So, when word came out last week that Pope Emeritus Benedict XVI was rapidly failing, newsrooms quickly called in whomever they knew could whip up a re-telling of this fascinating man’s life.

The timing flummoxed publications that had come out early with their list of notable 2022 deaths, only to have to add not only Benedict but broadcaster Barbara Walters and Brazilian soccer king Pelé, both of whom also died in the closing days of the year.

Naturally I jumped at the chance to do something for Newsweek (I’m their religion correspondent), so I began perusing what was already out there. I found a wave of hatred and ill will in the secular media for this traditional Catholic leader.

Topping the list was a tweet — since deleted — posted by Politico cybersecurity reporter calling Benedict a “Hitler Youth alumnus” and “homophobic pedophile protector,” both of which were below-the-belt blows in that all German boys in the early 1940s were dragooned into joining Hitler Youth.

As for the latter accusation, it was Benedict, then known as Cardinal Joseph Ratzinger, who saw how bishops were passing the buck on pedophile clergy in their dioceses — which is why he ordered all cases of credibly accused priests and deacons sent to his office at the Congregation for the Doctrine of the Faith so he could defrock these people. That was in 2001.


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That mass-media firestorm surrounding 'Unplanned': Is 'censorship' the right word here?

That mass-media firestorm surrounding 'Unplanned': Is 'censorship' the right word here?

So, there’s another one of those “Christian” niche-market movies that’s about to come to a theater near you. Maybe you’re heard about it? Or maybe you have even seen the trailer for “Breakthrough” before one of those family friendly movies at your local multiplex?

There’s a good chance that you have been able to see the trailer, as explained in this Religion News Service piece. That fact alone turns this into a somewhat different “Christian movie in the marketplace” story than the one that “Crossroads” host Todd Wilken and I discussed during this week’s podcast (click here to tune that in).

Why? Hang in there with me, because this will take some explaining.

Producer DeVon Franklin was “blown away” by the Smiths’ story several years ago when he met Joyce and John Smith and their pastor, Jason Noble, while promoting his film “Miracles From Heaven.” …

The producer said “Breakthrough” builds on the success of the other films he has produced with explicitly Christian messages: “Miracles From Heaven,” which also is based on the true story of a mother holding on to faith as her child faces a health crisis, and “The Star,” an animated film telling the story of Jesus’ birth from the viewpoint of the animals.

And it’s well positioned to reach even more people, he said. Franklin said he was surprised how many movies the trailer has accompanied in theaters since then and by the positive response they have received. He’s seen “unprecedented interest in this type of content,” he said.

Now, if the trailer for this movie is showing in front of lots of mainstream films — like the superheat “Mary Poppins Returns” — and reaching family friendly audiences, then that would mean that “Breakthrough” is rated PG — which it is. The film has also been welcomed, without rancor, into the world of social media.

So how is this different from that other Christian-market movie that is in the news right now? What have you read about “Unplanned” and its attempts to reach the emerging marketplace for faith-driven films?


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