Chris Carter

Rolling Stone searches for theological cornerstone in X-Files and, alas, drops the ball

I was never addicted to the X-Files back in its classic era, but I was almost always aware of what was going on in the series because of updates from my Milligan College students -- especially in my "Exegete the Culture" senior seminar on faith and mass media.

Religious issues kept showing up in the show's believer-doubter format, with plots built on a never-ending search for the supernatural. One semester, a bright youth-ministry major wrote a brilliant paper -- the curricula for a weekend retreat for high-schoolers -- based on three X-Files episodes that focused on prayer, healing and life after death. The show was asking lots of interesting questions, which had to be coming from somewhere.

So I wasn't surprised that the recent Rolling Stone profile of X-Files creator Chris Carter (linked, of course, to the six-episode Fox reboot) explored some religious themes. I was also -- alas -- not surprised when a key religion fact got mangled. More on that in a minute.

But, for starters, wouldn't you like to know more about the roots of the Amazon project mentioned in this section of the story?

Though Carter doesn't admit this, his return to Hollywood (not counting a second X-Files film he wrote in 2007) must have been disappointing for the man who ruled the medium a decade earlier. A series about the Salem witch trials that he created for Showtime never made it to air. Same with an Area 51 drama he worked on for AMC. And ditto for a conspiracy thriller, Unique,which he developed at Fox.

But the toughest hit was his 2014 Amazon pilot, The After, a Sartre-meets-Dante serial drama set in the intersection of Los Angeles and Hades.


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