Cathedral of St. John the Divine

Any darkness to report? The cathedral dean (and bishop) who led St. John the Divine to relevancy

Obituaries are an interesting and unique form of journalism.

On one level, these news features — especially long takes on the lives of the famous — are tributes to people who shaped our culture. There are cases, of course, in which people become famous for negative, as well as positive, reasons. It would be strange to see an obit of former President Bill Clinton that avoided the flaws, and possible crimes, that led to his impeachment.

There are also people whose lives become intertwined with controversial people. It’s hard to imagine, at some point in the future, an obituary for Bob Weinstein that didn’t mention the #MeToo excesses of his brother Harvey Weinstein during their years working side by side. Consider this passage from a New York Times story last fall:

Time’s Up, a Hollywood-based advocacy group begun in the wake of the Weinstein revelations and the #MeToo effort, quickly issued a statement after learning of Bob Weinstein’s new production company.

“There could have been no Harvey Weinstein without the complicity of Bob Weinstein, who for years put profits ahead of people’s lives as Harvey terrorized women throughout the industry,” the statement read.

This brings me to the recent Times feature obit that ran with this dramatic double-decker headline:

James Parks Morton, Dean Who Brought a Cathedral to Life, Dies at 89

Leading the Cathedral Church of St. John the Divine for 25 years, he sought to make it central to urban life.

Morton was a liberal Protestant hero who led an Episcopal sanctuary that served as a Maypole around which activists of many kinds danced. However, his career was closely connected with an even more famous liberal Christian hero — Bishop Paul Moore — who was hiding secrets. Hold that thought.

Let’s start with the glowing Times overture.


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Podcast thinking: Why do many reporters avoid theological news on religious left?

Back in the fall of 1993, I made — believe it or not — my first-ever trip as an adult to New York City. I had covered many important news stories in American and around the world, but had never hit the Big Apple.

I stayed in a guest room at Union Theological Seminary, since I would be attending what turned out to be, for me, a pivotal religion-beat conference at the nearby Columbia University School of Journalism. But that’s another story for another day.

Here is the story for this week’s “Crossroads” podcast (click here to tune that in), which is linked this week’s Twitter explosion in which Union Seminary students confessed their environmental sins to some plants and sought forgiveness.

On that beautiful New York Sunday morning, I decided to head to the Episcopal Cathedral of St. John the Divine. I was, at the time, an evangelical Episcopalian (with high-church sympathies) at I was trying to run into my wife’s favorite author — Madeleine L’Engle (click here for my tribute when she died). She was writer in residence at the cathedral, but later told me that she worshipped at an evangelical parish in the city.

Why did she do that? Well, in part because of services like the “Missa Gaia (Earth Mass)” I attended that Sunday. As I wrote later in a piece called “Liturgical Dances With Wolves”:

In the Kyrie, the saxophonist and his ensemble improvised to the taped cry of a timber wolf. A humpback whale led the Sanctus.

Skeptic Carl Sagan preached, covering turf from the joyful “bisexual embraces'' of earthworms to the greedy sins of capitalists. The earth, he stressed, is one body made of creatures who eat and drink each other, inhabit each other's bodies, and form a sacred “web of interaction and interdependence that embraces the planet.'' … The final procession was spectacular and included an elephant, a camel, a vulture, a swarm of bees in a glass frame, a bowl of blue-green algae and an elegantly decorated banana.

The key moment for me?

Before the bread and wine were brought to the altar, the musicians offered a rhythmic chant that soared into the cathedral vault. … “Praises to Obatala, ruler of the Heavens. Praises to Obatala, ruler of the Heavens. Praises to Yemenja, ruler of the waters of life. Praises to Yemenja, ruler of the waters of life. Praises to Ausar, ruler of Amenta, the realm of the ancestors. Praises to Ra and Ausar, rulers of the light and the resurrected soul.” …

Then the congregation joined in and everyone sang “Let all mortal flesh keep silence.' “


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