Music

Personal note, and post-Thanksgiving thinking from The Free Press: 'What We're Grateful For'

Personal note, and post-Thanksgiving thinking from The Free Press: 'What We're Grateful For'

How was your Thanksgiving? Mine was pretty serious, although it really helped to spend it with a circle of friends from the thriving St. Anne Orthodox Church here in Oak Ridge, Tenn. It was a day to give thanks — including for the life and witness of a dear friend, David Waite, who died recently.

This made me think of the days when David, in the middle of a long fight with cancer, was completely locked down (for obvious reasons) during COVID-tide. We saw him during Zoom classes, but missed him during worship services, even when they were held outdoors (think Holy Week in a revival tent). And David missed a Thanksgiving service that he dearly loved.

This leads me to an “On Religion” column that I wrote during that time about the Orthodox Akathist of Thanksgiving (see the YouTube at the top of this post), a litany of poetic Russian prayers created during hellish persecution by the Bolsheviks (.pdf here). Here is some key material from that column:

An "akathist" is a service honoring a saint, a holy season or the Holy Trinity. Many trace this akathist to the scholarly Metropolitan Tryphon, a well-known spiritual father at the height of the persecution. The version of the service used today was found in the personal effects of Father Gregory Petrov, who died in 1940 in a concentration camp.

It is also important that "Glory to God in all things" were the last words spoken by St. John Chrysostom, the famous preacher and archbishop of Constantinople who died in 407 after being forced into imprisonment and exile by his critics.

Later, there is this:

The service offers thanksgiving for many kinds of gifts and events in life, from the moonlight in which "nightingales sing" to valleys and hills that "lieth like wedding garments, white as snow." Worshippers offer thanksgiving for the "humbleness of the animals which serve me," as well as "artists, poets and scientists," because the "power of Thy supreme knowledge maketh them prophets and interpreters of Thy laws."

But near the end, a priest chants the crucial theme: "How near Thou art in the day of sickness. Thou Thyself visitest the sick; Thou Thyself bendest over the sufferer's bed. His heart speaks to Thee. In the throes of sorrow and suffering Thou bringest peace and unexpected consolation."


Please respect our Commenting Policy

Rolling Stone readers will be shocked: Flamy Grant's cock-and-bull tale of oppression

Rolling Stone readers will be shocked: Flamy Grant's cock-and-bull tale of oppression

Ethan Millman of Rolling Stone had an amusing story on his hands, if ideology had not prevailed and rendered it into an uncritical public relations piece.

The story is this: The Recording Academy changed the category of the album “Bible Belt Baby by Flamy Grant from Contemporary Christian Album to Best Pop Vocal Album. Millman reports that the change was the result of vulgarities in the song “Esther, Ruth, and Rahab,” which includes this line: “God would only hear a prayer/If it came from a person with a cock.”

Millman quotes this statement from the Recording Academy that confirms its reason for making the change: “Re-categorizing recordings with explicit language/content has been a standard practice for the Gospel & CCM genre committee, given that the Gospel & CCM Field consists of lyrics-based categories that reflect a Christian worldview.”

And that’s the point when the detachment of traditional journalism concludes. I am sure that is shocking to Rolling Stone readers.

The rest of the story hands the microphone to Matthew Blake (the offstage name of Flamy Grant), who has a sense of humor about a great many things other than his victimization narrative. In this story, his word is printed as gospel.

First Blake complains about the category change — one that most purveyors of Contemporary Christian Music would welcome, given the genre’s reputation as being bland and dull.

But Blake believes the change “completely buried me” because, as Millman explains, Blake would “now be measured against the likes of the world’s biggest superstars as opposed to a smaller niche of peers from the Christian music community.”

Next, Blake presents as a naif in the woods of Big Music: “This is all so new to me; I’m pretty clueless about the inner workings of the music industry.”


Please respect our Commenting Policy

Podcast: Another sexy version of the old New Age arrives, with the 'Secular Sabbath'

Podcast: Another sexy version of the old New Age arrives, with the 'Secular Sabbath'

This podcast post really needs a soundtrack. So, please click on this Secular Sabbath video and leave it running. Then open the GetReligion post in a second browser window and start reading. This will help with the content — I promise.

This week’s “Crossroads” discussion (CLICK HERE to tune that in) focused on a timely, solid feature at The Free Press with this catchy headline: “Can You Find God in a Bikini?” The story was timely because, in many ways, this is a news story that has been with us for decades (if not for centuries, viewed from a theological, pre-electronic-trance-music point of view).

To understand my thinking here, it helps to follow a timeline linking a few books on this topic.

Let’s start here, with “Understanding the New Age,” which was researched in the late 1980s by the great religion-beat pro Russell Chandler. The key to this vague New Age thing, he said, is the movement’s “view of the nature of reality, which admits to no absolutes” and, thus, all “standards of morality” are “relative.”

In the mid-1990s, linked to another burst of New Age media buzz, I interviewed Chandler and the resulting “On Religion” column included this thesis:

A few years ago, most generic bookstores had a "New Age" section. Today, this is rare. But this doesn't mean that the wave of religious trends that crested in the 1980s simply vanished. Truth is, it soaked in.

"You don't see New Age shelves anymore because you can find New Age books in almost every part of the store," said Russell Chandler, an award-winning religion writer best known for his 18 years at the Los Angeles Times. "They're in the psychology section and over on the women's shelf. You'll find them under self-help, stress, holistic health and the environmental, too."

The day of New Age cover stories in news magazines may have passed, but that's beside the point. New Age faith, said Chandler, has "become so visible that it's now all but invisible."

Reading Chandler led me to New Age preachers such as Marianne Williamson (yes, she is seeking — again — the White House as a Democrat) and her bestselling book “A Return to Love: Reflections on the Principles of A Course in Miracles.


Please respect our Commenting Policy

Podcast: God knows, there's more to rising tensions in country music than politics

Podcast: God knows, there's more to rising tensions in country music than politics

Gentle readers, here is the GetReligion question for this week.

Here we go: Who would you trust to know more about the complex cultural, moral, religious and, yes, political world of country music — the editors of Rolling Stone magazine or the late, great Johnny Cash?

I asked this question during this week’s “Crossroads” podcast (CLICK HERE to tune that in), which focused on a Rolling Stone feature with this headline: “The Culture Wars Are Tearing the Close-Knit Country Music Community Apart.”

To cut to the chase, these country music fights are all about politics — of course. And also, it’s totally new (#NOT) for country stars to speak out on issues of culture, morality, family, politics, economics, race, etc. Forget that Hank Williams guy, Jimmie Rodgers, Merle Haggard, Loretta Lynn and lots of other superstars.

People like Cash. It helps to read this next quote slowly and imagine the Man in Black’s voice-of-God singing and speaking tones

:… When asked to describe his musical values, Cash preached country gospel: "I love songs about horses, railroads, land, judgment day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak and love. And mother. And God."

Yes. there’s some politics in there — along with some other important topics.


Please respect our Commenting Policy

Thinking just a little bit about Jimmy Buffett, the laid back Catholic troubadour?

Thinking just a little bit about Jimmy Buffett, the laid back Catholic troubadour?

I wrote this short “think piece” just before heading out the door on a trip to our old stomping grounds in South Florida.

The timing is a coincidence, with zero connections to some follow-up reflections on my recent post — “New York Times offers flashback to sacraments offered by the priest of the Parrotheads” — about some religion “ghosts” linked to coverage of the late singer-songwriter Jimmy Buffett.

I had no idea that there would be some Catholic-press coverage pointing to some faith-centered threads in his music. Hold that thought. Here is a small chunk of my GetReligion post noting the Big Idea in the Times story:

The basic idea is that the singer-songwriter was a kind of guru-priest who was looking at the humdrum lives being lived by millions of Americans. He saw this and, looking out from the center microphone on stage during his never-ending tours, he had compassion on them.

After all, he had seen this relationship before. When fans sang along in the crowd, it created, as noted in the Times feature, a “unified hum, reminding Mr. Buffett of the recitation of prayers in church during his altar boy days.”

Was there more to the theological content of Buffett’s lyrics than that? The Catholic News Agency offered a feature with the headline, “Jimmy Buffett: more Catholic than you think?”

While admitting that there was little overt Catholic content in the singer’s public life and remarks, this new piece dug back to earlier interpretive work by Stephen M. Metzger, writing for the Church Life Journal at Notre Dame University.

“[I]t is clear that Catholicism left an indelible mark on his imagination,” wrote Stephen M. Metzger, a scriptor (cataloguer of Latin manuscripts) and graduate of the University of Notre Dames Medieval Institute. … Buffett attended St. Ignatius Catholic School and went on to graduate from McGill-Toolen Catholic High School, which remains the most prominent Catholic high school in Mobile, Alabama. 

Metzger said evidence of Buffett’s Catholic upbringing shone through in his work, even if his songs weren’t explicitly Catholic.


Please respect our Commenting Policy

New York Times offers flashback to sacraments offered by the priest of the Parrotheads

New York Times offers flashback to sacraments offered by the priest of the Parrotheads

Although I have lived in West Palm Beach, and I once saw Jimmy Buffett riding his bike near the ocean on Palm Beach Island, I claim absolutely zero personal insights into the philosophy and lifestyle of Parrotheads.

However, I saw a tweet by Ross Douthat pointing readers to an excellent New York Times profile of Buffett linked to the 2018 success of the jukebox Broadway musical celebrating his life. The headline: “Jimmy Buffett Does Not Live the Jimmy Buffett Lifestyle.” In a way, this feature by Taffy Brodesser-Akner can be read — I think this is what Douthat had in mind — as a kind of meditation on the long, warm Buffett obituaries that are running wherever Baby Boomers get their news.

At first glance, there is next to zero religious content in this feature. Then I took off my journalism-commentary glasses and read this feature through the eyes of the Denver Seminary professor that I was, briefly, in the early 1990s. Hold that thought, because we will come back to it.

Now, read this large chunk of the Times feature and start looking for hints at the role that Buffett played in the lives of his, well, disciples.

One day he realized that even if you were the supply, you could also be the supply chain. “It’s up to you to figure out how to take advantage or to manage whatever you’re going to do,” he said. “Margaritaville” was a hit in 1977. But more important, on that day, Margaritaville® was born.

He established Mailboat Records, his record label, in 1999. He went from making $2.20 per album to making $6 an album, he told me. He built his own tour buses, because it costs five times more to rent equipment than to own it yourself. He then rented out that equipment to other acts. And he took charge of his merchandise. He didn’t do it because he was greedy. He did it because he could do it better than the people who were ripping him off with concert T-shirts that spelled his name as Buffet.

He sold his fans quality, spell-checked T-shirts. He played clubs all over the country, but it was the crowds in landlocked areas that seemed to love him most. In Pittsburgh, he and his Coral Reefer band mates noticed that fans had started wearing Hawaiian shirts, just like they did, to the shows. One night, in Cincinnati, his bass player Timothy B. Schmit (also of the Eagles) likened them to Deadheads, the way Grateful Dead fans would follow that band. And so they were christened Parrotheads, just as a joke, but then fans began to wear feathers and beak masks to shows. “In their minds they wanted to go to the ocean,” he said. He understood he was bringing the ocean to them. He was no longer just a singer. Now he was a guru.


Please respect our Commenting Policy

Are congregations ready to help carry the unique spiritual burden of autism?

Are congregations ready to help carry the unique spiritual burden of autism?

Many modern churches may be weak when it comes to architecture and sacred art, but they almost always have concert-level lighting, sound and multi-media technology.

But in a few sanctuaries linked to ancient traditions, worship leaders are trying something different. In some Eucharistic services, they are offering autistic worshippers an atmosphere that is more calm and less intense.

"If you look at many church services from the point of view of highly sensitive people -- especially autistic children -- there is too much noise, too many lights," said Father Matthew Schneider, known to online Catholics as @AutisticPriest. "We can turn down the lights. We can turn down the volume. We can do a few things to accept these families and let them feel more comfortable."

For neurodivergent people, it actually helps that ancient rites are built on repeated gestures, prayers and music that become familiar. Schneider experienced this phenomenon in seminary, but grasped its importance when he was diagnosed as autistic several years after his ordination.

"If you do something over and over, then I know what's coming. I have time to take that in. I know what is happening and why," said Schneider, who currently teaches theology at Belmont Abbey College near Charlotte, North Carolina.

"If you throw me a curve ball, it may take me some time to get over the shock. That's just a reality for autistic people. ... If I'm familiar with a service -- stand up, kneel down, look right, look left -- that can become comfortable."

Religious leaders will have to face these issues after seeing waves of stunning statistics from the Centers for Disease Control and Prevention and other groups studying neurodiversity trends. For example, in 2000, 1 in 150 children were somewhere on the autism spectrum. That number was 1 in 36, in recent CDC data. And 26.7% of autistic children now display "profound" symptoms.


Please respect our Commenting Policy

Podcast: 'Young men are puttin' themselves six feet in the ground' and other suicide news

Podcast: 'Young men are puttin' themselves six feet in the ground' and other suicide news

Here’s a sad question for the day: How many opioid overdoses could be classified as suicides?

There’s no way to know, is there? If people are trying to bury their pain, depression and anxiety in pills or needles, how would public officials know — without a suicide note — that an overdose was intentional? What if victims are on a path suggesting that they simply don’t care whether they live or die?

Suicides involving guns are much more definitive.

This brings us to some of the issues discussed during this week’s “Crossroads” podcast (CLICK HERE to to tune that in), which focused on a totally religion-free Associated Press story that ran with this headline: “US suicides hit an all-time high last year.

As you would expect, this report featured lots of tragic numbers and then tried to answer the “why” question in the classic journalism mantra “who,” “what,” “when,” “where,” “why” and “how.” In this case, the “why” and the “how” factors were one and the same.

GetReligion readers will not be surprised that I suggested there were cultural, moral and religious questions looming over this topic. Since I live in Southern Appalachia, I offered some research tips for how religion-beat journalists — if editors were to give them a chance — could find ways to broaden this topic to include trends (such as opioid overdoses) linked to the suicide numbers. Hold that thought.

First, here is the AP overture:

NEW YORK (AP) — About 49,500 people took their own lives last year in the U.S., the highest number ever, according to new government data posted Thursday.

The Centers for Disease Control and Prevention, which posted the numbers, has not yet calculated a suicide rate for the year, but available data suggests suicides are more common in the U.S. than at any time since the dawn of World War II.


Please respect our Commenting Policy

Plug-In: The Saturday Night Live protest by Sinéad O'Connor was a sign of anger to come

Plug-In: The Saturday Night Live protest by Sinéad O'Connor was a sign of anger to come

After a busy day of flying from Oklahoma City to Los Angeles and then driving to San Diego, I filed this week’s newsletter a bit late.

Confession time: I forgot how slowly everything moves in Southern California, from baggage claim to the rental car line to the clogged highways. I just ran out of time Friday before needing to take care of more important matters.

Without further delay, let’s jump right into our weekly roundup of the top headlines and best reads in the world of faith. We start with Wednesday’s death of Sinéad O’Connor at age 56.

What To Know: The Big Story

Sinéad O’Connor’s protest: The Irish singer-songwriter — who famously ripped up Pope John Paul II’s photo on “Saturday Night Live” in 1992 — condemned clergy sex abuse early, but America didn’t listen, the New York Times’ Liam Stack recounts.

In her native country, O’Connor was a lonely voice for change until Ireland changed with her, according to the NYT’s Ed O’Loughlin.

The Catholic Church’s abuse scandals “made Ireland more secular, and more understanding of her criticisms,” O’Loughlin’s story notes.

Career-altering flashpoint: The Associated Press’ Holly Meyer examines O’Connor’s legacy:

More than 30 years later, her “Saturday Night Live” performance and its stark collision of popular culture and religious statement is remembered by some as an offensive act of desecration. But for others — including survivors of clergy sex abuse — O’Connor’s protest was prophetic, forecasting the global denomination’s public reckoning that was, at that point, yet to come. O’Connor, 56, died Wednesday.


Please respect our Commenting Policy